--- Eagle Forum <[EMAIL PROTECTED]> wrote:
> Date: Sun, 27 Aug 2000 12:13:16 -0500
> To: [EMAIL PROTECTED]
> From: Eagle Forum <[EMAIL PROTECTED]>
> Subject: The Future Meets The Past In The Napster Case
>
>                 The Future Meets The Past In The Napster Case
>
> August 23, 2000                                 by:  Phyllis Schlafly
>
> "This is a culture war, between the powers that were and that will
> be." Is he
> talking about abortion? Gay rights? Hollywood violence? Illegitimacy?
> No, the
> culture war is about ownership and regulation of the internet,
> according to
> John Perry Barlow, Grateful Dead lyricist and cyber rights activist.
>
> Barlow may be right. The influence of the internet may be overflowing
> into our
> culture as well as our politics.
>
> The current flashpoint of controversy about the internet is a case
> now in the
> Ninth Circuit Court of Appeals (RIAA v. Napster) where the five giant
> music
> companies are fighting a website called Napster for facilitating
> online music.
> The music cartel wants to stop listening to music on the internet.
>
> Most music CDs are stamped with a warning that unauthorized
> duplication is
> prohibited by law, but this is not true. It's the same claim
> Hollywood made
> when trying to stop individuals from taping TV shows with VCRs, but
> the
> Supreme Court in 1984 ruled that unauthorized copying for the purpose
> of
> time-shifting is legitimate "fair use."
>
> Furthermore, Congress specifically legalized the noncommercial
> consumer
> copying of digital music in the 1992 Audio Home Recording Act. The
> music
> cartel lobbied for this bill because its main purpose was to allow
> the
> cartel to
> control and impose a mandatory royalty on Digital Audio Tape (DAT).
>
> The political power of the music cartel in Washington was also
> demonstrated
> last year when it sneaked a law through Congress making music a "work
> for
> hire," i.e., the property of the recording companies rather than the
> musicians.
> Without any hearings or debate, this provision was buried in an
> unrelated bill
> as a "technical correction" and signed by President Clinton.
>
> Musicians were outraged that the law no longer considered them
> authors of
> their own music, and Sheryl Crow and other artists testified at a
> post-passage
> hearing of the House Intellectual Property Subcommittee. Subcommittee
> chairman Howard Coble (R-NC) was unsympathetic, grumbling that he
> hoped
> rock star Don Henley (of Eagles fame) "gets carpal tunnel syndrome"
> from
> counting his money.
>
> The recording cartel backed down and agreed to the repeal of this
> law. The
> music cartel usually gets what it wants: in recent years it has
> gotten
> Congress to pass a copyright term extension, draconian criminal
> penalties on
> small incidents of copyright infringement, and a law to criminalize
> "circumvention" of the wishes of a copyright owner.
>
> For years the music cartel was coercing retailers to sell CDs at the
> Manufacturers Suggested Retail Price (MSRP), a violation of antitrust
> law.
> The FTC stopped this price-fixing scheme and 28 states are now suing
> for
> hundreds of millions of dollars in damages.
>
> The music cartel desperately wants to shut down Napster and similar
> web
> sites that facilitate the noncommercial sharing of music. The big
> five labels
> are frightened that online music may upset their out-of-date business
> practices.
>
> The U.S. Constitution allows Congress to enact copyright protections
> for
> authors "to promote the progress of science and useful arts," not to
> protect
> the special interests of Hollywood or music executives. Copyright
> holders
> have certain temporary rights but so, under fair-use applications, do
> consumers, and that's what the music cartel and other powerful
> interests are
> trying to eliminate through internet regulation.
>
> The internet is a medium for peer-to-peer communication. The phone
> company doesn't regulate who we call or what we say on the phone, and
> the
> music industry should not be regulating internet connections.
>
> Nor should anyone be regulating information on how to use products in
> a
> manner that has been traditionally and legally considered fair use.
> Unfortunately, the 1998 Digital Millennium Copyright Act (DMCA) was
> intended, by Hollywood and others who lobbied for it, to give
> copyright owners
> a measure of control they never had before.
>
> A 16-year-old Norwegian kid figured out a code that allows people to
> view
> legitimately purchased DVD movies on Linux computers, even though
> Hollywood rigged these movies to be playable only on Windows
> computers
> and other machines. Now Hollywood is suing everyone who spreads the
> word
> about the DVD code, including a magazine called "2600" and one guy
> who
> put the code on a T-shirt.
>
> Despite scare stories, new technologies have nearly always expanded
> markets and created new opportunities for profits. Hollywood fought
> VCRs in
> Congress and all the way to the Supreme Court, and lost every battle
> in spite
> of doom and gloom predictions about how VCRs would ruin the industry.
>
> It turned out that videotaped movies became a financial bonanza for
> Hollywood. We can also tape music over radio, but radio did not ruin
> the
> music market.
>
> I have shelves of CDs I never listen to, but I'd buy a lot more if I
> could
> conveniently and easily find the music I really like. But the music
> cartel has
> blocked the online sale of the music it controls, and sites such as
> emusic.com have only fringe music.
>
> Even though new technologies tend to disrupt current business models,
> legislative or judicial attempts to protect economically inefficient
> distribution
> channels are misguided.
>
>                                        Phyllis Schlafly column
> 8-23-00
>
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
> JOIN OUR MESSAGE BOARD!
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> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
> Read this column online:
> http://www.eagleforum.org/column/2000/aug00/00-08-23.shtml
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
> Phyllis Schlafly Live may be heard every Saturday from 11:00 a.m.
> to 12:00 noon (CST) on the USA Radio Network
> http://www.usaradio.com/
> ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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