I love using a broom and sweeping them away. I have found using a rubber 
chicken (instead of a rose, fan, candle, or hat) has been quite amusing.



Seth Tepfer, MBA, CSM, PMP (he, him, his)

Senior IT Manager, Emory Primate Center
[cid:85ca4522-9393-438f-a657-bb2bc93342bc]<https://outlook.office.com/bookwithme/user/[email protected]?anonymous&ep=signature>
                Book time to meet with 
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________________________________
From: Ben A via Contra Callers <[email protected]>
Sent: Friday, July 14, 2023 2:32 PM
To: Tony Parkes <[email protected]>; Tony Parkes via Contra Callers 
<[email protected]>
Subject: [External] [Callers] Re: calling weddings

Fascinating that we've all learned mostly the same things at wedding and other 
ONS dances...

The "Rose" dance, or "Fan" dance, or "Hat Dance" is also fun to do with a broom 
- the person in the middle who gets stuck with the broom can chase the dancing 
couple down the hall a ways, while "Sweeping them away," if they want.

I've tried this one with various props, and I think the broom has been the most 
fun, and funny.

Ben Allbrandt


On 07/05/2023 10:00 AM EDT Tony Parkes via Contra Callers 
<[email protected]> wrote:



This is just about my favorite dance-game, but I had never encountered the name 
“Favor of the Rose” before. I first learned it as “The Rose and the Thorn,” 
then more recently heard “A Rose Between Two Thorns” (of course, traditionally 
it’s gendered and typically starts with a lady between two gents). It’s also 
known as “The Hat Dance” or “The Fan Dance,” depending on the prop used.



By coincidence, just last Saturday I bought a satin rose on plastic stem, to 
replace one that I had carried in my kit for years and that had recently 
disappeared. The new one is huge – twice the size and length of the old one; 
that’s what they had at Jo-Ann’s this time. I wasn’t sure I liked it at first, 
but I’m warming to it. I got it to use at Saturday night’s gig – a country 
club’s annual summer party for members & families – but I barely had enough 
people for a decent Galopede.



Tony Parkes

Billerica, Mass.

www.hands4.com<http://www.hands4.com/>

New book! Square Dance Calling: An Old Art for a New Century

(available now)





From: Neal Schlein via Contra Callers <[email protected]>
Sent: Wednesday, July 5, 2023 12:32 AM
To: Mac Mckeever <[email protected]>
Cc: Shared Weight Callers <[email protected]>
Subject: [Callers] Re: calling weddings



Second the Grand March, super simple square-ish dance, and some kind of 
Virginia Reel—especially for more thematic weddings.  Also a scatter promenade 
(WITH partner), Big Circle with no partners needed, and La Bastringue.



I would not bother with ballroom swings, and building to a contra is only 
relevant if that’s what the couple wants and they are specifically inviting 
people to a DANCE.



One thing I haven’t seen mentioned is Favor of the Rose: it is an absolute 
favorite of mine and my dance community.



Favor of the Rose



-Line up three chairs and get a rose (or whatever).

-Form two lines of people, one on either side (any criteria, inequal is 💯 fine).

-Position the bride or groom in the middle chair and give them the rose.

-Bring two people from one line and have them sit.  Center person gives rose to 
one, dances up center with the other.

-Remaining person moves to center chair. Repeat, alternating lines.



Neal Schlein





On Tue, Jul 4, 2023 at 3:14 PM Mac Mckeever via Contra Callers 
<[email protected]<mailto:[email protected]>>
 wrote:

I always start with a grand march - no teaching and eases some of the fear of 
doing other dances



You can put the bride and groom in the second slot and announce they request 
participation from all guests



Mac



On Tuesday, July 4, 2023 at 04:10:09 PM CDT, Rich Sbardella via Contra Callers 
<[email protected]<mailto:[email protected]>>
 wrote:





I am enjoying this thread.



I have called weddings with a full dance floor with long periods of dancing, 
and others which have a few dancers who only dance for a short period.  I had 
always felt like I failed when I did not get the participation I imagined, but 
I too have learned that our dances flavor the event, but we are not the main 
attraction.



