Hi,
        I always treat the dancers facing counter-clockwise as the active 
dancers who get to do everything first, so they could be considered the #1s.  I 
believe this is a common convention. Promenades are usually done 
counter-clockwise, which is also the normal Line of Dance for ballroom dances 
and free-style waltzes, so it is natural to think of CCW as the primary 
direction.  Many traditional dances end with a Swing & Change where the two 
couples have to dance around each other swinging or polkaing (or Poussetting if 
you go back further).  I believe that the EFDSS issued a directive in the 1950s 
stating that the direction should always be counter-clockwise, in order to 
avoid crashes which had been occurring!  Again CCW is the norm.

        One of the early references to the Sicilian Circle formation is in "The 
Modern Dancing Master" by G.M.S. Chivers (1822):
http://contrafusion.co.uk/Dances/EFDS4802-CircassianCircle.html

        Only one minor set is active initially, then the dance propagates in 
both direction so that eventually, when everyone has joined in it looks like a 
modern Sicilian Circle.

        The term "Circassian Circle" obviously lost out to the more popular 
term "Sicilian Circle", in much the same way that the term "Rifleman Formation" 
lost out to the term "Becket Formation" - the Americans won the marketing 
campaign! http://contrafusion.co.uk/Dances/EFDS4911-Rifleman.html

        As it say in a Scottish publication: "The most extravagant novelty was 
the Chivonian circle invented by Chivers himself which consisted of the four 
couple sets of La TempĂȘte arranged around the room like the trio sets of 
Dashing White Sergeant.  These new formations tended to have rather exotic 
names such as Mescolanzes, Spanish Dances, or Swedish dances. These were merely 
names, of course, and in particular, the Circassian circle has nothing whatever 
to do with Circassia."

        There are challenges with doing many contras in a Sicilian Circle.  
Long Line Forward & Back and Tidal Waves are obvious challenges.  When 
choreographing Sicilian Circles we often have the action (e.g. Ladies' Chain, 
Right & Left Through) around the circle, rather than across  the set.  As a 
contrast, try to get some modern contra dancers to dance this:
http://contrafusion.co.uk/Dances/EFDS7703-CelebrationSpecial.html - The dancers 
tend to swing to the side of the set rather than finishing facing up and down!

        But, yes, you could do many contra dances in a Sicilian Circle, as long 
as you check them carefully for spacing and orientation problems first.

        There are Becket Sicilians, but the dancers need to make sure they stay 
in their own inner or outer circle as they progress!

            Happy dancing,
                   John         
                        
John Sweeney, Dancer, England   j...@modernjive.com 01233 625 362 & 07802 940 
574
http://www.contrafusion.co.uk for Dancing in Kent                       


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