Alexandre, I have translated a PD patch (see the last graph on this page <http://pd-tutorial.com/english/ch03s06.html>) and it is modulating AND responding to frequency changes. See if this does the trick for you (doesn't sound exactly like your SC code, but I think some fiddling with modulation index can be useful):
Step imp; // now I am using an impulse to generate sound after calculating stuff from phasor/sinosc Phasor carrier; // Miller said to do so ;) SinOsc modul; // a phasor as carrier, a sinosc as modulator Gain g; // this object serves only to sum the signals 1 => g.op; // op number 1 is sum. 400 => carrier.freq; 201 => modul.freq; 1 => float ind => modul.gain; // so, modul. signal * index + carrier signal. imp => dac; // impulse is actually generating sound carrier => g => blackhole; // both generators go through a Gain object an then to the blackhole modul => g; // so that they only lend data to the Impulse generator while ( true ) { // this loop includes a timed function only to show that this stuff responds to changes into carrier's frequency now + 1::second => time later; while (now < later) { Math.cos(g.last()) => imp.next; // i am running this through a Cosine function since Phasor is a ramp (let's smooth that) 1::samp => now; } if ( maybe ) 20 + carrier.freq() => carrier.freq; else -30 + carrier.freq() => carrier.freq; } Please notice that Miller Puckette's approach includes using the phasor as *carrier* and sinosc as *modulator*, so that we can separate phase treatment and wave generation (phasor + cos). I am using an Impulse generator in order to be allowed to pass the resulting signal through the cosine function before sending it to DAC. Keep trying... Em dom, 4 de jun de 2017 às 03:34, Alexandre Torres Porres <por...@gmail.com> escreveu: > 2017-06-04 2:35 GMT-03:00 Alexandre Torres Porres <por...@gmail.com>: >> >> >> It's not easy to explain, but you found the magic number/formula that >> makes Frequency modulation sound like Phase Modulation. >> > > Actually, I shouldn't have said this, I don't wanna give you the idea it > comes down to this, but there are just too many details I didn't want get > into, sorry. What I can say is that you got pretty close, not 100% there > yet, and that is not as simple as just doing this every time, it gets more > complicated. > > Sorry again for not getting into the math and everything. What I'd like to > add is that people use phase modulation instead of trying to replicate it > via frequency modulation cause it's just more convenient to do directly via > phase modulation if you want it to behave like that. > > cheers > > > -- Jean Menezes da Rocha Compositor Professor Doutorando em Música pela Universidade Federal da Bahia
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