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-Caveat Lector-

Bad fortune
http://www.guardian.co.uk/jackson/story/0,15819,1506780,00.html
In the mid-80s Michael Jackson was the biggest star in the world, having made 
the 
most successful album of all time and amassed a fabulous fortune. This week he 
was cleared of child abuse charges - but with debts of $270m, his life is in 
ruins. 
What went wrong? Oliver Burkeman and David Teather unearth a tale of folly and 
outlandish excess
Wednesday June 15, 2005


Guardian
On the surface of things, 1998 was an unremarkable year for Michael Jackson - 
which is to say, of course, that almost any of the things that happened to him 
would 
have been interpreted as highly bizarre had they happened to anyone else. He 
was 
nominated for the Nobel peace prize. He had a second child with his former 
dermatologist's nurse. He reached an out-of-court settlement with the Daily 
Mirror 
newspaper, which was forced to apologise for having described his face as 
"hideously disfigured and scarred". Steven Hoefflin, the high-profile Hollywood 
plastic 
surgeon alleged to have operated on Jackson's nose, reportedly advised him 
against 
further surgery. And across the world, Jackson's die-hard fans flooded 
nightclubs, 
including the Equinox on Leicester Square, to celebrate his 40th birthday. 

But at the Waldorf Towers on East 50th Street in Manhattan that year - 
according to 
court documents only reported by the US media years later - something genuinely 
remarkable did happen. Jackson's attorney, John Branca, whose other clients 
have 
included Elton John, the Rolling Stones, Aerosmith and Carlos Santana, 
reportedly 
hosted a meeting at his Waldorf suite with Jane Heller, Jackson's personal 
banker at 
the Bank of America. 

The singer was desperate for cash. Fifteen years after releasing Thriller, the 
bestselling album of all time, he was struggling to meet his bills. Having made 
out-of-
court settlements totalling $25.5m with the families of boys who had accused 
him of 
child abuse, he still had to find the $2m annual staff salary budget at his 
Neverland 
ranch, along with the $3m extra spent maintaining and guarding its fantastical, 
and 
fantastically expensive, equipment and facilities: the zoo, the movie theatre, 
the 
fairground, all linked by a miniature train system. 

And then there were the spending sprees. "I once saw him looking through a 
magazine and ordering almost everything he saw," a source described as a 
"frequent 
Neverland visitor" told the US journalist John Connolly in 2002. "'I want that 
motorcycle. That bike. This. That ...' It was like one of those shows where the 
contestant has five minutes to run through a store and fill up as many shopping 
carts 
as possible. It was crazy." 

Hence the Waldorf Towers meeting, and its highly confidential outcome. A loan 
would be made to Jackson from Bank of America for $140m. It was to be secured 
against the star's most cherished asset - his half-ownership of the Sony/ATV 
music 
catalogue, a massive earner that includes control over 251 Beatles songs such 
as 
Yesterday and Hey Jude. The loan was the equivalent of at least seven years' 
income for Jackson at the time. And yet, by the middle of the following year, 
his 
former business manager Myung Ho Lee would later claim, it had been depleted. 
It 
was increased to $200m. Jackson was clearly in trouble - and yet not in nearly 
so 
much trouble as he finds himself now, even though, two days ago, he was cleared 
of 
all child abuse charges in a California courtroom. 

With the amount he owes now totalling at least $270m, "his finances are in 
ruins," 
says Maureen Orth, the Vanity Fair writer who has been investigating Jackson's 
finances for years. "He would have to go out and be able to earn half a billion 
dollars 
in order to clear himself. Otherwise he's going to be forced to give something 
up." 

The crunch, exacerbated by an estimated $10m in legal fees, could come at any 
time. Two months ago, according to the Wall Street Journal, Jackson defaulted 
on 
the Bank of America loan to the tune of $300,000. His bank balance was so low, 
one 
source was quoted as saying, that he worried about being able to pay his 
electricity 
bill. Treating Jackson like any deadbeat, albeit one on a stratospheric scale, 
Bank of 
America sold his debt to a New York company, Fortress Investment Group, which 
specialises in what the financial world euphemistically describes as 
"distressed" debt. 
Fortress can now determine Jackson's fate. 

For a man often portrayed by his defence team as a naive Peter Pan, unaware of 
the 
machinations of those around him, Jackson showed an extraordinary shrewdness in 
the way he first acquired the Beatles catalogue. In 1984, he had been 
collaborating 
with Paul McCartney, who mentioned to Jackson his plans to buy the catalogue 
himself from the Australian businessman Robert Holmes � Court. But before 
McCartney could make his next move, Jackson telephoned John Branca, his lawyer, 
and, for $47.5m, the deal was done. 

The catalogue should have been a source of lasting economic security - but 
economic security, it turned out, was not to be Jackson's preferred mode of 
mega-
celebrity. Over the next two decades, successive lawsuits brought against him 
would 
bring into the public domain the astonishing details of his spending. There 
were, for 
example, the extravagant transportation arrangements for the 1987 Bad tour: a 
bus, 
a plane and a helicopter had to be available, all at the same time. There was 
the 
video for Bad, directed by Martin Scorsese, which cost more than $2m, according 
to 
Connolly's investigations. Then there was Neverland itself, purchased for $26m 
in 
1988, not to mention the Rolls-Royce he bought Branca as a thank-you for 
reaching 
the deal. 

