Now open: The call for abstracts for NEEDS 2020 - Imagining Futures: 
Interstices and the Immateriality of Disasters, https://www.needs2020.com


We welcome abstract submissions to the 25 panels 
<https://www.needs2020.com/about-needs/panels/> available, and ask you to 
consider this one first:


After the smoke clears: Perspectives of heritage professionals in the 
post-disaster context


Post-disaster, a variety of factors determine whether or not a particular event 
becomes a part of the historical narrative and how it is portrayed and 
remembered. Media influence, cultural beliefs regarding death, dying, and 
treatment of the dead, indigenous knowledge of hazards and their impacts, and 
the influence of large international non-governmental organizations (NGOs) and 
the "heritage at risk" framework (Rico, 2014) all have an impact on the process 
of post-disaster memory-making and the production of disaster-related cultural 
heritage.


This production of culture allows for various outcomes including commemoration 
of events and veneration of disaster sites, highlighting of the vulnerability 
or heroism of certain segments of the population, thanatourism often referred 
to as dark tourism (Zavar and Schumann, 2018; White & Frew, 2013), and even 
slow the fading of an event from public memory. This confluence of factors not 
only influences the archivistic processes (Ketelaar, 2000) by which objects and 
documents are deemed important enough to salvage or preserve (or are conversely 
excluded from the cultural narrative), but also how these documents are used to 
portray disasters and form narratives around crisis events. These narratives, 
as presented in the collections of museums, libraries, and archives, can 
ultimately shape policy decisions that have very real effects on the lives of 
ordinary people (Birkland, 2006 & 2009).


Often overlooked by disaster researchers and crisis managers, however, are the 
perspectives of heritage professionals who do the work of preserving and 
documenting disaster heritage. This panel will invite and call upon academics 
and heritage professionals to discuss processes and decision-making around the 
production of disaster heritage through real-world case studies. Should an art 
conservator preserve disaster-related damage to an object in a museum 
collection as part of the history of the object, or restore it to its 
pre-disaster state? How should archivists decide which documents to preserve 
after a disaster? How do digital humanists address the challenges of collecting 
social media posts after a tragedy? What types of uncertainty do heritage 
professionals face, post-event, or how do they navigate these uncertainties?


Panel Organizers:


Valerie Marlowe, Assistant Director, Archives and Collections, Disaster 
Research Center, University of Delaware, Newark, USA
Dr. Joelle Wickens, Assistant Professor of Preventive Conservation, University 
Of Delaware, Newark, USA


 


Please note that though you may submit more than one abstract, each abstract 
must be submitted to only one panel. The panel organizer will notify you of 
your acceptance no later than December 20, 2019. Submit your abstract (max 400 
words including references) by November 17.


NEEDS 2020 is the fifth edition of the Northern European Conference on 
Emergency and Disaster Studies, hosted by Mid Sweden University and organized 
by the Risk and Crisis Research Centre 10–12 March in Östersund, Sweden.


------------------------------
Joelle Wickens
Assistant Professor of Preventive Conservation and WUDPAC Associate Director
University of Delaware
Newark, DE
302-888-4714
------------------------------


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