Email digest for the Global Conservation Forum (ConsDistList) egroup. ------------------------------------------------------------------------------------------------------------
1. North American Textile Conservation Conference 2025 - regular registration rate is closing soon 2. Save the Date: IRUG16 Conference & Workshop, 6-9 October 2026, Winterthur, DE, USA 3. 🌊 WEBINAR: Mapping Risk, Protecting Collections: Flood Preparedness for Cultural Institutions 🌊 4. Four New Publications from the Getty Conservation Institute Available for Free Download 5. Forbes colloquium-National Museum of Asian Art 6. WEBINAR: Portico v LOCKSS: A Discussion on a Digital Preservation Strategy at Kansas State University Libraries 7. Job Opportunity: Manager of Matting & Framing, Carnegie Museum of Art, PIttsburgh, PA USA ------------------------------------------------------------------------------------------------------------ 1.From: Howard Sutcliffe Posted: Thursday August 14, 2025 8:37 AM Subject: North American Textile Conservation Conference 2025 - regular registration rate is closing soon Message: NATCC 2025 MENDING THREADS, FILLING GAPS: CONSERVATION NARRATIVES OF LOSS AND RENEWAL 15th Biennial North American Textile Conservation Conference September 15-19, 2025 Banff, Alberta, Canada If you are thinking of attending the conference, regular registration ends on August 15th.  Booking for the conference hotel closes at midnight on Aug 14. Sign up for the buffet breakfast is separate from either the room or conference registration. There are still some spaces in a couple of the workshops and tours - please sign up!  We hope that all workshops will be filled. There is a day rate which includes coffee breaks and lunch - available on Sept 17 and Sept 18 Online streaming will be available for this conference with translation to Spanish or English - you can organize your own watch party! With the streaming fee, each participant will receive a link for the preprints.  Go to Home - NATCC <https://natcconference.com> for details. If you have any questions please direct them to [email protected] ------------------------------ Howard Sutcliffe, Fellow, AIC Principal Conservator River Region Costume and Textile Conservation Arley AL / Nashville TN 267 974 1913 ------------------------------ 2.From: Rosie Grayburn Posted: Thursday August 14, 2025 1:32 PM Subject: Save the Date: IRUG16 Conference & Workshop, 6-9 October 2026, Winterthur, DE, USA Message: Dear Colleagues, The Infrared and Raman Users Group <https://winterthur.prospect2.com/lt.php?x=3DZy~GE5UnWi78F5yg-5VxZu~X3Svdbuwukvk5o5KaKd5HWs_ky.0eFx1XFziNTzkNYwYIHGInOa6m>  is pleased to announce its 16th International Conference (IRUG16), set for  October 6–9, 2026. This signature event is being organized and hosted by Winterthur Museum, Garden & Library <https://winterthur.prospect2.com/lt.php?x=3DZy~GE5UnWi78F5yg-5VxZu~X3Svdbuwukvk5o5KaKd5HWs_ky.0eFx1XFziNTzkNYwYIHGInWZ7m>, Winterthur, Delaware, USA. Submissions for papers and posters are invited on all aspects of IR and Raman spectroscopies, as well as their application to the study and preservation of cultural heritage. An optional hands-on workshop on portable FTIR instrumentation will be offered, covering data acquisition, processing, and interpretation. Further conference information, including submission guidelines, registration details, and other key deadlines, will follow. Please direct all inquiries to [email protected] <[email protected]>. We look forward to welcoming you to IRUG16 at Winterthur Museum in 2026! ------------------------------ Rosie Grayburn Head of Scientific Research and Analysis Lab Winterthur Museum, Garden & Library Winterthur United States ------------------------------ 3.From: Melissa King Posted: Thursday August 14, 2025 3:41 PM Subject: 🌊 WEBINAR: Mapping Risk, Protecting Collections: Flood Preparedness for Cultural Institutions 🌊 Message: Register here! <https://us06web.zoom.us/webinar/register/1317538117974/WN_qCc2k4AjSxaxQAGIj1fqgQ> An important webinar is taking place next Wednesday, August 20th at 1pm ET on using publicly available risk mapping tools to protect cultural collections from flood damage. Presenter Maddie Cooper brings extensive expertise in emergency preparedness and is known for delivering complex information in a clear, accessible way. Water emergencies like flooding, leaks, and severe storms pose serious threats to cultural collections-but not all institutions face the same level of risk. This webinar will guide museums, libraries, and archives in identifying their specific vulnerabilities using publicly available