In a similar vein, I wrote the following dance (
http://www.grantgoodyear.org/dance/dances.html#chris-lisa-found-each-other-circle-mixer-june-1997)
which also has an active lost-and-found in the center...

Chris & Lisa Found Each Other (Circle mixer, June
1997)<http://www.grantgoodyear.org/dance/dances.html#id6>
A1. (16) P swing A2. (8) Circle left
(8) Circle right B1. (8) Into the center and back
(8) Into the center and back, end facing P and taking right hands B2. (16) Pull
by to a single file promenade w/ men on the inside promenading ccw, women
on outside promenading cw, look for a new partner  Notes:

   1. Written for the wedding of Chris Johnson and Lisa Edwards.
   2. This dance is almost as much of a game as it is a dance, since I
   deliberately designed this dance so that it would be common for dancers to
   *not* have a partner at the end of B2. Thus, they would have to find a
   new partner from the "lost-and-found" in the center.
   3. Experienced dancers have to be told up-front that the pull-by in B2
   does *not* start a grand right and left.
   4. I frequently use this dance with beginners because it's easy, lots of
   fun, and it sneakily gets across the idea that when something goes "wrong"
   in a dance, the dancers can fix it.




On Fri, Sep 27, 2013 at 11:25 AM, Bill Olson <[email protected]> wrote:

> Hi Linda, I really see no need to "fix" the dance. Truth is I wouldn't
> even THINK about trying to change a Gene Hubert dance, well not now anyway,
> I must admit I did address this originally and decided everything I could
> think of made an elegant dance "clunky". It really IS just fine the way it
> IS!! Just not a dance for a small crowd.
>
> as far as I'm concerned, this dance should stay the way it IS and has
> never failed to be ahit with the dancers. If someone wants to write a new
> dance that addresses the problem that women's arms are shorter than men's
> (on the average), that is fine with me. I love Gene Hubert's dances, loved
> the man, considered him a good friend and really, "fixing" one of his
> dances just doesn't seem right to me!!
>
> cheers
>
> b
>
>
>
>
> > From: [email protected]
> > To: [email protected]
> > Date: Fri, 27 Sep 2013 12:07:38 -0400
> > Subject: Re: [Callers] Favorite mixers?
> >
> > Another solution to the short arms problem, Bill, might be to have the
> > couples face differently:   women (or those dancing this role) face
> > out, and men face in for the forward and back.....
> > Linda
> >
> > On Sep 27, 2013, at 10:59 AM, Bill Olson wrote:
> >
> > > The Wheel, circle mixer by Gene Hubert
> > >
> > > A1 Promenade (CCW)(16)
> > > A2 (face partner Gents facing out, Women facing in) join 2 hands
> > > with partner and walk ~8 steps IN (8), join hands in concentric
> > > circles and walk ~8 steps back out (8)
> > > B1 all circle LEFT (opposite directions obviously)
> > > B2 *SWING* (nearest person)
> > >
> > > This dance is a riot. needs MANY couples in circle and resist urge
> > > to make 2 sets because even when dancers line up originally in
> > > circle NEXT to partner, they are never that way in the actual dance.
> > > Lots of craziness at swing, lost and found in the middle. gender
> > > changes happen here, also if dancer cannot find a partner at swing
> > > (or promenade) stay in dance with "invisible partner" and try again.
> > > Needs many couple to make it work, especially since women are on the
> > > outside of the concentric and have shorter arms on the average. If
> > > this becomes a problem 9womens arms being pulled out or arm sockets)
> > > tell dances "big steps in, short steps out"..  often, after a few
> > > times thru, I tell the dancers to "let the music tell them when to
> > > swing" in B2, then it's REALLY a riot. This works for dancers of ANY
> > > level! I've never had experienced dancers not have a good time.
> > >
> > > I miss Gene!
> > >
> > > bill
> > >
> > >
> > >
> > >
> > >> Date: Thu, 26 Sep 2013 15:47:32 -0700
> > >> From: [email protected]
> > >> To: [email protected]
> > >> Subject: [Callers] Favorite mixers?
> > >>
> > >> I'd love to add a few more mixers to my repertoire.  Which ones do
> > >> you
> > >> like for beginning groups or for early in the evening?  And do you
> > >> have
> > >> some that more advanced groups can enjoy?
> > >>
> > >> Kalia
> > >> _______________________________________________
> > >> Callers mailing list
> > >> [email protected]
> > >> http://www.sharedweight.net/mailman/listinfo/callers
> > >
> > > _______________________________________________
> > > Callers mailing list
> > > [email protected]
> > > http://www.sharedweight.net/mailman/listinfo/callers
> >
> > _______________________________________________
> > Callers mailing list
> > [email protected]
> > http://www.sharedweight.net/mailman/listinfo/callers
>
> _______________________________________________
> Callers mailing list
> [email protected]
> http://www.sharedweight.net/mailman/listinfo/callers
>



-- 
Grant Goodyear
web: http://www.grantgoodyear.org
e-mail: [email protected]

Reply via email to