There are 3 messages in this issue. Topics in this digest:
1a. Re: Onomatopoeia - do you make use of it? From: Matthew George 1b. Re: Onomatopoeia - do you make use of it? From: Alex Fink 1c. Re: Onomatopoeia - do you make use of it? From: C. Brickner Messages ________________________________________________________________________ 1a. Re: Onomatopoeia - do you make use of it? Posted by: "Matthew George" matt....@gmail.com Date: Sat Sep 21, 2013 12:56 pm ((PDT)) Thank you for those colorful examples - I can really perceive how they convey the nature of their referents, assuming I'm interpreting the phonology correctly. Syllable-ending ñ is a bit of a challenge for me. Do you have any analysis of how and why a sequence of phones evokes sounds or actions? 'krak' seems like a good example of cracking or breaking, but if you voice the last consonant the association vanishes. Turning p to b doesn't disrupt 'pruprup' to my ear, but changing 'pop' to 'bob' (forex) does. I have no systematic way to understand my reactions, and am curious as to others' degree of rational insight. Matt G. Messages in this topic (8) ________________________________________________________________________ 1b. Re: Onomatopoeia - do you make use of it? Posted by: "Alex Fink" 000...@gmail.com Date: Sat Sep 21, 2013 2:21 pm ((PDT)) On Sat, 21 Sep 2013 15:56:05 -0400, Matthew George <matt....@gmail.com> wrote: >Thank you for those colorful examples - I can really perceive how they >convey the nature of their referents, assuming I'm interpreting the >phonology correctly. Syllable-ending ñ is a bit of a challenge for me. Well, you're in luck: Kash has an allophonic rule that final -ñ is [N]. >Do you have any analysis of how and why a sequence of phones evokes sounds >or actions? 'krak' seems like a good example of cracking or breaking, but >if you voice the last consonant the association vanishes. Turning p to b >doesn't disrupt 'pruprup' to my ear, but changing 'pop' to 'bob' (forex) >does. I have no systematic way to understand my reactions, and am curious >as to others' degree of rational insight. This isn't general enough to deserve the title of "system" either, but something comes to mind for these cases you bring up. In English, at least, final voiceless stops are articulated with glottalisation and with (etically) shorter vowels, both of which increase the abruptness of the cessation of sonority, whereas final voiceless stops are unglotallised and have (etically) longer vowels. Cacking and popping are both abrupt, punctual events, so their representations [krak] and [pop] benefit from this voiceless-stop abruptness. By contrast, stomach gas is an iterative series of burblings, certainly not abrupt as a whole (nor even as abrupt in its parts), so its representation [pruprup]~[brubrub] doesn't lose meetness without this effect. Alex Messages in this topic (8) ________________________________________________________________________ 1c. Re: Onomatopoeia - do you make use of it? Posted by: "C. Brickner" tepeyach...@embarqmail.com Date: Sun Sep 22, 2013 1:42 am ((PDT)) I didnât realize that Senjecas had so many until the question was asked. báába: bleat bálba: babble báɱa: bay (<ɱ> = /m_0/) booúla: bubble búþa: throb, beat ðérɱa: rumble, roar fÃÃɱa: spit gála: yell gáɱa: squawk, caw gúra: grunt ĸááĸa: choke ĸáĸa: cackle, cluck ĸeĸaĸú: cock-a-doodle-doo ĸʷása: cough ĸʷáĸa: quack ĸúĸa: cuckoo lááa: barĸ múúga: low, moo múra: murmur núra: growl pálba: chatter, jabber píípa: chirp, peep qrúsa: gnash (<q> = /j\/) qúma: howl rééĸa: neigh, chortle rééta: roar síma: whisper súsa: bluster, sough sʷéra: buzz, hum sʲúna: whine télĸa: rap, toll tómpa: boom túta: coo úla: hoot vrésa: crackle, rustle xáta: pop, puff (<x> = /C/) xúra: snore zíga: sigh zúba: grit the teeth Charlie ----- Original Message ----- It was a little surprising to me to realize how common onomatopoeia is in English, and it seems in many other natural languages, although the relationship between word and sound isn't always obvious to non-native speakers. (I found a list of representations of animal sounds in various languages to be quite bemusing.) Do you make an effort to include onomatopoeia in your conlangs? If it's a language for an alien species with different perceptions, do you try to create accordingly? Matt G. Messages in this topic (8) ------------------------------------------------------------------------ Yahoo! Groups Links <*> To visit your group on the web, go to: http://groups.yahoo.com/group/conlang/ <*> Your email settings: Digest Email | Traditional <*> To change settings online go to: http://groups.yahoo.com/group/conlang/join (Yahoo! ID required) <*> To change settings via email: conlang-nor...@yahoogroups.com conlang-fullfeatu...@yahoogroups.com <*> To unsubscribe from this group, send an email to: conlang-unsubscr...@yahoogroups.com <*> Your use of Yahoo! Groups is subject to: http://info.yahoo.com/legal/us/yahoo/utos/terms/ ------------------------------------------------------------------------