I will need to check with Lanie Graf about the rights for performance.
   I think it may be a semantic issue of what qualifies as "music". I
   believe the permission should be sought only for the reproduction of
   the tablature (music) of physical manuscript (e.g. you would need to
   seek permission if you were to create an edition or include a
   photograph as part of a book).
   Let me find out, and sorry for the confusion. Thanks also to all of
   those who have taken an interest in this music!
   Andrew
   At 01:57 AM 8/16/2009, you wrote:

     Hello Stuart,
     That is strange nobody can play a music which is almost 300 years
     old. In France, at this age, music is public with no more rights".
     I am probably wrong, but I don't see well the problem.
     Damien
     ----- Original Message ----- From: "Stuart Walsh"
     <s.wa...@ntlworld.com>
     To: "Andrew Hartig" <cittern2...@theaterofmusic.com>
     Cc: <cittern@cs.dartmouth.edu>
     Sent: Saturday, August 15, 2009 11:42 PM
     Subject: [CITTERN] Re: Moravian Choralbuch

     Stuart Walsh wrote:

     Andrew Hartig wrote:

     Dear all,
     Some time back Andy Rutherford had told us about a manuscript book
     (BMB4) in the Moravian Archives of Bethlehem, PA (USA) for 6-course
     cittern, tuned GCEgbe. Andy managed to get over there to take some
     photos, and after quite a few emails with the folks at the Moravian
     Archives, I am pleased to announce that Andy's photographs of the
     book are now available for public download from my web site.
     I have compiled all of his photos into a single PDF (25 MB). You can
     get to it from the "Music Files" page of the Renaissance Cittern
     Site, [1]http://cittern.theaterofmusic.com/musicfiles/ (scroll down
     to the "box" for 18th century music), where perhaps you may also
     find something else of interest.
     Special thanks again to Lanie Graf and all the other fine people of
     the Moravian Archives and Andy Rutherford for working together to
     make this possible!
     -Andrew

     Very interesting and a great resource. Thanks Andrew.  There's lots
     to ponder. For example the funny little 11 sign, which is perhaps an
     ornament.  And these settings include the tune, as sung?
     The chorale settings seem (after a quick look) quite full, with
     voice leading etc.  No 40 sounds vaguely familiar. Here's a quick
     recording on a factory-made Russian guitar, but in the GCEgbe
     tuning. A lot of the pieces are in C major, even though the tuning
     isn't fully chordal.
     [2]http://www.pluckedturkeys.co.uk/No40.mp3 (deleted - just read
     "The manuscript and its music may not be reproduced or published
     without the consent of the Moravian Archives." Sorry!)
     And here's one of the little dance tunes at the end (with a rather
     glaring mistake in the repeat of the second strain!):
     [3]http://www.pluckedturkeys.co.uk/Men3.mp3 (deleted)
     I think it was Rob who said that James Tyler claimed that the
     English guitar (guittar) has its origins in Germany. I haven't seen
     his (Tyler's) Evora paper. I looked at a link to the Evora papers
     but it was dead. Anyway, I think Germany is a likely contender for
     what got makers in Britain going in the 1750s. But the cittern in
     Germany itself seems not to have got involved in the 'guittar'
     fashion. And the music that exists (as far as I know) is in
     'old-fashioned' tablature. Boetticher (if I've spelt his name
     correctly) mentions some four-course music c.1750s and there's the
     Bunsold tablature and now this.
     Stuart
     To get on or off this list see list information at
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References

   1. http://cittern.theaterofmusic.com/musicfiles/
   2. http://www.pluckedturkeys.co.uk/No40.mp3
   3. http://www.pluckedturkeys.co.uk/Men3.mp3
   4. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   5. http://www.avg.com/

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