Thank you - showing my ignorance I'm afraid. It's such a long time since I 
discussed this instrument that I've lost touch with some of the good sources. 
Is Ann Ford's tutor available (preferably free!) on any website?
 
I'm still doubtful about Eph's findings, I'd like to know the sources of the 
strings he measured - I'll ask.
 
rgds
 
Martyn


doc rossi <[EMAIL PROTECTED]> wrote:
Hi,

Way behind again on answering emails, but here goes...

Martin, Ann Ford published a tutor for the cittern in the middle of the 
18th century. I think here portrait was painted by Reynolds. The 
tutor draws a lot on Mace's 17th-c lute tutor for ornaments and things 
like that, and she talks about playing with the fingers, not a pick. I 
don't know of any tutors that talk about using a pick - does anyone 
else? Even in the 17th c. Playford - whose music is all pretty much 
single line stuff (full of errors, too) he talks about playing with the 
fingers instead of a pick, which he calls old-fashioned. He had his 
reasons, and it may have caught on or not, but the norm in the 18th c. 
for the so-called English guittar (cittern) was to play with the 
fingers; at least this is what we can glean from the existing tutors.

As far as light stringing is concerned, I think Eph Segerman has 
examined original instruments with, let's say "old" strings, to come up 
with his recommendations for tension at between 3.5 and 4 kilograms. I 
have actually tuned much higher without any structural problems, but 
the feel of the instrument is totally different, and not really 
suitable for finger picking. The timbre was totally different as well.

About string material, iron is totally different from steel in terms of 
feel, tension and tone. At the optimum tension for tone, iron is much 
closer to breaking point, whereas steel has much more "stretch" and so 
can go much higher than optimum before breaking. The feel under the 
fingers is softer, too. I've never got a tone I was satisfied with 
using modern steel strings; iron has a warmer, sweeter sound, less 
metallic. I know these aren't very clear terms, but describing timbre 
is like wine tasting...

Doc



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