Might have been me that said that about queues, and just in that they can work 
with encoded formats like MP3 and AAC, which is usually what you're receiving 
in a streaming scenario. With the tap stuff that they introduced a while back ― 
giving you a look at the decoded PCM right before it's played ― you kind of get 
the best of both worlds.

But that's for playing streams. In your case, it sounds like you're capturing, 
processing, and uploading. I think the recording queue might still work for 
you, but I don't recall if the tap works in the recording case (letting you 
apply effects to captured PCM before it's encoded to AAC by the queue); I think 
I messed with it once and ended up filing bug reports. Try it, I guess? 
Otherwise I guess you'd capture to audio units, do your processing there, 
encode to AAC with Audio Converter Services (please enjoy your time in hell), 
and upload.

―Chris

Sent from my iPad

> On May 14, 2015, at 5:55 AM, Mahboud Zabetian <[email protected]> wrote:
> 
> Hi.
> 
> I'm building a simple streaming system:  I want to capture sound while doing 
> FLAC compression on n-packets at a time and uploading to a server in 
> real-time.
> 
> I haven't used AudioQueues before, but have some experience with AudioUnits.  
> I seem to recall reading someplace (maybe in the Adamson/Avila book) that 
> AudioQueues are well-suited for streaming.  Can someone explain to me why 
> that is?
> 
> Down the road, I do need to also eliminate silence from the data before I 
> compress and send (silence is relative and based on background noise).  Would 
> AudioQueues also be a good choice if I'll need to access the sound data for 
> silence detection and elimination?
> 
> Thank you.
> 
> -mz
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