Damn, Jerry, I thought I was reading Tony Robbins for a few minutes 
there.  :) Good ideas, man.  And I have virtually no interest in the 
punk scene whatsoever.

Jerry Johnson wrote:
> First, I can't recommend any book more highly than The Tipping Point
> right now. Get it. Read it. Think about it. Good stuff.
> 
> Next, when I say radio, I don't neccessarily mean traditional
> broadcast radio. I know that is not where I find my stuff (and haven't
> for two decades). But there are places and people who still serve the
> same function for me as traditional radio. The place where people go
> to hear the latest music, the old classics, the talk about the scene.
> Online stations. Live365 broadcasts. shoutcast streams. podCasts. The
> iPod of the bartender at my local hangout. Mixed tapes from friends.
> My sister. You need to get the people that your people listen to and
> trust on the topic of music to talk about your show. Not because they
> have to, but because they want to pass the info on.
> 
> I get the no traditional tickets, but there should be something that
> serves a similar purpose.
> Something I can throw on my bedstand and remember that I actually went
> out for a change.
> I think your key to success will be to get some people who are not
> regulars on the scene to augment the regulars. Probably 2 to 1. Or,
> instead of tickets, do something else. For example, at most shows I've
> been to, its all been about the hand-stamp. Do something with that.
> Have the image of the stamp be the codeword to get in to the show info
> on your site. Have multiple images each night that are pieces of a
> puzzle, or iconographs in a picture-sentence (think of the cap of a
> heffenreffer). Have a contest to see who can figure out the puzzle for
> the evening. (this would require people actually talking to other
> people to see their stamps) Use ink that only shows under a
> blacklight, and put a couple of blacklight lamps near the cd/tshirt
> table.
> 
> Most of these ideas are stupid and won't help, but they might spark something.
> 
> I know your audience will pretend they don't like such things, but I
> have found the punk audiences to be smarter than the average bear, and
> for the most part are willing to do stupid things in public. Give em a
> chance and a reason. I don't know what, though. Hold a karaoke contest
> at a karaoke bar featuring music from the set list. (imagine the
> sinatra singers and their surprise)
> 
> Have an iPod station that lets you download a song right there at the show.
> 
> Have a decent photog at each show, and take a few good pictures, write
> a decent short article about the show, and make it available to all
> your local press. (Do their work for them. They always need content,
> often don't have the resources to get it, and usually hear about the
> good stuff way after it happens.)
> 
> Make PDF of flyers available on your site. Let your street teams print
> them and hand them out.
> Let your street team signup and coordinate online.
> 
> Get a few bartenders or other service folk, give them free entry, and
> give them a few free passes to hand out. (Make them part of your
> street team).
> Send out your street team two hours before the show to all the
> surrounding businesses, and have them ask people who look like they
> might go "Hey, am I going to see you at the show tonight..."
> Since it is an all-ages venue (and therefore no booze), can people
> leave, go to another bar for a drink, and come back (I am not
> strait-edge, liked to drink a little when out, and typical dipped out
> now and then during long shows). If so, get the local bars to offer
> them a discount with the stamp during a show. Same with dinner if you
> can swing it.
> All-ages venue - how do you get the kids in? Article in school newspapers?
> 
> 

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