The Foundation of the American Institute for Conservation (FAIC) presents 
"Material Immaterial: Photographs in the 21st Century" as its next 
Collaborative Workshop in Photograph Conservation. The program will take place 
September 23 -25, 2019 at Yale University in New Haven, CT.

Why print a photograph in 2019? We are witnessing the historic transformation 
of photography from tangible objects-prints, plates, and negatives-to code: 
intangible bits, bytes, and pixels. As the tether between visual culture and 
the material world is recalibrated every day, a new form of literacy is 
required to draw meaning from physical media and its obsolescence. At the very 
moment when characterization and interpretation of the printed photograph is 
rapidly gaining ground, the momentum toward dematerialization raises the issue 
of the long-term relevance and sustainability of photography as a material 
fact. Does the physical photograph still matter today-as a source for teaching, 
learning, and scholarship-and will it matter into the future?

This three-day program is organized by Paul Messier, Director of the Lens Media 
Lab at Yale's Institute for the Preservation of Cultural Heritage; Monica 
Bravo, Assistant Professor of History and Theory of Photographic Media at 
California College of the Arts; and colleagues at Yale University with the 
support and guidance of the FAIC Collaborative Workshops in Photograph 
Conservation advisory committee. The program and elective seminars will be 
geared for educators, students, curators, photographers and, particularly, for 
conservators whose core value proposition is most directly tied to the physical 
photograph. Insights from conservators, scholars, makers, and the art market 
will address the premise that physical photography is a closed set. The 
optional final day of the workshop will model interdisciplinary inquiry and 
seek to incubate collaborations focused on photography as a medium both 
material and immaterial. New tools will be examined for characterizing and 
contextualizing the photograph both as object and disembodied image.

Visit https://learning.conservation-us.org/p/material-immaterial for more 
details and registration information.
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