Orm recently merged my pull request that added support for the Mac, so jack is no longer needed. I use cm-incudine on the Mac, and so far I haven't run into any issues.

I wrote a blog post a while back which explains how to install commonmusic and incudine on the Mac:
https://cianoc.github.io/2023/09/12/Installing.html
Haha, I ran Jack on macos to get it to work and it was...stable-ish. :) That's cool though, I didn't know this even happened.

Brandon Hale

On 11/9/23 11:22 AM, Cian wrote:
Orm recently merged my pull request that added support for the Mac, so jack is no longer needed. I use cm-incudine on the Mac, and so far I haven't run into any issues.

I wrote a blog post a while back which explains how to install commonmusic and incudine on the Mac:
https://cianoc.github.io/2023/09/12/Installing.html

It's a little fiddly, but it's not a huge deal.

I mostly use CommonMusic for composed stuff, so I'm not sure how reliable it is for livecoding. But I would guess if you're using SuperCollider/CSound as a backend then it's fine. I've used MIDI a little, but not enough to really stress it, so I can't speak to latency/jitter issues. But again I'd guess it's probably fine.

On Thu, Nov 9, 2023 at 11:13 AM Brandon Hale <[email protected]> wrote:

    Ok, that seems like a decent motivation to switch to Scheme,
    since it is or was used in basic programming courses at
    universities anyway. But am I wrong to assume that this change
    created a rather incompatible version, i.e. all existing
    compositions based on CLOS, and the published papers and books
    about Common Music became virtually obsolete, and the way to
    compose with version 3 is significantly different than with
    version 2? Or do I have a misconception in this respect?
    If you need to run anything with Common Music 2, you can still get
    it to work...with incudine <https://incudine.sourceforge.net/>! I
    can also confirm, as someone who learned lisp with cm-incudine,
    that Taube's book "Notes from the Metalevel" works with
    cm-incudine, thanks to Orm Finnendahl's help. I use the
    cm-incudine system for my own endeavors, like this piece
    <https://youtu.be/i2BiwwZGtaA?si=24nDxuUqoMETOvr0> (hopefully it's
    okay to show a piece, not trying to advertise).

    Check out this link: https://github.com/ormf/cm-incudine to learn
    more. Cm-incudine relies heavily on Jack, so using it on Linux
    works the best, but I've gotten it to work on Macos before at work.

    I also wrote an installer for it for Arch Linux distros and a
    docker image that can work on any system that docker will run on,
    without the realtime audio support of course:

    https://github.com/brandflake11/install-cm-incudine

    https://github.com/brandflake11/cm-incudine-docker

    Brandon Hale

    On 11/9/23 9:49 AM, Rochus Keller wrote:

    @ Mike, Bil:

    Thank you both very much for your quick response and the
    interesting information.

    > Scheme is a somewhat easier language to learn and use ... I
    think the motivation was to simplify teaching computer music.

    Ok, that seems like a decent motivation to switch to Scheme,
    since it is or was used in basic programming courses at
    universities anyway. But am I wrong to assume that this change
    created a rather incompatible version, i.e. all existing
    compositions based on CLOS, and the published papers and books
    about Common Music became virtually obsolete, and the way to
    compose with version 3 is significantly different than with
    version 2? Or do I have a misconception in this respect?

    > if you are looking to use specifically Common Lisp for
    computer-based composition

    Actually I currently rather try to find out which language is
    best suited to represent music on a symbolic, compositional (not
    physical or sound design) level. I'm not sure Common Lisp or
    Scheme are the best solution, neither Python. SAL is an
    interesting approach, but essentially Scheme with a kind of
    Pascal syntax as far as I understand it.

    > so I wrote s7, starting with TinyScheme

    Can I conclude from this that your change from Lisp to Scheme and
    finally your own interpreter was an important reason for Common
    Music to follow?

    I had a look at S7 and its implementation which is impressive.
    Have you also experimented with threaded interpreters? Is the
    performance of the Scheme code an issue at all in this
    application domain?

    Best

    R.K.


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