Email digest for the Global Conservation Forum (ConsDistList) egroup.
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 1. Vacancies at the V&A - Preventive Conservation Technician

 2. Study Historic Preservation and Art Conservation in Italy, summer 2025

 3. SPPC 2025: From Excavation to Exhibition

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1.From: Pedro Gaspar
 Posted: Tuesday February 4, 2025  6:43 AM
 Subject: Vacancies at the V&A - Preventive Conservation Technician
 Message: 
The V&A is the world's leading museum of art, design and performance and the 
custodian of an extraordinary and extensive collection spanning decorative and 
applied arts. It houses a collection of over 2.3 million objects that document 
5,000 years of human creativity from across six continents.

As a Preventive Conservation Technician you will be part of the Preventive 
Conservation team. You will have experience or interest in integrated pest 
management (IPM), object handling and preventive conservation maintenance of 
display cases and objects on open display.





For more information visit our website 
<https://vam.current-vacancies.com/Jobs/Advert/3745452?cid=3279&rsid=24732&js=0&LinkType=1&FromSearch=False>


------------------------------
Pedro Gaspar
Head of Conservation
Victoria and Albert Museum (V&A)
London
United Kingdom
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2.From: Sotiris Kourtesis
 Posted: Tuesday February 4, 2025  6:44 AM
 Subject: Study Historic Preservation and Art Conservation in Italy, summer 2025
 Message:  Amelia International Conservation Studies  Dear Colleagues,  We are 
now accepting applications for our summer 2025 field school in Italy, hosted by 
Amelia International Conservation Studies (AICS). Our deadline for applications 
is March 1, 2025.
 
 With over two decades of expertise and a global alumni network from over 220 
colleges and universities,  ARCIFS <https://www.arcifs.org/> is dedicated to 
the preservation of cultural heritage.  During this immersive program, students 
will have the unique opportunity to study and travel in Italy, gaining 
invaluable hands-on experience in restoration and conservation.   Our courses 
are designed to provide a comprehensive understanding of the science, ethics, 
and practical skills necessary for Art Conservation and Historic Preservation.  
 Program Details: 
 Session One (June 9 - July 4, 2025) 
 Stone Conservation: Science and Ethics in Historic Preservation 
<https://www.arcifs.org/stone-conservation>
 - Restoration of Historic Monuments
 - History, Theory, and Ethics of Restoration
   (Program includes lectures and restoration field projects*)  Sketching, 
Surveying and Analyzing Historical Buildings 
<https://www.arcifs.org/sketching-surveying-and-analyzing-historical-buildings>
 - History of Italian Architecture
 - Surveying Methods: from Measuring Tape to Laser Scan
   (Program includes lectures and analyzing field projects)  Preserving our 
Past: Paper Conservation for Art and Archives 
<https://www.arcifs.org/paper-restoration>
 - Paper Media and Restoration Methods for Artworks
 - Manuscripts and Printed Archival Materials Restoration Methods
   (Program includes lectures and restoration workshop*)  Experiencing 
Traditional Painting Materials, Methods and Restoration Issues - in the 
workshop of a Maestro 
<https://www.arcifs.org/painting-methods-restoration-issues>
 - Traditional painting materials and techniques
 - History, Theory, and Ethics of Restoration
   (Program includes lectures and painting workshop)    Session Two (July 14 - 
August 8, 2025) 
 Analyzing, Documenting and Restoring Archaeological Ceramics 
<https://www.arcifs.org/archaeological-ceramics-conservation>
 - Analyzing, Documenting Archaeological Ceramics
 - Restoring Archaeological Ceramics
   (Program includes lectures and restoration field projects*)  Unlocking the 
Secrets of Historical Bookbinding: Structures, Preservation and Book 
Conservation 
<https://www.arcifs.org/historical-bookbinding-structures-preservation-and-book-conservation>
 - History and the making of early bookbinding structures
 - Conservation and preservation of books
   (Program includes lectures and restoration field projects*)  Architectural 
Painted Surfaces: Conservation & Restoration of Fresco and Secco Paintings 
<https://www.arcifs.org/conservation-restoration-of-fresco-and-secco-paintings>
 - Introduction to Fresco and Secco Paintings
 - Conservation and Restoration Techniques for Fresco and Secco Paintings
   (Program includes lectures and restoration field projects*)     *Field 
Projects:             Historic Archives of the Municipality of Amelia: A unique 
opportunity for students to study and conserve archival documents, fostering an 
understanding of historical data preservation.           Restoration and 
conservation of artifacts from the Archaeological Museum of Amelia.           
In the courtyard of Amelia's Town Hall, there is a small open-air Lapidarium 
that houses a collection of significant architectural artifacts. These relics 
serve as a testament to the rich history of Roman Amera, as well as the 
Medieval and Renaissance  periods. The collection includes columns, 
architraves, sarcophagi, and various other structures crafted from exquisite 
marbles imported from colonies across the Mediterranean Sea. These artifacts 
showcase various alterations and past restorations, providing  students with 
vital hands-on experience to apply the knowledge gained in the classroom.       
    
