Email digest for the Global Conservation Forum (ConsDistList) egroup. ------------------------------------------------------------------------------------------------------------
1. RE: 2026 AIC-CAC Meeting in Montreal, Canada 2. New Offerings from Conserv 3. Call for Papers- Archives and Records Association's Annual Conference, Glasgow 5-7 August 2026. 4. Book Launch: Art Restoration Under the Nazi Regime: Revelation and Concealment. 5. Online Chemistry bridging course for conservation 6. Job Opportunity - Senior Collection Care Technician (The National Archives, UK) 7. RE: Pastel Portrait Painting's Artist/ Provenance - Input Needed 8. RE: 2026 AIC-CAC Meeting in Montreal, Canada ------------------------------------------------------------------------------------------------------------ 1.From: Cesar Maguiña Posted: Friday January 23, 2026 10:15 AM Subject: RE: 2026 AIC-CAC Meeting in Montreal, Canada Message: Agradecer se sirvan informarme si habr becas para financiar pasajes y estada, gracia por su informacin Cordialmente Cesar Maguia Gomez Instituto Americano de Investigacin y Conservacin Per ------------------------------------------- Original Message: Sent: 1/19/2026 6:25:00 PM From: Bonnie Naugle Subject: 2026 AIC-CAC Meeting in Montreal, Canada The American Institute for Conservation <https://www.culturalheritage.org/who-we-are/about-us> welcomes our global colleagues to attend our 2026 joint conference in Montreal, QC, Canada <https://www.culturalheritage.org/events/annual-meeting/current-meeting>, with the Canadian Association for Conservation of Cultural Property <https://www.cac-accr.ca/> (CAC-ACCR)! This international conference is an excellent opportunity for you to connect with experts across North America! We are welcoming presentations and posters from authors in 40 countries, and for the first time will be offering real-time AI translation with Wordly. Both speakers and attendees can select from 60 or more languages to engage with the content in their native tongues. The meeting is hybrid and will be livestreamed and recorded. Our conference will be held at the Palais des congrès in Montreal <https://congresmtl.com/> from Tuesday, April 28, 2026, through Saturday, May 2, 2026. Our main conference starts with a keynote on Wednesday, April 29, at 4pm. Browse our schedule <https://www.culturalheritage.org/events/annual-meeting/current-meeting/program> to explore our 11 workshops, 2 seminars, 9 luncheon programs <https://www.culturalheritage.org/events/annual-meeting/current-meeting/program/program-details>, and 47 topical sessions with more than 200 presentations. The presentation titles and abstracts will be available later this month. Rates start at US$499 for AIC and CAC members, and $299 for student members (AIC membership is included with nonmember rates). Registration includes: <https://www.culturalheritage.org/events/annual-meeting/current-meeting/register> access to all 47 main conference sessions (200 presentations) whether live, virtual, or recorded an opening reception at the Montreal Museum of Fine Art networking opportunities throughout one luncheon program a poster session with an author Q&A option to add a symposium that will provide a framework and valuable resources for broadening environmental setpoints (only available in-person) option to add one of 11 workshops at a variety of price points two-day access to our exhibition hall limited spaces to participate in our Community Partnership Project <https://www.culturalheritage.org/events/community-projects> (a volunteer service project) access to an online community dedicated to conference participants We are so excited to partner with CAC for this international conference! Register today – rates rise after January 31! <https://www.culturalheritage.org/events/annual-meeting/current-meeting/register> ------------------------------ Bonnie Naugle she, her Communications & Membership Director American Institute for Conservation and Foundation for Advancement in Conservation Washington, DC ------------------------------ 2.From: M. Susan Barger Posted: Friday January 23, 2026 10:15 AM Subject: New Offerings from Conserv Message: Hey there! The Conserv Community is offering an awesome AMA (Ask Me Anything) opportunity coming up on January 29. Al Carver-Kubic and Stephanie Shapiro from Environment & Culture Partners will be answering questions about Grants & Funding opportunities for Cultural Heritage. Ask your questions now, and they will answer during the text-based event! [Check it out here <https://bit.ly/4q6kbvZ>] We also wanted to share that Conserv has updated our Webinar Rewatch page on our website [Click Here] <https://bit.ly/3YPrRa9> to include our three most recent webinars to watch on