I do not generally require deposits for party dances, but I do for weddings and 
outdoor events.  I had a wedding to call last month that was cancelled about 
seven days before the scheduled date, and without an explanation.  It was the 
first time in 30 years that I kept a deposit, and I am still conflicted about 
it.  Any previous cancellations were weather related, and I applied the deposit 
to a rescheduled event.



I have also called several wedding rehearsal dances, and generally get great 
participation from the attendees.



One of my favorite dances for weddings and rehearsal dinners is Rural Felicity.

At such events I rename the dance to Tunnel of Love, and I have the Bride and 
Groom as the 1st Top Couple.



A1  LL F&B, Top Pair Sashay to foot

A2  LL F&B,  Same Pair Sashay to top

B1  P DSD, 2 Hand Turn and Make an Arch (Tunnel)

B2  Top Pair lead down under the Arches



 I have a wedding to call this weekend, and I am looking forward to it.



Rich Sbardella

Stafford Springs, CT



On Tue, Jul 4, 2023 at 2:43 PM Erik Hoffman via Contra Callers 
<[email protected]<mailto:[email protected]>>
 wrote:

I, too, have called for a lot of parties and weddings. Keeping it simple—whole 
set dances such as The Virginia Reel (without the reel).



And, I actually wrote a book about it: Old-Time Dance Calling for Weddings, 
Parties, and One-Night Stands.



I do differentiate weddings from other parties that are organized around the 
idea that there will be a dance, such as schools, some sort of a club, or even 
a birthday party:



Weddings are to gather families and friends of the Bride & Groom to get 
together and meet each other—often for the first time—and get a chance to get 
to know each other. Weddings are not to get together to dance. We callers serve 
a wonderful service to use dance to get these friends and families to interact 
with each other.



Tony says he rarely uses a mixer at a wedding. Maybe it’s that I live in 
Oakland, California, and don’t often go far from the “Liberal” west. I always 
start simple circle left, circle right, into the center & back X2, Swing 
Somebody (elbow swing or two hand swing). I might add: and Promenade. End with: 
… “into the middle if you’ve just got married!” Then the Virginia Reel.



Often, after that the dancing crowd gets a lot thinner. One of the first 
weddings I called, I think I got trough three dances. After that, waltzes and 
tunes. I thought, “I barely did anything…” Then I got the thank you notes: 
Comments about how great the dance created what the bride and groom wanted. I 
started realizing at weddings we’re offering a service of helping people 
connect with each other, and that can be successful with two or three dances. 
If people use the rest of the time to talk with each other, the job can be done.



That’s not to say I’ve called a lot of weddings when it’s clear a number of 
guests want to keep dancing, and might even get to one hands-four dance as 
Haste to the Wedding or Jefferson & Liberty, but that’s a judgement call. It’s 
just that many times two or three dances brings people together in ways other 
dance forms often fail to do.



~Erik Hoffman

Oakland, CA





From: Tony Parkes via Contra Callers 
<[email protected]<mailto:[email protected]>>
Sent: Tuesday, July 4, 2023 7:31 AM
To: Shared Weight Callers 
<[email protected]<mailto:[email protected]>>
Subject: [Callers] Re: calling weddings





It looks as if we’re all agreed that *really* easy dances are the way to go at 
weddings (and similar events where no one is there to learn), but disagree on 
what constitutes “really easy.”



The sequence that John Rogers describes is similar to the Scatter Sanita that I 
use at nearly every one-nighter, including weddings. But I think the loss of 
original partner would feel to most wedding guests like “one thing too many” – 
and a much bigger “thing” than any of the moves such as dosido or swing.



At all my one-nighters – heck, at all my events, including contra-series dances 
– I use a combination of (1) my best pre-event guess of what’s needed, based on 
my experience with similar events, and (2) reading the room when I get there. 
Although I absolutely love mixers (and always call one at series dances, though 
I know a few contra dancers say they dislike them), my sense is that wedding 
guests feel shaky enough about joining in the dancing and that losing their 
partner and having to search for a new one would add a major dose of shakiness 
with nothing positive to compensate. If I use any mixer at all, it will likely 
be Heel and Toe (aka Pattycake Polka), where the next partner is right there 
and they don’t have to decide on one – and although I use it fairly often at 
one-nighters, I’m much less likely to use it at weddings.