maps and hazard assessment tools. What You'll Learn: * How to assess your institution's specific flood and water damage risks * Navigate publicly available hazard mapping tools and resources * Identify vulnerabilities in your collections and facility * Learn key strategies to prepare for water-related emergencies * Essential response steps when water emergencies occur Join us to transform uncertainty into making a plan. You'll leave with practical tools and actionable strategies to better protect your institution's irreplaceable collections from water-related threats. Register here! <https://us06web.zoom.us/webinar/register/1317538117974/WN_qCc2k4AjSxaxQAGIj1fqgQ> About Maddie: Madeline (Maddie) Cooper (she/her) is the owner and Principal Preventive Conservator at M.C. Conservation Services. Maddie has extensive experience in surveys, assessments, and teaching. She was the Associate Preventive Conservator at the Conservation Center for Art & Historic Artifacts from 2021-2025 where she completed assessments, developed and taught workshops, and project managed initiatives like Preservation Services in Puerto <https://ccaha.org/puerto-rico>. Maddie has over 10 years of professional collections care experience. She held roles in conservation and collections at Vizcaya Museum and Gardens and the Wolfsonian-FIU prior to specializing in preventive conservation in graduate school. Through her graduate career, she worked with the Disaster Research Center, the Robert Rauschenberg Foundation, and the Midwest Art Conservation Center. Maddie holds an MS in Art Conservation from the Winterthur/University of Delaware Program in Art Conservation, a BA in Chemistry from the University of Delaware, and a BA in Art Conservation with a minor in Art History from the University of Delaware. ------------------------------ Melissa King Preventive Conservator | VP of Customer Experience Conserv Portland, ME www.conserv.io ------------------------------ 4.From: Anna Duer Posted: Thursday August 14, 2025 3:41 PM Subject: Four New Publications from the Getty Conservation Institute Available for Free Download Message: Dear colleagues,  The Getty Conservation Institute is pleased to announce the publication of four new publications available for free download:  Gilding Notes: The Traditional English Method https://gty.art/4iSoxT5 <https://gty.art/4iSoxT5>  With this publication, master gilder Judith Wetherall shares her extensive knowledge about gilded wooden objects with the field at large. The book is made up of her practical notes, originally devised for her students and continually revised over her forty years of experience as an instructor, conservator, and gilder. Wetherall writes that, with this book, her "intention is to make the craft of gilding accessible, exciting, and richly rewarding." Readers will enjoy Wetherall's enthusiasm as they navigate various aspects of the manufacture and conservation of wooden gilded objects. She guides the reader through the various steps of gilding wood, describes materials and tools, and outlines different techniques, including valuable tips and tricks for use in the gilder's workshop or the conservation lab. Treatment aspects like toning and distressing are also discussed, including alternatives to traditional methods and materials.   Advancing Earthen Heritage Conservation: A Survey on Challenges and Research Priorities in the Field https://gty.art/468ghvq <https://gty.art/468ghvq>  This report presents the results of a global survey that the GCI's Earthen Architecture Initiative conducted in 2023 to better understand the current state of earthen heritage conservation, prioritize potential research directions, and inform the GCI's strategic direction in the face of increasing environmental threats and the loss of traditional building knowledge. Drawing on responses from over 250 international practitioners, the report outlines the survey's methodology, presents key findings on current challenges and research needs, analyzes emerging trends, and offers strategic recommendations to shape future conservation efforts.   Conserving Concrete Heritage: An Annotated Bibliography (Second Edition) https://gty.art/conserving-concrete-heritage-bibliography-2 <https://gty.art/conserving-concrete-heritage-bibliography-2>  This second edition revises and expands the coverage of the 2015 original, while largely retaining its structure. Additions focus on reinforcing the first edition and updating it with references published between 2015 and 2023. To facilitate navigation of the listed references, a selected number of key resources are highlighted at the beginning of each chapter. This publication is intended to assist those interested in the conservation of concrete by identifying and describing specific resources on the subject. It will also promote understanding of the current state of knowledge, which may assist with identification of gaps in the existing literature. Focused on English-language literature, the bibliography covers mass, reinforced, cast-in-place, post-tensioned prestressed, and precast concrete.  