Email digest for the Global Conservation Forum (ConsDistList) egroup.
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 1. Unknown blue substance on film

 2. Job Posting: Conservation Technician, 1 year, Denver Museum of Nature & 
Science

 3. Survey on the use and utility of the Artists Documentation Program 
interviews

 4. RE: How Chemists Investigate Cultural Heritage: A Look at the Science and 
Ethics - in-person at UCLA and online

 5. Ask a Conserbator Day is in TWO WEEKS!

 6. Art Bio Matters - Seminar on Clothomics (Registration Reminder!)

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1.From: Alexis See Tow
 Posted: Tuesday October 21, 2025  6:33 AM
 Subject: Unknown blue substance on film
 Message: 
Hello colleagues,


In the process of condition checking some colour 16mm film, and I came across 
this mysterious residue on the emulsion side of the film. It is extremely 
stubborn, not very sticky (if at all), and only very slightly lifts when 
agitated with Isoclene (isopropyl alcohol). When removed, it is blue! On first 
thought, it could be the result of something mechanical, like the film running 
through some rollers and one of them was dirty? This residue is across the 
whole film at regular intervals, imagine it like tyre marks where only a 
certain section of the tyre is dirty. 


Has anyone come across something like this? Maybe something with the developing 
phase? I did some reading and got piqued on something about anti-halation 
layers? This was projected for viewing maybe less than 5 times, but all other 
films also ran through the same projector and none had this. I tried to do some 
reading, something about anti-halation layers but nothing that would suggest 
residue that looks like track marks over the whole film. 


Film stock is Fuji 16mm safety film 1976 Jan-Mar  


Let me know if anyone has any suggestions or leads, thank you for your time!


------------------------------
Alexis See Tow
Graduate Student (Class of 2026)
UCL Postgraduate Programme in the Conservation of Contemporary Art and Media
London
United Kingdom
------------------------------


2.From: Megan Salas
 Posted: Tuesday October 21, 2025  7:14 PM
 Subject: Job Posting: Conservation Technician, 1 year, Denver Museum of Nature 
& Science
 Message: 
The Denver Museum of Nature & Science seeks applicants for a one-year 
Conservation Technician position.


Apply at this link by Nov 7: 
https://www.dmns.org/about/careers/current-openings/?p=job%2Fo2TAyfwN 
<https://www.dmns.org/about/careers/current-openings/?p=job%2Fo2TAyfwN>



This position will support all aspects of the deinstallation of the Museum's 
North American Indian Cultures Hall (NAICH) through conservation and 
collections management actions. The NAICH closed to the public in June 2023 
after nearly 50 years. Since 2024, DMNS staff from the Avenir Conservation 
Center, Anthropology Collections, and curators have been working to deinstall 
the belongings that were part of the exhibit section by section. The position 
will assist conservation and collections staff to complete the deinstallation, 
documentation, conservation, and collections care of belongings formerly part 
of the NAICH exhibit. The hired individual may have the opportunity to carry 
out a conservation project under the supervision of one or more staff 
conservators. This is a term position that will last one year from the time of 
hire.  
 
Job Class: Full Time
Hiring Range: $22.00/hour
Work Schedule: Monday – Friday. Weekends and evenings, as needed
Direct Reports: 0
 
Essential Duties


Conservation actions (70% effort) 



Carries out deinstallation, condition assessment, documentation, analysis, and 
object movement related to the NAICH deinstallation project under the 
supervision of a conservator. 

Develops treatment proposals for deinstalled objects under the supervision of a 
conservator.  

Performs surface cleaning of deinstalled objects.  

Follows workflows and procedures developed for documentation and progress 
tracking.  

Assists with data entry into the Museum database.  

Complies with the American Institute for Conservation Code of Ethics and 
Guidelines for Practice. 

 
Collections Management activities (25% effort) 



Carries out deinstallation, measurement, and movement of objects from NAICH 
Anthropology Collections storage areas. 

Prepares materials for box building and 3D mounting of objects.  

Assists in the reorganization of the Ethnography Collection, and the 
integration of deinstalled objects into permanent storage. 

Assists in contacting and corresponding with Tribal Historical Preservation 
Officers ahead of planned deinstallations.  

Regularly works with museum volunteers. 

 
Museum Involvement (5% effort)  



Participates in all Museum-wide mandatory trainings. 

Participates in Staff Inflection, Employee Engagement Team, and Inclusion 
focused events. 

Stays abreast of Museum policies. 