Time allowed for dancing: I’ve found that at the vast majority of my 
one-nighters, including weddings, I end up doing either 2 or 3 sets of 30-40 
minutes each, usually 2. (The first one is often a bit longer than the others, 
as it takes a while to get everyone quiet and listening.) So I tell the couple 
(or whoever is my contact) in advance that that’s what I envision, but that 
it’s subject to modifying as things unfold. My average is probably about 6 
dance numbers total, but a few times I’ve done only the initial big circle and 
a Virginia Reel; once I did only the big circle. It’s important to remember 
that the organizers and guests have no preconceived idea of what constitutes a 
dance event; they’re not expecting 12 aerobic dances and a waltz. You may feel 
you haven’t earned your keep, but the clients are more than satisfied. (I 
always make it clear that I’m willing to call as long as there are a few 
couples who want to dance; almost never do I get taken up on the offer.)



Every caller will have a slightly different way of turning vision into reality 
(and that’s as it should be with a folk art), but hopefully always with a view 
to what will give the greatest number of people a taste of the joy that we know 
is there in the dance.



Tony Parkes

Billerica, Mass.

www.hands4.com<http://www.hands4.com/>

New book! Square Dance Calling: An Old Art for a New Century

(available now)





From: Adam Carlson via Contra Callers 
<[email protected]<mailto:[email protected]>>
Sent: Tuesday, July 4, 2023 2:24 AM
To: Shared Weight Callers 
<[email protected]<mailto:[email protected]>>
Subject: [Callers] Re: calling weddings



Heck, even that sounds too complex. Forming circles of 4, finding another 
group, that took too long, what am I doing now, which one's my partner again, 
and which is my opposite? Nah, Stick with longways lines, circles and couple 
mixers until and unless people seem like they're actually into it and want 
something more complicated.



On Mon, Jul 3, 2023 at 10:26 PM John Rogers via Contra Callers 
<[email protected]<mailto:[email protected]>>
 wrote:

I’ll add two points of my own.  I was once hired to call dances at a wedding 
and I didn’t find out until the bride and groom emerged from the chapel that 
the whole dance idea was orchestrated by others as a surprise  for the bride 
and groom.  Since them I have had a strict policy that no matters who hires me, 
I WILL discuss the program directly with the bride.



The other thing I have learned about “one night stands” is to always try to 
imagine the mindset of one of the participants as they enter the room.  Are 
they looking forward to a dance program, or are they there for other reasons.  
(Weddings fall heavily in the “for other reasons” category.)  Unless it is the 
wedding of two contradancers and everybody there is a dancer, keep in mind that 
participants did not come to the event thinking they were going to learn 
anything that day.



My last point (which follows from the above) is that there is no dance that is 
too simple to call at a wedding.  It is very easy to call a dance that is too 
hard, but impossible to call one that is too simple.  To give an example, this 
simple scatter mixer works extremely well at weddings: Circle left, circle 
right. Men DSD, Ladies DSD. Partner DSD, Opposites L elbow swing, Scoop up 
opposite and promenade to find a different opposite couple.  (This is plenty 
complex enough to be entertaining at a wedding!)



Good luck!

Sent from my iPhone



On Jul 3, 2023, at 4:07 PM, Roberta Kogut via Contra Callers 
<[email protected]<mailto:[email protected]>>
 wrote:



I agree with a lot of what was said.  I'll just add a couple of things.

I always talk to the wedding couple, or mother or whoever is hiring me and make 
sure I know their expectations and they know mine.  If they are serious contra 
dancers, I always make sure they understand that a dance like what they are 
used to is not probably going to happen.  I also ask that they pass on to 
wedding guests that it is the couples wish that their guests will dance 
together and wear or bring appropriate shoes.  I always start off with 
something like La Bastringue.  Keep it easy and fun.  Don't go too long on any 
dance, but long enough that they really get it and are having fun.  I love 
doing mixers because they keep the guests mingling together.  I think that 
really pleases the B & G.

