On Tuesday, November 27, 2007 4:11 PM Martyn Hodgson wrote:
It would be of further interest to do this for each course so as to see the different chromatic/diatonic semitone relationships between all the courses.
I agreed first, but I'm not sure if this is actually necessary and / or whether it gives you any 'enhanced' picture of chromatic / diatonic relationships ... For example it would depend how you tune intervals between open courses: by unisons from the fingerboard, from other fixed-pitch instruments or, indeed, from the tuner and, either to pure intervals or with deviations. Alexander To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