your own time. Topics: · What to do with your Environmental Monitoring Data · Understanding Flood Risk · How to Use Dewpoint to understand what's going on with your collections ------------------------------ M. Susan Barger, PhD Conserv Community Board [email protected] Santa Fe NM ------------------------------ 3.From: Katie Proctor Posted: Friday January 23, 2026 10:16 AM Subject: Call for Papers- Archives and Records Association's Annual Conference, Glasgow 5-7 August 2026. Message: The submission portal for our 2026 conference Call for Papers is now open. The deadline for submission of papers is 13th February 2026. We are calling for papers on the theme of 'Authenticity'. Annie Starkey, chair of the ARA Conference Committee says: "As we return to a fully in-person conference for 2026, it feels appropriate to address the theme of authenticity - how do we approach the practices of Record Keeping in an age where 'truth' feels increasingly under fire? We've seen Heads of State alter, deny, and destroy archival records. If history is determined by the victor, how do we work with integrity and preserve the full truth when those in power may seek to quash it? Conversely, as Record keepers we have been described as 'Custodians of the Truth', but who's truth? How do we ensure fair and balanced representation, especially when some views feel so alien to us? How do we manage the legality of digitising records for Records Management purposes, when – for example - the digitised records supersede the 'original' items as the 'legal' copies? When original formats have a limited lifespan, either because of their inherent instability or technological obsolescence – how do we give people an authentic experience when accessing born-digital records? Is authenticity in fact the priority, or does access trump truth? There are also discussions to be had around the ethics of AI and machine-learning and its use – can it simplify tasks like metadata capture or transcription, increasing efficiency; or will it impact on data quality, dilute understanding, and lead to de-skilling of record keepers? The authenticity of the physical record can be viewed through conservation decision-making lens, but what are the implications of the treatments we undertake and the materials we use? Are we compromising authenticity, or broadening the narrative of what can be perceived as authentic? In an era marked by disinformation, contested histories, and rapid technological change, the concept of authenticity in recordkeeping has never been more complex-or more critical. How do we navigate truth, ethics, and recordkeeping in a Post-Truth World?" Suggested Ideas for exploration might be: What is the authentic experience within the archive? Is there a "hierarchy of authenticity" when prioritising or foregrounding the experience of different individuals or groups? Does authenticity matter? Are we in danger of trying to create a static and immobile template that ignores interpretation and varied opinion? How is authenticity changing in response to AI? In an ongoing age of disinformation, what does authenticity really mean? How does the choice of AI source material contribute to perpetuating stereotypes around subjects such as race, gender and religion? "Truth, trust, provenance and overcoming the 'age of stupidity'". As record-keepers, should this be our mission statement? Archives are socially constructed - how do changing social perspectives affect authenticity? Record keeping establishments are places of destruction as much as preservation. What narratives control retention choices? Where does the burden of authenticity rest? Contested histories - what is the place of an archive to challenge or uphold certain narratives? Archival and record-keeping theory – if apparently minor issues such as page order are compromised, is this conscious dissociation? What is the impact on perceived authenticity? When archives are used within other systems of governance and authority, what does this mean for authentic narratives of major events? Presidential elections, the UK newspaper hacking scandals and the UK Post Office enquiry, have all laid bare flaws in documentation and decision-making. The use and misuse of records that have a dramatic impact on 'real life' The digital record vs. the original record - what is the reader seeking to experience? Is one 'more' authentic than the other? Who wields tools of authentication such as heritage science? What role does material analysis play in understanding collections? How can new technologies deepen this understanding? Does interventive conservation treatment compromise authenticity? Best practice dictates use of sympathetic materials, emphasising reversibility, but what does it mean