You might be considering the use of an adhesive like what was used in the
original installation. It seems to have survived for 100 years or so. If so,
here is a brief discussion about the adhesives available in Japan in the
early part of the 20th C. 

Pretty much every household in Japan right up to the post war period used to
keep two kinds of plant based adhesive (mucilage) around for various
household repair tasks. For heavy lifting a strong adhesive called nori was
cooked up from wheat starch into a glue like the wallpaper paste we are
familiar with in the west. It would be used for applying and repairing the
paper on shoji screens and probably for pasting photos in the family album.

Another less well known but long used Japanese mucilage is called funori.
Funori is the term for both starch bearing seaweeds that grow only in the
sea of Japan,  and for the starchy size/adhesive extracted from it. Funori
was and still is used with washi (Japanese paper) in a poultice fashion for
dry cleaning silk fabric, as a size for blocking kimonos before assembly,
and as a less strong adhesive for many delicate tasks. My guess is that 13
mm butterfly wings fall into the delicate category.

 

Dried seaweed of the type that produces the adhesive called funori can be
purchased from conservation supply houses like Talas.  Simply cook it up and
strain out the plant fibre and lumps to make a yellowish starchy adhesive
like the one used a hundred years ago for your wings. Another option we have
developed from the same seaweed is a more refined and crystal clear version
of this same adhesive called TRI-Funori. Filtration technology has improved
over the past hundred years and by simple filtration with no additives or
bleaches, we are able to remove all the color from the extract and retain
the polysaccharide starch that makes it adhesive. The freeze dried result of
this is a new and useful iteration of the starch. TRI-Funori is also
available from Talas or on line at www.TRI-Funori.com.

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