Dear Philippe,

another way would be to place the 2 voices on different midi channels and pan 
each channel wherever you want?


viele Grüße / all the best
Ludger Brümmer

-- 
Prof. Ludger Brümmer
Leitung | Head of Department
Hertz-Labor | Hertz-Lab

Professor für Komposition für digitale Medien
Musikhochschule Trossingen, mh-trossingen.de

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> Am 19.05.2020 um 15:45 schrieb [email protected]:
> 
> Thank you, Orm, that works perfectly,
> 
> I have replicated your example with other control codes, it seems to me that 
> only N°93 "Chorus Depth" modifies the sound significantly (I didn't succeed 
> with the other codes).
> (I used the "70 Bassoon" sound which seemed to be better on "long" sounds - 
> 30s here -).
> 
> One of my ideas was to use the "pan" function on top of the "Steve Reich's 
> Piano Phase" example to separate the 2 pianos along with the phase, just an 
> idea.
> 
> Thank you again.
> Ph.C
> 
> 
> De: "Orm Finnendahl" <[email protected]>
> À: "philippe cabanon" <[email protected]>
> Cc: [email protected]
> Envoyé: Mardi 19 Mai 2020 11:56:26
> Objet: Re: [CM] (no subject)
> 
> Am Montag, den 18. Mai 2020 um 09:16:56 Uhr (+0200) schrieb
> [email protected]:
> > In fact, I was wondering if it was possible to modify a sound
> > already emitted, as you do with a knob on a midi controller keyboard
> > (keeping the same original sound).
> 
> yes, start a long note:
> 
> (mp:midi :key 80 :dur 20 :amp .5 :chan 0)
> 
> then simulate the controller knob:
> 
> (sprout
>  (process 
>   for i below 128
>   do (mp:ctrl :num 10 :val i :chan 0)
>   (wait .01)))
> 
> I hope the syntax is ok. I can't test here as I'm using the common
> lisp version with a slightly different syntax.
> 
> --
> Orm
> 
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