for treatment integrity when manufacturing processes of materials are changed, or accessibility is affected by external factors such as climate change? What of inevitable changes to the item to preserve them and/or make them accessible? Is accessibility the enemy of authenticity? Do these treatments change the fundamental nature of collection material? And of course, we are open to many more ideas than this! All we need at this stage is a 500 word (max) abstract for your presentation, panel or workshop. We expect that all presentations will be made in-person in Glasgow. As in previous conferences we offer the following formats: Individual contributions <https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Farchives.us13.list-manage.com%2Ftrack%2Fclick%3Fu%3De2538b2a52fddc034d6b56a33%26id%3D37a7878dca%26e%3Dfb83d0a2ee&data=05%7C02%7CK.Proctor%40leeds.ac.uk%7C0d5bca67ea4e4169c3de08de576b4e16%7Cbdeaeda8c81d45ce863e5232a535b7cb%7C0%7C0%7C639044315567191440%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=o5XP8DL5bnmLwtxSPweNwug719Nn8zO%2BEc9DiNhcRPQ%3D&reserved=0>– presentations of 20 minutes, and if successful your proposal will be combined into a session with other speakers. Panel sessions <https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Farchives.us13.list-manage.com%2Ftrack%2Fclick%3Fu%3De2538b2a52fddc034d6b56a33%26id%3D2af68d4314%26e%3Dfb83d0a2ee&data=05%7C02%7CK.Proctor%40leeds.ac.uk%7C0d5bca67ea4e4169c3de08de576b4e16%7Cbdeaeda8c81d45ce863e5232a535b7cb%7C0%7C0%7C639044315567214758%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=emg7WDYOp5WfMzK3EWBuaZtlkjVceJnpETJZqT7bDcs%3D&reserved=0> – three to five speakers presenting related papers on a specific theme or topic. 60 minute workshop <https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Farchives.us13.list-manage.com%2Ftrack%2Fclick%3Fu%3De2538b2a52fddc034d6b56a33%26id%3D64eb4eac98%26e%3Dfb83d0a2ee&data=05%7C02%7CK.Proctor%40leeds.ac.uk%7C0d5bca67ea4e4169c3de08de576b4e16%7Cbdeaeda8c81d45ce863e5232a535b7cb%7C0%7C0%7C639044315567236494%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=n0CIQePxvRQWUHuqecivgND4LUqk2n5jYOCZFTC1v0s%3D&reserved=0> – a longer session aimed at including a practical element as well as presentation. Use the links above to find out more about each type of format. Registration for the conference will open soon. Submit your paper for the ARA Conference 2026 by clicking here <https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Farchives.us13.list-manage.com%2Ftrack%2Fclick%3Fu%3De2538b2a52fddc034d6b56a33%26id%3D2a37220c1b%26e%3Dfb83d0a2ee&data=05%7C02%7CK.Proctor%40leeds.ac.uk%7C0d5bca67ea4e4169c3de08de576b4e16%7Cbdeaeda8c81d45ce863e5232a535b7cb%7C0%7C0%7C639044315567259825%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&sdata=9b7fv8iAJWKhqGmwtCzBXugN023xJKFKvBQ4yKEsLr4%3D&reserved=0> ------------------------------ Katie Proctor Conservation and Collections Care Manager University of Leeds Library Leeds United Kingdom ------------------------------ 4.From: Morwenna Blewett Posted: Friday January 23, 2026 10:16 AM Subject: Book Launch: Art Restoration Under the Nazi Regime: Revelation and Concealment. Message: Book Launch: Art Restoration Under the Nazi Regime: Revelation and Concealment. This book is the first in-depth study of the restoration and conservation field in the National Socialist era. It presents a completely new perspective on the physical manipulation of fine, applied arts and other cultural property, under the regime from 1933 to post war in 1948. It investigates the motivations behind the participation of the conservation and restoration profession in this network of profit, crime, persecution and ideological broadcast. The book is being launched next month at two events (London and Oxford). All welcome. Please see the events below for registration and (free) ticketing. 'Art Restoration Under the Nazi Regime' book launch - Worcester College <https://www.worc.ox.ac.uk/news-events/events/art-restoration-under-the-nazi-regime-book-launch> Event: Book Launch: Art Restoration Under the Nazi Regime: Revelation and Concealment | Ben Uri <https://benuri.org/events/82-book-launch-art-restoration-under-the-nazi-regime/> It is available for pre-order from most booksellers. 