The Reburial of Mosaics: Literature Review and Training and Planning Documents https://gty.art/reburial-of-mosaics-lit-review <https://gty.art/reburial-of-mosaics-lit-review>  This publication provides information and methodologies to expand and improve the practice of the reburial of mosaic pavements for their protection. Part I is a literature review covering advances and trends in mosaic reburial theory and practice since 1973. Part II is a selection of the mosaic conservation and reburial planning, monitoring, and maintenance documents produced during GCI's training courses and field projects since 2010. Together, these two parts provide practitioners with tools necessary to conserve our mosaic heritage on archaeological sites for generations to come. ------------------------------ Anna Duer Reference Librarian Getty Conservation Institute Los Angeles, CA [email protected] ------------------------------ 5.From: Rhea DeStefano Posted: Thursday August 14, 2025 5:07 PM Subject: Forbes colloquium-National Museum of Asian Art Message: The 2025 Forbes Colloquium will mark the launch of a new research initiative focused on the Washington Gospels Codex-also known as the Freer Codex or Codex Washingtonianus. As one of the earliest surviving parchment codices of the Gospels and a significant object of the National Museum of Asian Art's collections, this manuscript offers a unique opportunity for renewed scholarly and scientific inquiry. This colloquium will introduce the project's scope and goals, highlighting the collaborative efforts of an international, multidisciplinary team. Speakers will discuss the codex's significance and outline ongoing and upcoming scientific and conservation research that will guide future studies. Speakers: Chase F. Robinson Dame Jillian Sackler Director National Museum of Asian Art Ji Vnouek Visiting Senior Researcher Royal Library Denmark Rhea DeStefano & Kesha Talbert Paper Conservators National Museum of Asian Art A reception will follow in the museum courtyard. Date: September 24 Location: Smithsonian, National Museum of Asian Art RSVP by Wednesday, September 17 here <https://asia.si.edu/whats-on/events/search/event:188170878/> A virtual option will be available; details will be posted on the RSVP page. Rhea DeStefano | Paper Conservator O: 202.633.0374 <tel:202.633.0374> <https://asia.si.edu/> 1150 Independence Avenue, SW Washington D.C. 20560 asia.si.edu <https://asia.si.edu/> 6.From: Ephranette Brown Posted: Thursday August 14, 2025 5:07 PM Subject: WEBINAR: Portico v LOCKSS: A Discussion on a Digital Preservation Strategy at Kansas State University Libraries Message: <https://washington.zoom.us/j/94795212504?from=addon> Date & Time: Tuesday, August 26, 1:00pm - 2:00pm EST  Session Title: Portico v LOCKSS: A Discussion on a Digital Preservation Strategy  Description: In 2023, Kansas State University Libraries identified payments to Portico and LOCKSS as collections expenditures not directly tied to providing access to content, but rather to digitally preserving it-a critical library function. To assess the value of each service, we examined the extent and nature of their preservation coverage. The decision to discontinue LOCKSS was simplified by the discovery that our local instance had not been running for a few years due to institutional factors. However, this did not address broader questions about long-term preservation of born-digital, paid content. In this presentation, we will share our e-journal overlap analysis and discuss the early stages of a broader digital preservation strategy-one that is still evolving at K-State and across the library field. The quieter "serials crisis" continues, and we still need to investigate e-books digital preservation  Presenters: Michelle Turvey-Welch is the Head of Content Development at Kansas State University. She has held many different roles over her career within technical services. Michelle holds a Master of Library Science from Indiana University and a Bachelor of Arts degree from William Jewell College in History and Psychology. George Gottschalk is Head of Acquisitions and Resource