Expense reports disclosed during subsequent lawsuits would reveal even more 
eyebrow-raising reasons for Jackson's financial haemorrhage: a charge of 
$62,600 
from the Mickey Fine Pharmacy, in Beverly Hills; a $150,000 bill, incurred with 
an 
audiovisual supplies firm, apparently for equipment allowing Jackson to monitor 
his 
own staff at Neverland; a $150,000 shopping spree at Harrods. 

It was the pressures of expenditure on this scale that led, in 1995, to a 
complex deal 
that would come to haunt Jackson, fuelling his increasingly paranoid view of 
the 
world beyond Neverland's gates. The singer arranged to merge the Beatles 
catalogue with part of Sony's, splitting ownership 50/50 between himself and 
his 
record label. (If Jackson now tries to sell his stake, Sony has first refusal. 
Whoever 
buys, Branca will take home 5%.) The deal set up a tortured double relationship 
between Jackson and Sony. The firm was now his financial partner - but it was 
also 
pumping money into the star's own albums, which were proving less and less 
successful. Whatever the motive behind Jackson's strange protest in 2002, when 
he 
paraded in an open-top bus outside Sony Music's headquarters calling chief 
executive Tommy Mottola "very, very devilish", it may have had something to do 
with 
this. 

Jackson is not the only one thinking in terms of plots against him. His 
supporter 
Jesse Jackson told USA Today that he smelled a rat in the way Bank of America 
had 
swiftly offloaded Jackson's debt to Fortress. "Who was forcing the bank's hand 
and 
what did they stand to gain?" he asked. "That must come under scrutiny. I think 
the 
bank sold the loan rather than face the heat." 

But Jackson seems to have only ever known one response to financial crisis: he 
tries 
to spend himself out of it. He persuaded Sony to invest $51m in Invincible, 
which was 
supposed to be his comeback album; he reportedly recorded 84 songs before 
selecting just 16 to include on the finished product. And then, to burnish his 
image 
and help return him to the public eye, he agreed to participate in a 
documentary 
presented by a British television journalist called Martin Bashir. 

The rest of that story is well-known, but still the financial revelations keep 
coming. A 
former adviser to Jackson, Marc Schaffel, filed a suit last November claiming 
that the 
singer owed him more than $2m in unpaid loans and another $800,000 for work he 
carried out making two documentaries sold to Fox as a rebuttal to the Bashir 
film. 
The suit describes Jackson as "desperate for cash to support his uncontrolled 
spending habits". Schaffel claims that between 2001 and 2004 he either loaned 
Jackson directly or paid for business expenses to the tune of $8.6m; Jackson 
repaid 
only $6.3m, he alleges. 

Among the loans and payments he says he made on Jackson's behalf, Schaffel 
mentions $350,000, to buy a Rolls-Royce Phantom; $380,000 for other luxury 
cars, 
including a Bentley, and $600,000 to buy Elizabeth Taylor a piece of jewellery 
she 
had picked out in return for allowing Jackson to use footage of her in one of 
his 
documentaries. Among other payments, he alleges he gave the singer $250,000 to 
pay off a Beverly Hills antiques dealer who was threatening to sue for 
non-payment; 
$46,000 in August 2001 to cover the costs related to a failed attempt to buy a 
$30m 
mansion on Sunset Boulevard; and $500,000 in September 2001 as emergency 
cash after the terrorist attacks on New York, "in case he needed to take 
shelter 
underground somewhere with his family". 

Jackson is now also understood to be considering a deal to sell Neverland and 
various rights, perhaps including ringtones of his songs, for $35m, to 
investors who 
want to turn the ranch into a theme park. The question now is whether, with no 
new 
record contract, he will be able to generate any significant revenues again 
from the 
sale of records or tours. Despite his belief that each record will do better 
than the 
last, the opposite has held true. His most recent release, the greatest hits 
collection 
called Number Ones, has sold just 906,000. The singer last toured in 1997, when 
his 
40 shows grossed between $80m and $90m, according to various reports - making 
him second only to U2 that year. It is far from clear that he would generate 
anything 
like that success if he took to the road again. 

Nor is it likely that he would be able to find a lucrative sponsor such as 
Pepsi, who 
backed him then. "As far as advertisers are concerned, he is completely 
untouchable," Donny Deutsch, who runs the Madison Avenue advertising agency 
Deutsch Inc, told the New York Post. "His endorsement days are over. But this 
country loves a comeback. I think he should lay low for a while and come back 
with a 
new album. Right now, all he is seen as is a little weird. A few little public 
displays of 
less weirdness would also help him." 
Guardian Unlimited � Guardian Newspapers Limited 2005~ ~ ~ ~ ~ ~ ~ 
Alamaine
Grand Forks, ND, US of A



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DECLARATION & DISCLAIMER
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screeds are unwelcomed. Substance—not soap-boxing—please!   These are
sordid matters and 'conspiracy theory'—with its many half-truths, mis-
directions and outright frauds—is used politically by different groups with
major and minor effects spread throughout the spectrum of time and thought.
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Let us please be civil and as always, Caveat Lector.
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