I usually see a lot of people turned on to contra, so I do tell people that if 
they have had a lot of fun they should "google" 'contra dancing near me' when 
they get home, stressing that a regular contra dance can be found all over the 
country.  I try to stay as invisible as I can so it's really about the wedding 
couple and their family and friends.

Spread the love!

Roberta Kogut


Get TypeApp for Android<http://www.typeapp.com/r>

On Jul 3, 2023, at 5:44 PM, Lorraine Sutton via Contra Callers 
<[email protected]<mailto:[email protected]>>
 wrote:

Hi



I have done a lot of weddings....



Keep it very, very simple...yes... Barn dance, family dance,  community dance 
dances,.



Never any contras ...too much work ...it all needs to be fun.



Have the Bride and Groom done any trad dancing before this event?  If not, do 
impress on them that it is pretty essential that they dance  the full first set 
otherwise their  guests will not feel required to do so.



Two hand turn not a swing ...too hard to teach ( especially if they have been 
drinking)



Let the B & G know that they should let their guests know that there will be 
traditional dancing and their participation is expected.   Have them ask the 
women to bring shoes for dancing ...flats , lace up s,  NO FLIP FLOPS or 
stiletto hells.



Alcohol ...well ...Impress at some point that Booze does not help you dance 
.....



Space....the standard " floor" in a wedding tent is never big enough, so ask 
for a min of 40 square feet.



Charge what is a decent fee (and if you have to drive more than 1.5 hours each 
way  charge a gas fee)

or you will not be valued...Last Time I checked a DJ was charging about $1,000 
a night.  Do you have a relaxed band (only need 2 fiddle and keyboard) and if 
so can they bring the sound system?



Lots of mixers....long way sets ...1 active couple ( ie Virginia Reel, Bridge 
of Athlone etc)



Easy Sicilian Circles...to have them practice right and left elbow, do-si-do etc



Will there be small children ...another issue.



Timing ...Every wedding I have ever done is late   ...speeches run over time, 
catering gets delayed.etc. etc. etc.  You may be invited to take part in the 
dinner, however that usually means another extra 2-3 hours before the dance... 
Once after waiting more than an extra hour  I let the MC know that ( given we 
had been paid , and we each had a 2 hour drive home) that we would be leaving 
in 15 minutes if he did not get speeches wrapped up. Harsh but real.



Good Luck....



Lorraine Sutton  Ontario, Canada











On Mon, Jul 3, 2023 at 4:30 PM Jerome Grisanti via Contra Callers 
<[email protected]<mailto:[email protected]>>
 wrote:

I would release any idea that wedding guests will have any interest in dancing 
beyond this event. Keep things VERY simple. You can do an hour with dances 
containing only allemandes, do-si-dos, circles and promenades. Maybe a modified 
swing/2-hand turn.



On Mon, Jul 3, 2023, 3:53 PM Joe Harrington via Contra Callers 
<[email protected]<mailto:[email protected]>>
 wrote:

Any advice for calling weddings? I've been asked to call my first one and I 
don't see a lot of wedding-specific advice online. What do you ask them in 
advance, how do you approach it, what are good dances to call?



I'm assuming that a workshop is impractical, so it's barn dances and maybe 
working up to a contra by the end?  Try to teach a swing?  Some advice I've 
gotten so far:



Band - can they play contras, am I DJing instead, if so what kind of music, 
trad or pop?

Floor - make sure it's big enough, get length, width, and surface

Sound system - what is it and is there a sound tech?

Duration - how long they'll want to dance

Dancers - how many, any experienced guests?

Special dances - first, parents, bouquet, last?

Will the bride and groom dance? (If not, nobody will)

Will there be alcohol? (one person suggested doubling the fee if there is)

Will many women be in high heels?



I welcome any advice!  My main goal in taking wedding gigs is recruiting new 
dancers to our local scene, if that matters.



Thanks,



--jh--



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--

Neal Schlein

Librarian, MSLIS

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