Eeeugh. Remarkably well done. As in I couldn't figure out how they did it.
Finally, someone explained. They hired a guy with a glass eye. They took
out the glass eye and put in one from a butchered sheep. Then they cut it.
/Nasty/ in the nastiest sense of nasty. *shudder*
-- Ben Doom
Programmer & General Lackey
Moonbow Software, Inc
: -----Original Message-----
: From: Larry C. Lyons [mailto:[EMAIL PROTECTED]
: Sent: Friday, September 12, 2003 12:36 PM
: To: CF-Community
: Subject: RE: The Mouse meets the Moustache
:
:
: For those of you not familiar with this Dali film its from the 1920's. It
: opens with what looks like someone slicing open a person's eyeball. Quite
: well done.
:
: larry
:
: At 11:24 AM 9/12/2003, you wrote:
: >Yeah, but let's avoid sheeps eyes, eh? I just couldn't watch that scene.
: >Literally -- my eyes teared up so bad I was blinded temporarily.
: >
: >
: >
: >-- Ben Doom
: > Programmer & General Lackey
: > Moonbow Software, Inc
: >
: >: -----Original Message-----
: >: From: Larry C. Lyons [mailto:[EMAIL PROTECTED]
: >: Sent: Friday, September 12, 2003 11:15 AM
: >: To: CF-Community
: >: Subject: Re: The Mouse meets the Moustache
: >:
: >:
: >: Considering what La Chein D'Andolu (pardon my spelling) was like, this
: >: should be very interesting.
: >:
: >: larry
: >:
: >: At 11:14 AM 9/12/2003, you wrote:
: >: >Cool!
: >: >
: >: >--
: >: > jon
: >: > mailto:[EMAIL PROTECTED]
: >: >
: >: >Friday, September 12, 2003, 11:06:13 AM, you wrote:
: >: >LCL> From Wired:
: >: >
: >: >LCL> Disney Reanimates Dali's Flick (DAT's Entertainment
: 2:00 a.m. PDT)
: >: >LCL>
http://go.hotwired.com/news/digiwood/0,1412,60385,00.html/wn_ascii
>: >
>: >
>: >LCL> Salvador Dal�, the outrageous Spanish artist, considered
>: Walt Disney a
>: >LCL> compatriot in subversive art. They tried to make a film together
but
>: >LCL> shelved the project. Now, the Disney studio is reviving the very
un-
>: >LCL> Disneyesque work 57 years later. By Jason Silverman.
>: >LCL> . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
>: >
>: >
>:
>
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