5.From: Christian Dreyer Posted: Friday January 23, 2026 10:17 AM Subject: Online Chemistry bridging course for conservation Message: Online Chemistry bridging course for conservation An online Chemistry course for conservation is being presented by The South African Institute for Heritage Science & Conservation. The course was developed to assist students transitioning to conservation studies (e.g. from the Arts), and whom may be lacking the crucial perspective of chemistry: "Bridging to Chemistry for Conservation" Duration: 4 month course Course instructor: Dr Christian Dreyer Course fee: USD795.00 / Euro700.00 Part bursaries: The Strimling Conservation Studies Fund has kindly extended a USD200 / Euro190 part-bursary to each of the first 3 successful enrollments. Registration: Enrollment register now open for starting date 9 February 2026 or 23 March 2026. For more information, kindly view the course outline here <http://www.sainst.org/documents/Linked_Documents/Chemistry%20for%20Conservation%20(Bridging)%20Prospectus_USD_EUR_GBP.pdf>. To enquire about enrolling click here <http://www.sainst.org/Bridging_to_Chemistry_for_Conservation_Enrolment_Application.html> or contact the Academic Administrator at [email protected] <[email protected]> With kindest regards, Dr Christian Dreyer (Programme Director) The South African Institute for Heritage Science and Conservation Faculty of Physical Sciences Faculty of Commerce www.sainst.org <http://www.sainst.org/> Provisionally registered with the Department of Higher Education and Training as a private higher education institution under the Act. Registration certificate No. 2018/HE07/007 Registered as: The South African Institute for Heritage Science (Pty) Ltd. Registration Number: 2015/317414/07 6.From: Sophie Adlam Posted: Friday January 23, 2026 1:47 PM Subject: Job Opportunity - Senior Collection Care Technician (The National Archives, UK) Message: Job Opportunity - Senior Collection Care Technician (The National Archives) Salary: £29,258 per annum Contract type: Permanent Closing date: Sunday 8th February 2026 at midnight The National Archives is the official archive of the UK government, holding over 1,000 years of the nation's history. We provide expert guidance on information management to government departments and public sector bodies, while also advising on the care and preservation of archive collections. We are seeking a highly motivated individual to join the Collection Care Department, which is dedicated to: - Preserving the collection to ensure an unbroken historical record for present and future generations - Unlocking and sharing the collection's potential to enrich the experience of our users and maximise public access - Driving innovation to continually enhance and improve collection care practices As a Senior Collection Care Technician, you will work alongside a team of conservation, preservation, engagement, and heritage science professionals. The role involves supporting both ongoing programmes and participation in special projects, requiring a balance of initiative and collaborative teamwork with colleagues across the organisation and with external partners. You will play a key role in safeguarding the physical record via preventive and interventive methods. Your work will support improved access to the collection, extend its lifespan and enhance the experience of all our users. The successful candidate will be a committed advocate for Collection Care's objectives, demonstrating high professional standards and contributing actively to the development of innovative best-practice approaches to archive care. This role requires on site presence and is not suitable for home working. This is a full time post. However, requests for part-time working, flexible working and job share will be considered, taking into account at all times the operational needs of the Department. For full details and to apply, please click this link: https://nationalarchives.wd3.myworkdayjobs.com/Careers/job/Kew/Senior-Collection-Care-Technician_JR200758 <https://nationalarchives.wd3.myworkdayjobs.com/Careers/job/Kew/Senior-Collection-Care-Technician_JR200758> ------------------------------ The National Archives Kew, Richmond, UK ------------------------------ 7.From: George Schwartz Posted: Friday January 23, 2026 1:52 PM Subject: RE: Pastel Portrait Painting's Artist/ Provenance - Input Needed Message: Valeria, for some reason Google lens produces this result? https://do.linkedin.com/in/ruahidy-lombert-1922bb13 Perhaps it's old news? Cordially, George ------------------------------ George Schwartz Principal, Senior Conservator ConservArt, Inc. Boca Raton FL [email protected] Chair CIPP 2011-2013 Conservators in Private Practice ------------------------------ ------------------------------------------- Original Message: Sent: 01-22-2026 13:46 From: Valeria Orlandini Subject: Pastel Portrait Painting's Artist/ Provenance - Input Needed Dear colleagues, I treated a pastel painting with mold and would like to have information about the artist. It's a portrait of a "Young Lady" executed on laid blue paper support lined onto a linen canvas attached to a wooden strainer. The pastel was under a glass and inside in an