 
Minimum Qualifications/Requirements



Bachelor's degree, or equivalent work experience. 

Intermediate experience with Microsoft Office Suite, Adobe Bridge, and 
Photoshop. 



Working Conditions



Conservation lab combines office and workspace. 

Ability to sit and/or stand for up to 8 hours at a time. 

Moderate physical activity required by handling objects up to 20 pounds 
occasionally and/or up to 10 pounds frequently. 

Safe use of small power tools, hand tools, and various chemicals. 

Safe Handling of materials that may contain arsenic, mercury, and lead. 

Use of analytic equipment that emits radiation. 

Coordinate the safe disposal of chemicals that may include biohazards. 

Working in collections storage areas using light moving equipment. 

Application Instructions

Please submit your resume by 6:00 p.m. MT on Friday, November 7th. Applications 
will not be accepted after this time. DMNS reserves the right to close the 
position prior to this date. Applications may only be accepted electronically 
via the Museum's website.



The Denver Museum of Nature & Science is an equal opportunity employer. The 
Museum is dedicated to the goal of building a culturally diverse staff 
committed to serving the needs of all our visitors, and we encourage 
applications from individuals of all backgrounds.




------------------------------
Megan Salas
Objects Conservator
Denver Museum of Nature & Science
------------------------------


3.From: Matthew Skopek
 Posted: Tuesday October 21, 2025  7:14 PM
 Subject: Survey on the use and utility of the Artists Documentation Program 
interviews
 Message: 
Dear colleagues, 





The Artists Documentation Program <https://adp.menil.org/> (ADP), a cooperative 
program between the Menil Collection and Whitney Museum of American Art in 
which conservators interview artists or their close associates in the presence 
of their artworks to understand their materials and techniques, is conducting a 
usage survey.  We hope to understand why and how our colleagues use the 
interviews and if you find the information helpful and relevant. 





If you have ever accessed or been interested in an ADP interview, we kindly ask 
you to participate in our short survey, which should take less than five 
minutes. Your insights will be instrumental in helping us improve our practices 
and keeping ADP relevant and useful. 





The survey can be found here <https://forms.office.com/r/jZHyWEErEh> and 
additional questions and comments can be sent to us by email at 
[email protected] <[email protected]>.  Please also feel free to share 
this survey with others; all are invited to participate. 



With gratitude for your feedback,



Matthew Skopek





------------------------------
Matthew Skopek
Melva Bucksbaum Director of Conservation
Whitney Museum of American Art
New York, NY
United States
------------------------------


4.From: Cynthia Kapteyn
 Posted: Tuesday October 21, 2025  7:14 PM
 Subject: RE: How Chemists Investigate Cultural Heritage: A Look at the Science 
and Ethics - in-person at UCLA and online
 Message: 
Hi Shiran,


The program will be livestreamed and made available after the fact on their 
youtube channel here: https://www.youtube.com/@ucla-c1718cs 
<https://nam02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.youtube.com%2F%40ucla-c1718cs&data=05%7C02%7Cckapteyn%40huntington.org%7C2cabec439b014febe47308de10c4cece%7C7f6accb70cea439b9c9d898d0b412d65%7C0%7C0%7C638966634657506014%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=4nzgEx6OxmLqq79VxZHC3uSyoBxwYxe6c0Q1ayfiAJY%3D&reserved=0>


According to the program coordinator, there will be one portion of the program 
that will not be recorded or livestreamed however. That is the analysis of some 
of the materials using XRF due to how complicated it might be to properly 
capture.





Best,


Cynthia


------------------------------
Cynthia Kapteyn
Book and Paper Conservator, Digitization Coordinator
The Huntington Library, Art Museum, and Botanical Gardens
San Marino
United States
------------------------------
-------------------------------------------
Original Message:
Sent: 10-18-2025 14:12
From: Shiran Tamary
Subject:  How Chemists Investigate Cultural Heritage: A Look at the Science and 
Ethics - in-person at UCLA and online


Sounds fascinating! Will it be possible to watch the lecture on your YouTube 
channel after the live-stream? 






