How very interesting about the oil.  I got my MFA in glassblowing in 1964 and 
in all these years of following glass, I never knew that. But it makes perfect 
sense.  And if it is a natural oil, those double bonds are going to oxidize and 
set up the oil over time.  The metals in the glass will even catalyze that 
reaction. 
   However, the surface schmutz tested alkaline.  That argues more for leaching 
of the glass from humidity and air pollution.  And being a chandelier, you 
certainly want to use a lead test on it before you clean it.  Lead and lead 
compounds also skin-absorb -- a fact that somehow doesn't get into the 
literature much.  Absorption through the skin now is known to be a significant 
additional route of entry in the lead industries.  
   Do let us all know what you find out.  It's so interesting.  
   Monona Rossol  
   
  

------Original Message------

This may or may not be pertinent to the greasy material on the chandelier. A 
few years ago in classes at the Corning Studio, I learned that many 
contemporary glassworkers apply an oil of some kind to their works as a final 
fabrication step. The oil hides tiny imperfections. Of course over time the 
oils oxidize, creating a foggy surface; and the sticky surfaces hold dust. 
Elsewhere, an objects conservator told me that she had great difficulty trying 
to remove such an oil from a Lino Tagliapietra piece. 
 Christine A Smith6044 Old Telegraph RoadAlexandria, Virginia 
[email protected] <[email protected]>




  




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