Welcome to New York, ya bastard

Reports that Hillary Clinton used an anti-Semitic slur 26 years ago smack of
a typical Rupert Murdoch smear campaign.


- - - - - - - - - - - -
By Joe Conason

July 18, 2000 |

A dubiously sourced anti-Semitic slur supposedly uttered by Hillary Rodham
Clinton in 1974 has been transformed by the New York Post almost overnight
into the hottest issue of the Senate campaign. Yet if the first lady is
shocked by this assault, that is only a sign that she is new in town. For New
Yorkers who have observed the Post's patented perversion of political
journalism over the past two decades, the "Jew bastard" affair evokes a
depressing sense of d�j� vu.

>From the beginning, the current controversy has been a Rupert Murdoch
operation. The allegation that Hillary Clinton used ethnic invective against
a campaign worker appears in a book published by HarperCollins, one of the
many enterprises in the right-wing press lord's News Corp. conglomerate.
(Earlier this year, HarperCollins also published and heavily promoted Peggy
Noonan's hardcover screed, "The Case Against Hillary Clinton," placing
enormous posters strategically in bookstores around the state.) The alleged
ethnic slur first surfaced as a "world exclusive" in the Drudge Report, but
was almost instantly picked up and headlined on Page 1 by the Post. In that
awful moment, the Murdoch technique crystallized perfectly for the first time
in this campaign.

It wasn't the first instance when the Post had attacked the Democratic
nominee with a slanted front-page headline, of course. Just a few weeks ago,
the paper drew its own tendentious conclusions from the Travel Office report
issued by the Office of Independent Counsel (which had grudgingly exonerated
her) -- and summarized them opposite a suitably unflattering photograph of
Hillary Clinton in 3-inch tabloid type: GOOD LIAR. That bold-faced epithet
was relatively mild compared to the daily descriptions of the first lady in
the Post over the past six years as a witch, a Lady Macbeth, a unindicted
felon, a probable conspirator in the death of her friend Vince Foster and a
horse thief.

But a truly effective Post political offensive always extends past mere bias
into the ethnic inflammation that Murdoch long ago adopted as a circulation
booster and ideological weapon. As Thomas Kiernan explained years ago in his
classic biography "Citizen Murdoch," the Post has historically employed
racial rhetoric and imagery in its coverage not only to sell papers but to
promote its political viewpoint.

"Murdochism thrived on overt appeals to ethnic biases in the journalistic
prosecution of its right-wing ideology," wrote Kiernan, who knew Murdoch
well. While it seems darkly amusing that the Post editors now pose as
outraged defenders of decency, that is the sort of contradiction that has
never fazed the tabloid's owner or his eager minions.

So what else is new? Only the increasingly easy penetration of other media by
Murdoch's stratagems, assisted as they now are by additional properties such
as the Fox News Channel. His lame competitors at the New York Daily News took
the bait right away, and played into his plan by promoting the "Jew bastard"
story -- which might otherwise have disappeared after a single day.

Most news outlets had taken a pass on the story initially, signaling their
own doubts about its Murdochian provenance. There were ample reasons for
doubt. As is so typical of the various terrible tales emerging from the
Clintons' Arkansas past, this one is rife with changing testimony, accusers
of doubtful repute and sheer implausibility.

Her accuser Paul Fray, the man whom she allegedly vilified as a "fucking Jew
bastard" during an election-night blowup in 1974, is in fact a Southern
Baptist who has variously claimed that his father, grandfather,
great-grandfather and grandmother were Jews.

Fray suffered a cerebral hemorrhage some years ago which his wife admits
affected his memory (and led to the loss of his law license when he committed
various improprieties). He, his wife Mary Lee and their friend Neal McDonald
have all told various versions of what happened that night to as many as
seven different authors -- apparently without mentioning the anti-Jewish slur
until now.

And when Hillary Clinton emerged from her suburban Westchester residence to
dispute the charges Sunday, her campaign distributed a maudlin, handwritten
letter of apology sent to her almost exactly three years ago by Fray. That
strange document deserves to be quoted at length (rather than the few
truncated sentences that the Post mentioned parenthetically deep inside the
paper):


Dear Hillary,

This letter has taken me some 23 years to come to the point that I must
apologize for my actions toward you ... Now, just in the last three years, as
a result of a number of interviews have I concluded that I am wrong, that I
was wrong and that I have wronged you; I ask for your forgiveness because I
did say things against you, and called you names not only to your face -- but
behind your back ... At one time in my life I would say things without
thinking, without factual foundation and without rhyme or remedy unless it
furthered my own agenda ...

[My wife] has met with the FBI and some of the Independent Counsel's
investigators and ... she always makes it quite clear that you are a person
of the most high integrity."


In an even more jarring postscript, Fray recalls how she once read to his
now-grown son Robbie, who now has a son of his own and wants Hillary to read
to him. "Robbie has told me for years to write you and bear [sic] my heart
and now I have done it because I want you to know that I do it out of my love
for you ... Thank you Hillary for being Hillary."

It seems fair to draw an inference concerning credibility from this bizarre,
scrawled and rather recent note. And it does seem both bizarre and incredible
that its author's shifting recollections -- filtered through a journalism
without standards -- have suddenly seized universal media attention. But such
is the power of tabloid melodrama in an American political culture whose
agenda can be set by the likes of Rupert Murdoch.

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