Jim, as I look at your set of dances the first question that occurs to me is how you dealt with the improper formation without reference to gender/dance-role.

Kalia

On 6/1/2015 8:14 AM, Jim Hemphill via Callers wrote:
A friend told me about Brooke Friendly's style of calling ECD and that
was part of the inspiration for this contra program.
Jim

On Mon, Jun 1, 2015 at 9:24 AM, Roger Hayes <[email protected]
<mailto:[email protected]>> wrote:

    Check out Brooke Friendly and Chris Sackett's English Country dances
    - they use "geographic" terms, and structure the dances without
    gender roles. It's different, but the dance does keep changing, it's
    a live art.

    http://www.brookefriendlydance.com/

    Aside from Mr. Hemphill's effort recently here described, I know of
    no comparable endeavor in contra dance choreography - I suppose
    we're more traditional than ECD. Does anyone have info to share?

    Roger Hayes

    Jim - I don't think I am alone in wondering how you managed this
    without telling the dancers. I take that to mean you didn't make it
    gender free by the terminology you used (jets or whatever) but by
    the kinds of dances you chose.  I'd love to read more details about
    what this entailed.

    Please share more!

    Amy
    206 330 7408 <tel:206%20330%207408>
    [email protected] <mailto:[email protected]>

    On Jun 1, 2015, at 5:37 AM, Jim Hemphill via Callers
    <[email protected]
    <mailto:[email protected]>> wrote:

    The recent discussions on this topic inspired me to try an
    experiment in gender free calling.  Last night I called the
    contra dance in St. Louis using gender free calling without
    telling anyone.    The experiment was a great success.  I received
    lots of  positive feedback on the evenings dance.  At the break
    and after the dance I made a point to ask several dancers, some
    were callers as well, if they noticed anything different or
    unusual about the dances or how I taught them.   One person
    noticed that there were more dances that included a swing in the
    center for couple 2 than usual.  No one I talked to noticed that
    the calls and teaching were gender free.
    It took some extra time to construct a fun, diverse 3 hour
    program, but it is certainly possible.  Re-labeling the dancers is
    not the only way to call gender free.
    If you are interested in the program I used or the larger
    collection of gender free dances I chose the program from, send me
    an email, [email protected] <mailto:[email protected]>.
    Thanks,
    Jim Hemphill
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