Email digest for the Global Conservation Forum (ConsDistList) egroup.
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 1. What meaning does the Florence Flood hold for young conservators?

 2. Symposium "Anglada-Camarasa, Picasso and their Contemporaries. Materiality, 
Innovation and Failure Phenomena (c. 1890–1930)"

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1.From: Rebecca Rushfield
 Posted: Sunday August 9, 2026  6:59 PM
 Subject: What meaning does the Florence Flood hold for young conservators?
 Message: As the 60th anniversary of the Florence Flood will be commemorated in 
November 2026, it is a good time to reflect on what that catastrophe means for 
conservators today, many of whom were not alive when it occurred. For 
conservators who were pre-teens or teenagers at the time of the flood, stories 
of the post flood rescue operations were often what sparked their interest in 
conservation. For conservators working at the time of the flood, new 
methodologies developed to deal with an overwhelming number of items requiring 
immediate treatment, brought about a radical shift in thinking about treatment. 

It is almost 60 years after the Florence Flood. Most of the people active in 
conservation today have no personal memories of that event and take for granted 
the once radical treatment approaches. What, if anything, does the Florence 
Flood mean to young conservators today? For a presentation on the Florence 
Flood and memory, I would be interested in hearing from conservators under the 
age of 40 on how they view the Florence Flood and its relevance for their work 
and career.

If you do not wish to make your response public, you may write to me at 
[email protected] <[email protected]>

 


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Rebecca Rushfield
Conservation Consultant
Freelance/Private Practice/Self-employed/Independent
Flushing NY
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2.From: Laura Fuster López
 Posted: Sunday August 9, 2026  7:00 PM
 Subject: Symposium "Anglada-Camarasa, Picasso and their Contemporaries. 
Materiality, Innovation and Failure Phenomena (c. 1890–1930)"
 Message: 
The late nineteenth and early twentieth centuries witnessed profound 
transformations in artists' materials and studio practice. The 
industriali-sation of paint production, the commercial availability of 
pre-prepared canvases, the introduction of new synthetic pigments, and evolving 
binding media formulations radically reshaped pictorial practice.


Within this context, artists such as Hermen Anglada-Camarasa and Pablo Picasso 
-and their contemporaries-, engaged with new material possibili-ties that 
profoundly influenced both aesthetic outcomes and long-term material stability.


This two-day international symposium invites contributions that examine the 
materiality, technical construction, degradation phenomena, and con-servation 
challenges of paintings produced between approximately 1890 and 1930. The event 
aims to foster dialogue between conservation scientists, conservator-restorers, 
technical art historians, curators, and heritage scientists working in major 
museum collections and research institutions.


The event will explore the material turn in early modern painting, focusing on:


• Industrial innovation (oil paint tubes, new pigments, binding media, 
additives, etc.)
• Experimental studio practice
• Material instability and conservation challenges
• Technical art history as a bridge between archival research, scientific 
evidence, and conservation practice





CALL FOR ABSTRACTS


Format
We invite proposals for 20-minute case-study presentations
Interdisciplinary and cross-institutional proposals are particularly encouraged.


Important Dates
• Deadline for submission:15st October 2026
• Notification of acceptance: 1st November 2026


Submission Guidelines
Please submit:
• A title
• An abstract (~500 words)
• 5 keywords
• Author(s)
• Institutional affiliation


To be sent to:
[email protected]

MORE INFORMATION AT: 


https://museupicassobcn.cat/en/whats-on/activity/international-symposium-anglada-camarasa-picasso-and-their-contemporaries


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Laura Fuster López
Professor
Universitat Politècnica de València, Instituto Universitario de Restauracion 
del Patrimonio
Valencia (Spain)
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