----- Original Message -----
From: "David Kilpatrick" <[EMAIL PROTECTED]>
To: <[email protected]>
Sent: Saturday, December 10, 2005 2:41 PM
Subject: [CITTERN] Re: guitar?


> Roger E. Blumberg wrote:
>
> >
> >Bottom line is that the leap from a Signorelli body-style vihuela to a
viol,
> >a bowed guitar, would justifiably seem great, but there were other
players
> >on the field, pluckers, with a very different kind of appearance and
> >body-shape, yet still being true and actual vihuela and viola, plucked
and
> >bowed, in Spain and Italy alike (and not only there, quite a few very
early
> >French examples exist as well, and still others).
> >
> >I could single-out individual instruments, and point to them in a
particular
> >sequence, if anyone wants. Let me know.


> I thought the sheer size and depth of body of the Signorelli instrument
> made it something other than a viola de mano or vihuela. Where the viola
> has survived, in Portugal and the Azores, there's nothing remotely as
> big as that. The tendency has been to get smaller, not larger, however.

> The instrument second left to the 'vihuela' is, unless Signorelli's
> studio induced a variation in painting technique, intended to be seen as
> very distinct from the large and small lutes on either side of the
> vihuela - entirely different body shape, apparently a flat back. And the
> viola de mano being tuned is of a completely different size and depth,
> and has a different type of headstock. Signorelli would appear to have
> used perspective extremely well and his apparent shapes and details of
> instruments are likely to be more than commonly accurate.
>


there was so much variation, and so little standardization, that it's hard
to pin things down to one visual sound-bite if you will. The Signorelli
fresco is c.1500, so the instrument at top dead center is definately a
vihuela-viola.  Big instruments apear to have been common, one of many
common sizes and shapes present from let's say 1490 to 1550.

here's some examples of big ones:

http://tinyurl.com/7hmla

http://www.thecipher.com/viol-guitar_GonesseOrgan_1508_France_det1.jpg

http://tinyurl.com/bvbh7

http://www.thecipher.com/braccio_AngelConsort1503cntrarco_deta1.jpg

http://tinyurl.com/9vuzl

http://www.thecipher.com/vihuela_Luis_Milan_El_Maestro_1536sm.jpg

http://www.thecipher.com/vihuela_16th_monasteryGuadalupe_deta.jpg

http://tinyurl.com/9dmp8

http://tinyurl.com/8a75f


here's a blow up the one you're wondering about
http://www.thecipher.com/Signorelli_2down-left_deta.jpg
The peg-stock looks typical bent-back lute to me, and vihuela-viola can be
found with many different types of peg-boxes including the right-angle lute
style. It's very hard to tell from a dead-on frontal shot if there's a deep
bowl or not. It could be flat-backed, as could many others. I'd buy it, but
it's just too hard to tell.

One could imagine that both of these instruments too, seen from the front,
are flat-back.
http://www.thecipher.com/lutes_BartolomeoMontagna_1498_det.jpg
Maybe they're flat-backed chittara? Maybe the vihuela line included a
tear-drop contoured instrument the whole time and no-one is seeing it
because they're fixated on bowl-backed lutes and projecting something that
isn't actually there, i.e. a beep bowl. I had to use this same kind of
argument re thin-ribbed viols in general, i.e. that they existed, and in
fairly large quantity.

Here's a monster bass vihuela from Catalan, with no apearent waist indents
of any kind, flat back, slab constructed, late 15th century, lower left
http://tinyurl.com/75jvf

This lute-shaped or tear-drop bowed instrument may be flat-backed too, 1510
http://tinyurl.com/b4esk

So you could be right, who knows. It's worth investigating, maybe someone
already has, I don't know. I have seen a few others that I also thought or
know were flat backed and tear-dropped shaped, smaller ones usually.

I don't think you can gauge much about 16th century instruments by pointing
to current viola seen in Portugal in any event (just to grab that loose
end).

Roger



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