Dear Michael,

Great news! (And great to see that you go quite some AHRC grant for that 
recently.)

Just a question: you say that this software is written in Common Lisp, and in 
the credits you say that Common Music is packaged with it. Does that mean you 
are using some older version of Common Music?

Best wishes,
Torsten

--
Dr Torsten Anders
Course Leader, Music Technology
University of Bedfordshire
Park Square, Room A315
http://www.torsten-anders.de


PS: Also, you are saying clearly that you do not plan an graphical user 
interface for this software. Nevertheless, likely it would be relatively easy 
to turn your whole software into a library for PWGL or OpenMusic. If you still 
have some resources left from your AHRC grant then doing so could greatly 
strengthen your impact (good for your REF and may even be helpful for the next 
grant application). It is easy, because every Lisp function such as 
make-slippery-chicken can be immediately used as a GUI object (box) in a PWGL 
or OpenMusic patch. If you want, you can further customise the graphical 
interface of central functions (e.g., have a menu to define a certain function 
argument). Such customisation can be available (to a certain extent) for both 
PWGL and OpenMusic at the same time when using OMPW 
(https://github.com/kisp/ompw). 

The advantage for yourself could be that you get graphical editors such as a 
BPF editor (basically an envelope editor, could be useful, e.g., for your pitch 
curves), and -- perhaps more importantly -- music notation editors (e.g., check 
out the ENP editor of PWGL). Score snippets can be arranged in time using 
OpenMusic's maquette etc.  You may also want to use existing PWGL or OpenMusic 
libraries together with your own work. 

For a more advanced used of such features you would need to have a conversation 
of your music representation (your slippery chicken object) into the OpenMusic 
/ PWGL music representation. You already did something similar when defining 
your Lilypond interface (likely you are using Fomus, which makes this interface 
much more simple to define), so you know that such score format conversation is 
not defined on a single day, but is not too complex either.  

Anyway, you are probably still not interested :)

On 24 May 2012, at 19:04, Michael Edwards wrote:
> It is with great pleasure that I announce the open-source release of my
> algorithmic composition software "slippery chicken":
> http://www.michael-edwards.org/sc/
> 
> Please feel free to re-post to any potentially interested colleagues, students
> or mailing lists.
> 
> Workshops introducing the software will be held in Edinburgh, UK, and
> Karlsruhe, Germany, in July 2012:
> http://www.michael-edwards.org/sc/workshops.html
> 
> "slippery chicken" is an open-source algorithmic composition system written in
> Common Lisp which enables a top-down approach to music composition. The
> software was originally tailor-made to encapsulate the author's personal
> composition techniques, however many general-purpose algorithmic composition
> tools have been programmed that should be useful to a range of composers. The
> main goal of the project is to facilitate a melding of electronic and
> instrumental sound worlds, not just at the sonic but also at the structural
> level. Pure instrumental or electronic composition is of course possible with
> the system too. Techniques for the innovative combination of rhythm and pitch
> data--arguably one of the most difficult aspects of making convincing musical
> algorithms--are offered.
> 
> Anyone interested in discussing the software is encouraged to join the Google
> Group http://groups.google.com/group/slippery-chicken
> 
> Best wishes,
> 
>        Michael Edwards
> 
> 
> 
> ___________________________________________
> 
> michael edwards
> 
> office : (+44) (0)131 650 2431
> mobile : (+44) (0)7952 153750
> 
> [email protected]
> 
> MSc in Digital Composition and Performance
>     http://michael-edwards.org/dcp
> University of Edinburgh
>     http://michael-edwards.org/uofe
> Personal homepage
>     http://www.michael-edwards.org
> ___________________________________________


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