ornate gilded frame in very bad condition. Both the artwork and the frame were stabilized to protect it from further damages. This painting belongs to a private client who inherited this object without its proper provenance. It's likely that the artwork was purchased in Paris, France and then brought to the US.There is a wooden backing board on the reverse of the frame and has an inscription that it's not legible. There are only fragments, this laid paper support is very fragile and in poor condition. Am not certain if this painting is from the (early) 18th century or is in a 19th century French Rococo revival style or something else.Attached find several images for your review. From examining the backs and bottoms of countless works of art, I would argue that the most common preservation mistake artists make is not properly marking their work. Every piece should have the artist's name, the title of the artwork, the date, signature and the place of creation clearly printed (somewhere on it) in block letters. I contacted Dr. Thea Burns, Adjunct Associate Professor at the Department of Art History and Art Conservation Program, Queen's University, in Kingston, Canada. Thea has researched extensively on pastels, blue paper and other topics and was very helpful in addressing the possible ways to identify the artist and dating. She encouraged me to contact Neil Jeffares in England to inquire about this pastel and introduced me to this wonderful resource/ website.Pastels & pastellists: The Dictionary of pastellists before 1800 <http://www.pastellists.com/>Neil Jeffares London, United Kingdom Website www.pastellists.com <http://www.pastellists.com/> Twitter http://twitter.com/neiljeffares <http://twitter.com/neiljeffares> Hope that you might recognize the artist and possibly find other artworks by this same artist, such as drawings and oil paintings of a woman with a turban or an Odalisque - "L'Odalisque" commonly seen in French Rococo style. The pastel painting is very delicate and beautiful thus deserving this stabilization treatment. It was framed without the original wooden backing board (verso) after treatment to prevent further fungal attack. Please, I'd greatly appreciate any further information and guidance. Many thanks in advance for your time and kind attention. Valeria email: <[email protected] <[email protected]>> References: Thea Burns,The invention of pastel painting. Archetype Publications, London, 2007. ISBN 978-1904982128 Thea Burns,The art of the pastel. Abbeville Press <https://en.wikipedia.org/wiki/Abbeville_Press>, 2015. (With Philippe Saunier) (Translated by Elizabeth Heard) ISBN 978-0789212405 Thea Burns, The Overlooked History of a Drawing, Printing and Writing Material 1400-1600 (2025) ISBN 978-1904982128 Blue paper : the overlooked history of a drawing, printing and writing material 1400-1600 <https://librarysearch.northumbria.ac.uk/primo-explore/fulldisplay/44UON_ALMA21207626930003181/northumbria>Drawing on Blue: European Drawings on Blue Paper, 1400s–1700s By Edina Adam Michelle Sullivan, eds., with the assistance of Alec Aldrich with essays by the following authors Mari-Tere Álvarez Thea Burns Marie-Noëlle Grison Camilla Pietrabissa Leila Sauvage Michelle Sullivan Copyright Date: 2024 Blue paper - Wikipedia <https://en.wikipedia.org/wiki/Blue_paper> <http://www.pastellists.com/> ------------------------------ Valeria Orlandini Conservator of Works on Paper and Photographic Materials Chevy Chase MD (301) 657-2682 ------------------------------ 8.From: Bonnie Naugle Posted: Friday January 23, 2026 5:51 PM Subject: RE: 2026 AIC-CAC Meeting in Montreal, Canada Message: Dear Cesar, Unfortunately, we have selected all the recipients for scholarships and support this year. We do offer several scholarships and stipends for each conference and encourage you to apply by December 15th of each year. We have discounted registration rates (and membership rates) for those living in countries at level 2-5 on this GNI document, <https://higherlogicdownload.s3.amazonaws.com/CONSERVATIONUS/f79adbf7-4737-43c9-82a1-92e0d2cc3c1c/UploadedImages/Documents/About/Country-Categories---Gross-National-Income.pdf> so please reach out if that is of interest. Our registration rates are for both in-person and virtual, so you can also participate via computer or mobile device and engage in live chat to ask questions of the authors. Thank you! Bonnie Estimado Csar: Lamentablemente, ya hemos seleccionado a todos los beneficiarios de las becas y ayudas para este ao. Ofrecemos varias becas y ayudas econmicas para cada conferencia y le animamos a que presente su solicitud antes del 15 de diciembre de cada ao. Ofrecemos descuentos en las tarifas de inscripcin (y en las cuotas de membresa) para