>From The Age
http://www.theage.com.au/daily/990310/news/news27.html


Wednesday 10 March 1999

A culture of easy criticism

By SALMAN RUSHDIE

A COUPLE of years ago a British literary festival staged a public debate on
the motion that ``it is the duty of every European to resist American
culture''. Along with two American journalists (one of whom was Sidney
Blumenthal, now more famous as a Clinton aide and impeachment witness), I
opposed the motion. I'm happy to report that we won, capturing roughly
60per cent of the audience's vote.

But it was an odd sort of victory. My American co-panellists were surprised
by the strength of the audience's anti-Americanism - after all, 40 per cent
of the crowd had voted for the motion. Sidney, noting that ``American
culture'' as represented by American armed forces had liberated Europe from
Nazism not all that many years ago, was puzzled by the audience's apparent
lack of gratitude. And there was a residual feeling that the case for
resistance was actually pretty strong.

Since that day, the debate about cultural globalisation and its
military-political sidekick, intervention, has continued to intensify and
anti-American sentiment is, if anything, on the increase. In most people's
heads, globalisation has come to mean the worldwide triumph of Nike, the
Gap and MTV.

Confusingly, we want these goods and services when we behave as consumers,
but with our cultural hats on we have begun to deplore their omnipresence.

On the merits of intervention, even greater confusion reigns. We don't seem
to know if we want a world policeman or not. If the ``international
community'', which these days is little more than a euphemism for the
United States, fails to intervene promptly in Rwanda, Bosnia, Kosovo, it is
excoriated for that failure. Elsewhere, it is criticised just as vehemently
when it does intervene: when American bombs fall on Iraq or when American
agents assist in the capture of the Kurdish leader Abdullah Ocalan.

Clearly, those of us who shelter under the pax Americana are deeply
ambiguous about it, and the US will no doubt continue to be surprised by
the level of the world's ingratitude.

The globalising power of American culture is opposed by an improbable
alliance that includes everyone from cultural-relativist liberals to
hard-line fundamentalists, with all manner of pluralists and
individualists, to say nothing of flag-waving nationalists and splintering
sectarians, in between.

Much ecological concern is being expressed about the crisis in
biodiversity, the possibility that a fifth or more of the earth's species
may soon become extinct. To some, globalisation is an equivalent social
catastrophe, with equally alarming implications for the survival of true
cultural diversity, of the world's precious localness: the Indianness of
India, the Frenchness of France.

Amid this din of global defensiveness, little thought is given to some of
the most important questions raised by a phenomenon that, like it or not,
isn't going away any time soon.

For instance: do cultures actually exist as separate, pure, defensible
entities? Is not melange, adulteration, impurity, pick'n'mix at the heart
of the idea of the modern, and hasn't it been that way for most of this
all-shook-up century? Doesn't the idea of pure cultures, in urgent need of
being kept free from alien contamination, lead us inexorably towards
apartheid, towards ethnic cleansing, towards the gas chamber?

Or, to put it another way: are there other universals besides international
conglomerates and the interests of superpowers? And if by chance there were
a universal value that might, for the sake of argument, be called
``freedom'', whose enemies - tyranny, bigotry, intolerance, fanaticism -
were the enemies of us all; and if this ``freedom'' were discovered to
exist in greater quantity in the countries of the West than anywhere else
on earth; and if, in the world as it actually exists, rather than in some
unattainable Utopia, the authority of the US were the best current
guarantor of that ``freedom'', then might it not follow that to oppose the
spread of American culture would be to take up arms against the wrong foe?

By agreeing on what we are against, we discover what we are for. Andre
Malraux believed that the next millennium must be the age of religion. I
would say rather that it must be the age in which we finally grow out of
our need for religion. But to cease to believe in our gods is not the same
thing as commencing to believe in nothing.

There are fundamental freedoms to fight for, and it will not do to doom the
terrorised women of Afghanistan or of the circumcision-happy lands of
Africa by calling their oppression their ``culture''.

And of course it is America's duty not to abuse its pre-eminence, and it is
our right to criticise such abuses when they happen - when, for example,
innocent factories in Sudan are bombed or Iraqi civilians are pointlessly
killed.

But perhaps we, too, need to rethink our easy condemnations. Sneakers,
burgers, blue jeans and music videos aren't the enemy. If the young people
of Iran now insist on rock concerts, who are we to criticise their cultural
contamination? Out there are real tyrants to defeat. Let's keep our eyes on
the prize.

Salman Rushdie is the author of The Satanic Verses. His column appears
monthly in The Age.


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A<>E<>R

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