Roger E. Blumberg wrote:

>I just looked again at Ron's Preston.
>http://fernandezmusic.com/Images/Andrade%26Preston.gif
>
>That really is a substantial chuck of metal! I do see how it would impact
>the sound.  
>
>Wonder why the Portuguese neglected to copy that most important bit from the
>English models (if that's indeed where they got their inspiration from).
>
>Do you have a picture of yours I could see? (Ron's is in pretty bad shape).
>
>  
>
Mine is in fairly good shape, unrestored as far as I can tell except for 
some peculiar woodwork adding an odd shaped headstock in place of the 
Venetian gondola-end normally used.

http://www.maxwellplace.demon.co.uk/pandemonium/guittar.html

I have updated the text, but not the photos. My instrument now has some 
good bone string pins, kindly made by a London-based enthusiast for me, 
along with a replacement pearwood bridge which I have not been able to 
use mainly because before doing so, I would need to get the neck 
carefully straightened, to allow a lower action. It has a slight twist 
which effectively means the bridge has to have an angle, and the action 
must be rather higher than could be possible.

Because I have changed computers and web accounts etc since this - free 
- work of craftsmanship done for me, I have lost the name and details of 
the restorer-luthier who did this, as I would wish to credit him for the 
help. The dilemma with this instrument is that the overall condition is 
actually so good (unlike Rob MacKillop's amazingly war-scarred Smith & 
Broderip!) and the build quality looks 'drawing room' rather than 
functional; it could be expertly restored and French polished to a 
condition almost as new, and it would not be impossible to replate the 
mechanism and clean the rose, and make a correct headstock. It would not 
take much work or expense to see what a brand new English guittar at the 
end of the 18th century looked like hanging in the shop, and the woods 
are lovely, as you can see.

Yet this is entirely the wrong thing to do and it's best just to leave 
it as it is!

David



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