This may or may not be pertinent to the greasy material on the chandelier. A 
few years ago in classes at the Corning Studio, I learned that many 
contemporary glassworkers apply an oil of some kind to their works as a final 
fabrication step. The oil hides tiny imperfections. Of course over time the 
oils oxidize, creating a foggy surface; and the sticky surfaces hold dust. 
Elsewhere, an objects conservator told me that she had great difficulty trying 
to remove such an oil from a Lino Tagliapietra piece. 
 Christine A Smith6044 Old Telegraph RoadAlexandria, Virginia 
[email protected] <[email protected]>




  


------Original Message------


I have been condition reporting a large Fred Wilson chandelier and found that 
the surface had a greasy feel and alkaline pH when tested. 

The work is from 2011 and I would be interested to hear if anyone else has 
found Murano glass which as recently been produced to be weeping, and what the 
maintenance implications have been.


------------------------------
Trude Ellingsen
Objects Conservator
National Gallery of Victoria
Melbourne
+61 3 8620 2108
------------------------------


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