 Participants of the Painted Surfaces Program will have the opportunity to 
apply their knowledge and skills and to understand the unique opportunity to 
work on a historically significant site, at the 13th-century cloister of San 
Francisco church in  Amelia. The cloister, built in 1287 A.D., provides an 
exceptional example of fresco and secco paintings from the medieval period.  
AICS is a program of the Art Restoration and Conservation International Field 
School, based in Amelia, Italy. We have established cooperation agreements with 
the Municipality of Amelia to study and conserve artworks and archaeological 
objects held in  their museums, as well as a collaboration with the Historic 
Archives of the Comune di Amelia for AICS participants to study and conserve 
archival documents.  Also, we are thrilled to announce a new affiliation with 
the esteemed Academy of Fine Arts of Naples, commencing in 2024.  Founded in 
1752 by King Charles VII of Naples, the Academy boasts a rich history of
 artistic excellence and has played a pivotal role  in shaping the global art 
landscape.  Our program is not just for art historians or preservationists. We 
encourage students from architecture, archaeology, library science, chemistry, 
museum studies, anthropology, and related fields to apply, emphasizing the 
interdisciplinary nature of historic  preservation.  Our courses are open to 
students from various disciplines, both undergraduate and graduate, to join us 
for this incredible learning experience. All lessons are taught in English.  If 
you know any students, scholars, or others interested in this type of study, 
please inform them about our program. We would appreciate it if you could list 
our program on your organization's website as an available educational 
resource.  READ OUR TESTIMONIALS <https://www.arcifs.org/testimonials>   For 
further information, including  application 
<https://www.arcifs.org/application> deadlines and requirements, please visit 
our website at Art
 Restoration and Conservation International Field School.  Thank you for your 
time and consideration. We look forward to welcoming your students to our 
summer field school in Italy.    Best regards,  Sotirios Kourtesis
 Director  ARCIFS
 Art Restoration & Conservation International Field School
 AICS - Amelia International Conservation Studies
 Italy Tel: +39 327 450 4035
 [email protected] <[email protected]>
 www.arcifs.org  
 

3.From: Lu Allington-Jones
 Posted: Tuesday February 4, 2025  6:44 AM
 Subject: SPPC 2025: From Excavation to Exhibition
 Message:  
Hi everyone, 
 
We are very pleased to announce that the 30th Symposium on Palaeontological 
Preparation and Conservation will be held in the Netherlands this year on 
26-27th June. 
 
The theme will be From Excavation to Exhibition and we hope to broaden our 
usual remit to include more aspects of the story of how geological collections 
end up on display in our museums, as well as their conservation and 
preparation. 
 
More details, a call for abstracts and registration coming soon at 
https://www.geocurator.org/events/97-sppc 
<https://www.geocurator.org/events/97-sppc>
 
Best wishes, 
 
Lu, Kieran and Nigel (SPPC Committee)
 
 
 
L. Allington-Jones (she/her)
 
Principal Conservator
 
The Conservation Centre
 
The Natural History Museum
 
Cromwell Road
 
London SW7 5BD
 



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