------------------------------
Shiran Tamary
Haifa
Israel
------------------------------

Original Message:
Sent: 10-17-2025 13:23
From: Cynthia Kapteyn
Subject: How Chemists Investigate Cultural Heritage: A Look at the Science and 
Ethics - in-person at UCLA and online

How Chemists Investigate Cultural Heritage: A Look at the Science and Ethics
Date/Time
Thursday, October 23, 2025
4:00 pm PDT – 5:30 pm PDT

Location
UCLA William Andrews Clark Memorial Library & via Livestream 
<https://www.1718.ucla.edu/locations/william-andrews-clark-memorial-library-via-livestream/>
2520 Cimarron Street
Google Calendar
 
<https://www.google.com/calendar/event?action=TEMPLATE&text=How+Chemists+Investigate+Cultural+Heritage%3A+A+Look+at+the+Science+and+Ethics&dates=20251023T160000/20251023T173000&details=%3Ca+href%3D%22https%3A%2F%2Fwww.1718.ucla.edu%2Fwp-content%2Fuploads%2F2025%2F08%2FPublicityPhoto_Puglieri_PhotoCredit_Ader-Gotardo-%40adergotardo.png%22%3E%3C%2Fa%3E%0A%3Cstrong%3EThird+Annual+Spotlight+Talk+by+%3Ca+href%3D%22https%3A%2F%2Farthistory.ucla.edu%2Fperson%2Fthiago-sevilhano-puglieri%2F%22%3EThiago+Sevilhano+Puglieri%3C%2Fa%3E%2C+Assistant+Professor+of+Technical+Art+History%2C+Conservation+Science%2C+and+Indigenous+Cultural+Heritage%2C+UCLA+Department+of+Art+History%3C%2Fstrong%3E%0AThis+talk+will+explore+how+and+why+chemists+investigate+cultural+heritage%2C+examining+the+diverse+ethical+considerations+that+arise+with+different+types+of+cultural+items.+The+session+will+also+feature+an+in-person+demonstration+of+chemical+analysis+of+objects+from+the%C2%A0Clark+collection.%0AWe+will+begin+by+exploring+objects+from+the+Clark+Library+to+discuss+common+analytical+questions%2C+processes%2C+and+ethics+in+conservation+and+heritage+science.+The+discussion+will+then+shift+to+the+invest...&location=2520+Cimarron+Street%2C+Los+Angeles%2C+CA%2C+90018%2C+United+States&trp=false&sprop=https%3A%2F%2Fwww.1718.ucla.edu%2Fevents%2Fpuglieri-spotlight-talk%2F&sprop=name:The+Center+for+17th-+%26amp%3B+18th-Century+Studies&ctz=America%2FLos_Angeles>
 iCal Export <https://www.1718.ucla.edu/events/puglieri-spotlight-talk/ical/>
publicityphoto_puglieri_photocredit_ader-gotar...@adergotardo.png 
<https://www.1718.ucla.edu/wp-content/uploads/2025/08/<a href=>" 
data-type="image" data-fancybox="image" target="_blank" rel="noopener">

Third Annual Spotlight Talk by Thiago Sevilhano Puglieri 
<https://arthistory.ucla.edu/person/thiago-sevilhano-puglieri/>, Assistant 
Professor of Technical Art History, Conservation Science, and Indigenous 
Cultural Heritage, UCLA Department of Art History

This talk will explore how and why chemists investigate cultural heritage, 
examining the diverse ethical considerations that arise with different types of 
cultural items. The session will also feature an in-person demonstration of 
chemical analysis of objects from the Clark collection.

We will begin by exploring objects from the Clark Library to discuss common 
analytical questions, processes, and ethics in conservation and heritage 
science. The discussion will then shift to the investigation of Indigenous 
items, highlighting other questions, processes, and unique ethical 
considerations these items demand.

The lecture will conclude with a hands-on session where participants can 
observe the analysis of objects from the Clark collection. This will provide an 
opportunity to better understand some of the practices and ask specific 
questions about this fascinating interdisciplinary field.

Thiago Puglieri's teaching and research are located at the intersections of art 
history, chemistry, and conservation. His interests are in technical art 
history and conservation science, focusing on Indigenous cultural heritage from 
the Americas. His projects delve into the historical and cultural aspects while 
also exploring scientific and technological advancements within Indigenous 
cultures. The investigations involve archival research, chemical 
characterizations, and engagement with Indigenous communities through 
community-engaged research. Puglieri teaches and supervises students at the 
UCLA Department of Art History and the UCLA/Getty Interdepartmental Program in 
the Conservation of Cultural Heritage.