quienes viven en pases de nivel 2 a 5 segn este documento del INB <https://higherlogicdownload.s3.amazonaws.com/CONSERVATIONUS/f79adbf7-4737-43c9-82a1-92e0d2cc3c1c/UploadedImages/Documents/About/Country-Categories---Gross-National-Income.pdf>, as que no dudes en ponerte en contacto con nosotros si te interesa. Nuestras tarifas de inscripcin son tanto para la asistencia presencial como para la virtual, por lo que tambin puedes participar a travs de tu computadora o dispositivo mvil y participar en el chat en vivo para hacer preguntas a los autores. Gracias! Bonnie Bonnie Naugle Communications & Membership Director (she/her/hers) american institute for conservation Preserving Cultural Heritage [email protected] <[email protected]> 202.661.8064 (phone + text) 727 15th St NW | Suite 500 | Washington, DC | 20005 culturalheritage.org <https://www.culturalheritage.org/> | @conservators <https://bsky.app/profile/conservators.bsky.social> | Facebook <https://www.facebook.com/aiconservation> ------------------------------------------- Original Message: Sent: 1/22/2026 9:41:00 PM From: Cesar Maguiña Subject: RE: 2026 AIC-CAC Meeting in Montreal, Canada Agradeceré se sirvan informarme si habrá becas para financiar pasajes y estadía, gracia por su información Cordialmente Cesar Maguiña Gomez Instituto Americano de Investigación y Conservación Perú ------------------------------------------- Original Message: Sent: 1/19/2026 6:25:00 PM From: Bonnie Naugle Subject: 2026 AIC-CAC Meeting in Montreal, Canada The American Institute for Conservation <https://www.culturalheritage.org/who-we-are/about-us> welcomes our global colleagues to attend our 2026 joint conference in Montreal, QC, Canada <https://www.culturalheritage.org/events/annual-meeting/current-meeting>, with the Canadian Association for Conservation of Cultural Property <https://www.cac-accr.ca/> (CAC-ACCR)! This international conference is an excellent opportunity for you to connect with experts across North America! We are welcoming presentations and posters from authors in 40 countries, and for the first time will be offering real-time AI translation with Wordly. Both speakers and attendees can select from 60 or more languages to engage with the content in their native tongues. The meeting is hybrid and will be livestreamed and recorded. Our conference will be held at the Palais des congrès in Montreal <https://congresmtl.com/> from Tuesday, April 28, 2026, through Saturday, May 2, 2026. Our main conference starts with a keynote on Wednesday, April 29, at 4pm. Browse our schedule <https://www.culturalheritage.org/events/annual-meeting/current-meeting/program> to explore our 11 workshops, 2 seminars, 9 luncheon programs <https://www.culturalheritage.org/events/annual-meeting/current-meeting/program/program-details>, and 47 topical sessions with more than 200 presentations. The presentation titles and abstracts will be available later this month. Rates start at US$499 for AIC and CAC members, and $299 for student members (AIC membership is included with nonmember rates). Registration includes: <https://www.culturalheritage.org/events/annual-meeting/current-meeting/register> access to all 47 main conference sessions (200 presentations) whether live, virtual, or recorded an opening reception at the Montreal Museum of Fine Art networking opportunities throughout one luncheon program a poster session with an author Q&A option to add a symposium that will provide a framework and valuable resources for broadening environmental setpoints (only available in-person) option to add one of 11 workshops at a variety of price points two-day access to our exhibition hall limited spaces to participate in our Community Partnership Project <https://www.culturalheritage.org/events/community-projects> (a volunteer service project) access to an online community dedicated to conference participants We are so excited to partner with CAC for this international conference! Register today – rates rise after January 31! <https://www.culturalheritage.org/events/annual-meeting/current-meeting/register> ------------------------------ Bonnie Naugle she, her Communications & Membership Director American Institute for Conservation and Foundation for Advancement in Conservation Washington, DC ------------------------------ You are subscribed to "Global Conservation Forum (ConsDistList)" as [email protected]. To change your subscriptions, go to http://community.culturalheritage.org/preferences?section=Subscriptions. To unsubscribe from this community discussion, go to https://community.culturalheritage.org/HigherLogic/eGroups/Unsubscribe.aspx?UserKey=d16eaa87-0f69-494b-9f2f-303dbc1222e1&sKey=fab9aa4f27a04c5d876e&GroupKey=757a8f16-505f-4323-8e74-e376757aa9f7.