Management at Kansas State University. He has worked in technical services, primarily focused on collections and/or acquisitions-focused roles. George holds a Master of Library and Information Studies, as well as a Bachelor of Arts degree in Art History, both from the University of Oklahoma. ------------------------------ Ephranette Brown Head, Library Conservation Emory Libraries Atlanta United States ------------------------------ 7.From: Mary Wilcop Posted: Thursday August 14, 2025 5:07 PM Subject: Job Opportunity: Manager of Matting & Framing, Carnegie Museum of Art, PIttsburgh, PA USA Message: Job Description: Manager of Matting and Framing, Carnegie Museum of Art, Pittsburgh, PA USA Posted Friday, August 1, 2025 at 12:00 AM | Expires Monday, September 1, 2025 at 11:59 PM  The Manager of Matting and Framing is responsible for the repair, fabrication, modification, and general use of frames at Carnegie Museum of Art. This encompasses a wide range of frame styles and periods, and the work is done in support of exhibition, storage, and travel. Working closely with the Conservator of Paintings and the Senior Manager of Conservation, the Manager of Matting and Framing collaborates with both in-house and contract Conservators and Curators when preparing works on paper and paintings for exhibition and storage; this includes matting, hinging, mounting, glazing, and framing.  The Manager of Matting and Framing oversees Carnegie Museum of Art's matting and frame shop, and associated tasks include managing the operations of framing at the Museum, creating and managing the shop workflow, maintaining the supply inventory, and managing temporary framing technicians, as needed. Collaboration with other staff and departments across Carnegie Museum of Art is required; partners include Art Preparation & Installation, Registration, Exhibitions, Collections Information, Curatorial, Design & Publishing, and Education. As a member of the Conservation department, the Manager of Matting and Framing is expected to take a proactive role in the preservation of the Museum's collections. The Manager of Matting and Framing will have professional development when relevant to upcoming projects.  QUALIFICATIONS  EDUCATION AND EXPERIENCE:  • Bachelor's degree or relevant certification required.  • Five or more years of matting/framing experience in a museum setting is required, as is at least three years working in collaboration with museum conservators.  • A valid Pennsylvania driver's license is also required.  KNOWLEDGE, SKILLS, AND ABILITIES:  • Candidate must possess a strong understanding of museum standards for matting, framing, and object handling.  • Experience with both conservation hinging styles and non-adhesive mounting methods for works on paper is expected.  • The successful candidate will have the demonstrated ability to fit paintings into frames.  • Advanced woodworking skills and proficient knowledge of hand and power tools is required; this includes power saws, routers, compressors, sanders, drills, hand chisels, gouges, carving tools, planes, files, and clamps.  • The ability to sharpen, maintain, and carry out basic repairs of these tools is desired.  • Experience working with glass, acrylic, and poly-carbonate glazing is required. This includes knowledge of safe and accurate cutting methods.  • Basic mathematical abilities are required.  • Candidate must have the ability to work in an organized and efficient manner in managing priorities and meeting deadlines while adhering to the Conservation Department's standards for care and attention to detail in carrying out tasks.  • Some evenings and weekend hours may be required.  PHYSICAL REQUIREMENTS:  • Must have good dexterity, hand eye coordination, and the ability to climb and work on ladders for extended periods of time; to reach work with hands above shoulder level; to lift heavy objects (50 lbs.); and to stand or to walk for a standard workday.  PRINICIPAL ACCOUNTABILITIES:  • Framing, unframing, fitting, and securing works on paper, paintings, and other works in frames in accordance with the Museum's standards.  • Maintaining collection frames (including historic frames) fabricating new frames and frame components; installing auxiliary elements such as slips, buildups, backing boards, and both acrylic and glass glazing.  • Repairing frames (including casting and carving to replace missing parts, gilding, finishing) according to Museum standards.  • Working in close collaboration with Conservators to prepare framed works in the Museum's collection or on loan, where applicable, for exhibition, storage, and travel  • Reviewing and assessing framed works in the Museum's collection requested for outgoing loan.  • Maintaining written and photographic records within data management systems; entering matting/framing information into CMOA collections management system, KEMu, in digital format, where information can be recorded, viewed, and shared across the Museum.  • Maintaining supplies, tools, equipment, and storage spaces.  • Managing the Frame shop, workflow, and any Frame shop staffing, to meet Museum schedules and deadlines  • Utilizing and updating the Museum's Asana project management system to track and communicate project status  • Creating and managing framing budget(s).  • Coordinating frame production with third-party vendors.  • Working collaboratively with in-house and contract Exhibition Designer(s) to create safe and elegant frame, display, and mounting systems for objects in exhibitions.  • Advising on the installation of objects regarding framing and mounting for purposes of display.  • Assisting Conservators and Preparators with installations and deinstallations of permanent collection-based and temporary loan-based exhibitions, as necessary.  • Assisting in daily gallery monitoring including the visual inspection and maintenance of framed objects on display and in storage.  • Dusting and lightly cleaning framed collection objects as needed under the direction of the Senior Conservation Manager.  • Operating equipment and tools in a safe and proper manner; making minor repairs to equipment as directed,  • Maintaining safe, clean, and orderly work and storage environments.  • Working professionally and cooperatively with Museum staff, including but not limited to, Conservation, Art Preparation & Installation, Registration, Exhibitions, and Curatorial, as well as contractors, artists, and couriers.  • Understanding and adhering to all security rules and guidelines of Carnegie Museum of Art and Carnegie Museums, as well as regulations stipulated by such agencies as OSHA, TSA, and DHS.  • Working overtime as necessary, understanding that as much advance notice will be given as possible by supervisor.  • Performing other various duties, as requested, by supervisor.  Expected starting pay range, based on experience, $60,000 - 65,000.  Carnegie Museum of Art creates experiences that connect people to art, ideas, and one another. Founded in 1895, Carnegie Museum of Art is arguably the first museum of contemporary art in the United States and the Pittsburgh region's preeminent venue for presenting, collecting, preserving, and interpreting visual art. For 129 years, the museum has been committed to showcasing the art and artists of the current moment, while also building a vital archive of art from the past. Its collection of more than 110,000 objects encompasses a broad spectrum of visual arts with an emphasis on art, architecture, photography, and design from the 19th century to the present.  >From its ambitious execution of the Carnegie International-the museum's >signature recurring exhibition of global contemporary art established in >1896-to compelling special exhibitions, programs, and publications, to the >daily work of the entire organization, the museum seeks to build on its legacy >of thought leadership through rigorous research, adventurous and >artist-centered programming and partnerships, and forward-thinking >contributions to museum discourse and practice. Through its artistic program, >Carnegie Museum of Art frequently explores the role of art and artists in >confronting key social issues of our time, combining and juxtaposing local and >global perspectives. With its unique history and resources, Carnegie Museum of >Art strives to be a leader in defining the role of art museums for the 21st >century.  The following PA Act 153 clearances, or proof of application of clearances, are required beginning employment and as a condition of continued employment: Pennsylvania Child Abuse History Clearance Pennsylvania State Police Criminal Record Check FBI Fingerprint Criminal Background Check Obtaining the required clearances is completed as part of the new hire process.  Carnegie Museums is an Equal Opportunity Employer  https://jobs.dayforcehcm.com/en-US/car/CANDIDATEPORTAL/jobs/10692 ------------------------------ Mary Wilcop Senior Manager of Conservation and Objects Conservator Carnegie Museum of Art 4400 Forbes Ave. Pittsburgh, PA 15213 [email protected] ------------------------------ You are subscribed to "Global Conservation Forum (ConsDistList)" as [email protected]. 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