Puglieri was a scholar at the Getty Research Institute (GRI, 2024–2025), 
visiting researcher at the Getty Conservation Institute (GCI, 2019–2020), 
member of the international advisory committee of the project "An International 
Research Infrastructure for Heritage Science" from NICAS (Netherlands Institute 
for Conservation, Art, and Science), vice president of ANTECIPA (National 
Association of Research in Heritage Science and Technology, Brazil), and 
coordinator of the division "Investigation of Materials, Systems, and 
Techniques" of the "Technical Commission for Cultural Heritage" of ABENDI 
(Brazilian Association of Non-Destructive Testing and Inspection).

Prior to joining the Department of Art History at UCLA, he was a professor at 
the Department of Museology, Conservation, and Restoration of the Federal 
University of Pelotas (Brazil, 2015–2022), where he was teaching and advising 
students in the Graduate Program of Social Memory and Cultural Heritage.

The lecture is free to attend with advance registration. It will be held 
in-person at the Clark Library and livestreamed on the Center's YouTube Channel 
<https://www.youtube.com/@ucla-c1718cs>. No registration is required to watch 
the livestream. Seating is limited at the Clark Library; walk-in registrants 
are welcome as space permits.



How Chemists Investigate Cultural Heritage: A Look at the Science and Ethics - 
The Center for 17th- & 18th-Century Studies 
<https://www.1718.ucla.edu/events/puglieri-spotlight-talk/>


------------------------------
Cynthia Kapteyn
Book and Paper Conservator, Digitization Coordinator
The Huntington Library, Art Museum, and Botanical Gardens
San Marino
United States
------------------------------


5.From: Katelin Lee
 Posted: Tuesday October 21, 2025  7:15 PM
 Subject: Ask a Conserbator Day is in TWO WEEKS!
 Message: 
Ask a Conservator Day is two short weeks away! 


It's a great opportunity to hone your outreach skills and encourage those 
around you to better understand conservation. This year's theme is "Who Are the 
People in Your Neighborhood?" In addition to answering questions you commonly 
receive about your work (or that you may solicit from friends, colleagues, 
social media followers, or clients), we're encouraging participants to share 
experiences working with colleagues in all kinds of jobs, who bring all kinds 
of expertise to the care of collections and cultural heritage. Surprising 
connections, shared skill sets, a chance to sing the praises of your favorite 
collaboration partners: we welcome all of it! 


If you're interested in learning more or participating: 
https://www.culturalheritage.org/events/ask-a-conservator-day We also have 
several sample posts and images to use to make participating even easier! If 
you have any questions, please feel free to reach out to me at 
[email protected]. I also love hearing about ways you're participating, 
so don't forget to tag AIC in your posts or drop me a line so I can share your 
activities with our audience!








------------------------------
Katelin Lee 
(she/her)
Outreach Manager
Washington DC
------------------------------


6.From: Ashley Bowersox
 Posted: Tuesday October 21, 2025  8:52 PM
 Subject: Art Bio Matters - Seminar on Clothomics (Registration Reminder!)
 Message: Dear All,

We're happy to announce our October seminar, featuring ABM member Laura Viñas 
Caron. This will be the final session in our ABM Speaker Series for the year, 
and we're delighted to close the season with her presentation.

As our current funding concludes in December 2025, Art Bio Matters will be 
entering a period of transition. Please join us in October to hear about plans 
for our final meeting in November and next steps.

Clothomics as a new approach to the study of archaeological textiles and animal 
skins
By Laura Viñas Caron
Thursday October 23rd at 11:00 am ET

Read the full abstract for the talk below. An Art Bio Matters Membership is 
required to attend this seminar. Visit artbiomatters.org/join-abm 
<https://artbiomatters.org/join-abm> to become a member (it's free!).

Abstract: Over the past decades, the range of scientific methods that 
contribute to the study of ancient cloth materials has expanded dramatically. 
The emerging field of  uses biomolecular techniques such as proteomics and 
genomics to study the raw materials used in cloth production. These analyses 
not only identify the animal species behind textiles, leather or fur, but also 
reveal new insights into the domestication, management, and refinement of 
animals used in textile production, such as sheep. In doing so, clothomics 
helps us better understand past identities, animal economies, manufacturing 
processes, trade networks, or landscape use. This presentation will introduce 
the exciting world of clothomics, offer practical guidance on how to apply 
genomic and proteomic techniques to ancient cloth, and share a series of case 
studies that highlight what these methods can reveal about our shared past.

The talk will be followed by a discussion with members in attendance.


------------------------------
Ashley Bowersox
Preventive Conservator
& Graduate Candidate in Painting and Sculpture Conservation
HKB, Bern, Switzerland
[email protected]
------------------------------




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