I have been meaning to post this new dance I wrote last month, but hadn't gotten around to it yet. Seems appropriate to contribute it to this discussion as we explore early evening dances and their variations.
Had a fun chat a few weeks ago with Chris Page about how there aren't a lot of easy dances being written, as those of us who enjoy writing dances naturally tend to get more excited by the innovative and elaborate choreography more typically found in the middle of the program. But it's great to have new options emerge for that easy, first dance, when you know you have new dancers on the floor - especially since those dances get a lot of use. I wanted a first dance of the evening that sent the Larks to the Robin's home side for the partner swing, and I was set on having "balance the ring and pass through" as the progression - all so that it flowed with the rest of my program. Couldn't find a match, so I wrote my own. ‘Git Goin’ - Drew Delaware A1 - Neighbour Balance & Swing A2 - Larks Allemande Left 1.5x; Partner Swing B1 - Long Lines Forward and Back; Right & Left Through B2 - Circle Left 3 places; Balance the Ring; Pass through to new neighbours It tested well on the dance floor, so I offer it here in case you're looking for new options for a first dance of the evening. The dance will be added to Caller's Box online in the next update. Cheers! Drew > From: Ron Blechner <[email protected]> >> Date: October 22, 2022 at 6:20:04 AM HST >> To: Tony Parkes <[email protected]> >> Cc: Shared Weight Contra Callers <[email protected]> >> Subject: [Callers] Re: dance name? - Big Easy variation >> >> >> I have a couple of Tony's books, but I just checked, and not the one >> containing Ashoken Hello. I'd be curious the choreo for that. >> >> I've heard a few callers call The Big Easy, and most recently it was Liz >> Nelson, locally, early in an evening with a gaggle of new dancers, and she >> prompted it with the allemande Right. >> >> The one on The Caller's Box has it as a Left. >> >> I guess the other issue, which, now that I'm thinking about L vs R in >> details, is that from Robins role, an alle R puts it at 38-40 beats of >> clockwise rotation, which 26-28 beats is consecutively. >> >> Hm. >> >> Changing the alle to a DoSiDo solves that, keeps the timing and keeps it as >> glossary moves, and flows well from a promade.(alts: pass thru across + >> twirl, or R+L Thru) >> >> A1: N B+S >> A2: N Prom, Robins DSD 1.5x >> B1: P B+S >> B2: Circle L 3/4, Bal, Cali Twirl >> >> This dance searched brings up Yoyo Zhou's "Larks in the Afternoon" >> >> A1: same >> A2: Larks Alle L 1.5x, Robins DSD 1x >> B1: same >> B2: same >> >> And also is similar to Linda Leslie's Berlin Contra: >> >> A1: same >> A2: LLFB, Robins DSD 1.5 >> B1: same >> B2: Bal Ring, 2s Arch, 1s Dive >> >> (Essentially, the Big Easy but Robins DSD. Now I'm curious which dance came >> first?) >> >> And of course, Diane Silver's Easy Peasy: >> >> A1: same >> A2: LLFB, Larks Alle L 1.5 >> B1: same >> B2: Circle, bal, cali. >> >> Adding in a chain and/or a star and dropping the promenade and I have at >> least a dozen other dances in my box. (Appetizer, Push the Button, Too Hot >> To Trot, Simplicity Swing, Spend Some Time Together, Harmony Supper Line, >> Dick & Mary's Departure, Baby Rose, et al) >> >> ... but this niche of "simple dance with a courtesy turn, one role doesn't >> stay mostly in one spot, no star, no chain" is something I know I've looked >> for programming gigs and left wanting. >> >> I'll leave this thread going as more callers see it and have dances to think >> of. I may temprarily dub the DSD version "The Big Hello". >> >> -Julian
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