Guten Morgen, 




I had already thought of using two different channels, I made a first try 
starting from the middle and gradually separating the pan, but it doesn't give 
much result (it's probably better from 0 to 127 for the second chanel). 
Moreover, I made a logical mistake by basing myself only on the deviation of 
the 1st note (0.170 - 0.167), when you have to think about the whole cycle (the 
12 notes from e4 to cs5). 




It's a bit more complicated than I originally thought. But it's an interesting 
exercise, I hope to finish it during the day. 




Thank you for your help. 




(note: my English is from a Deepl translation, so please be indulgent) 


----- Mail original -----

De: "ludger brümmer" <[email protected]> 
À: "philippe cabanon" <[email protected]> 
Cc: "Orm Finnendahl" <[email protected]>, 
"[email protected]" <[email protected]> 
Envoyé: Mardi 19 Mai 2020 19:54:38 
Objet: Re: [CM] Using PAN function in Grace 

Dear Philippe, 

another way would be to place the 2 voices on different midi channels and pan 
each channel wherever you want? 


viele Grüße / all the best 
Ludger Brümmer 

-- 
Prof. Ludger Brümmer 
Leitung | Head of Department 
Hertz-Labor | Hertz-Lab 

Professor für Komposition für digitale Medien 
Musikhochschule Trossingen, mh-trossingen.de 

/////// / |< ||| | ZKM | Zentrum für Kunst und Medien Karlsruhe 
/////// / |< ||| | ZKM | Center for Art and Media Karlsruhe 
/////// / |< ||| | ZKM | Centre d'Art et des Médias Karlsruhe 

Lorenzstr. 19, D-76135 Karlsruhe 
Tel +49-(0)721-8100-1601, Fax +49-(0)721-8100-1699 
E-Mail: [email protected] 
www.zkm.de 



Aktuelle Ausstellungen – current exhibitions 




Am 19.05.2020 um 15:45 schrieb [email protected] : 

Thank you, Orm, that works perfectly, 

I have replicated your example with other control codes, it seems to me that 
only N°93 "Chorus Depth" modifies the sound significantly (I didn't succeed 
with the other codes). 
(I used the "70 Bassoon" sound which seemed to be better on "long" sounds - 30s 
here -). 

One of my ideas was to use the "pan" function on top of the "Steve Reich's 
Piano Phase" example to separate the 2 pianos along with the phase, just an 
idea. 

Thank you again. 
Ph.C 


----- Mail original -----

De: "Orm Finnendahl" < [email protected] > 
À: "philippe cabanon" < [email protected] > 
Cc: [email protected] 
Envoyé: Mardi 19 Mai 2020 11:56:26 
Objet: Re: [CM] (no subject) 

Am Montag, den 18. Mai 2020 um 09:16:56 Uhr (+0200) schrieb 
[email protected]: 
> In fact, I was wondering if it was possible to modify a sound 
> already emitted, as you do with a knob on a midi controller keyboard 
> (keeping the same original sound). 

yes, start a long note: 

(mp:midi :key 80 :dur 20 :amp .5 :chan 0) 

then simulate the controller knob: 

(sprout 
(process 
for i below 128 
do (mp:ctrl :num 10 :val i :chan 0) 
(wait .01))) 

I hope the syntax is ok. I can't test here as I'm using the common 
lisp version with a slightly different syntax. 

-- 
Orm 

_______________________________________________ 
Cmdist mailing list 
[email protected] 
https://cm-mail.stanford.edu/mailman/listinfo/cmdist 





_______________________________________________
Cmdist mailing list
[email protected]
https://cm-mail.stanford.edu/mailman/listinfo/cmdist

Reply via email to