-Caveat Lector-

>>>This is a movie about C Boyer as a Spanish agent during the Spanish Civil War
who travels to England on "business".  During one scene when he goes to meet his
contact (Lorre) at a language school, there is an interesting use of phraseology.  The
owner of the school tells Boyer that he has to do all of his own typing because his
secretary is too nearsighted (although she's in the foyer knitting).  The owner then
mentions that the reason for the new language has something to do with the "new
world order".  A<>E<>R


>From http://www.themave.com/Boyer/ConfAgent.htm

}}}>Begin
Confidential Agent  (1945) was a curiosity of casting that Warner Bros deemed
appropriate at the time. Their hot new property, 20-yr-old Lauren Bacall, was riding
high on the accolades for her first film, To Have and Have Not; she had also
completed the yet-to-be-released The Big Sleep, both costarring her future husband
Humphrey Bogart. Warners was in a big rush to try her opposite another major male
star, and Boyer was chosen as the weary anti-fascist of Graham Greene's novel.

This turned out to be a miscalculation, an almost fatal one for the budding career of
Ms. Bacall. She was clearly out of her element as the young "Englishwoman", and no
one knew it better than she. The critics who had fallen all over themselves in praise
of her first movie did a quite vicious about-face. Bacall would later say, "They
chopped me to pieces and I hated them all, but they were right...I had no guidance
whatever in Confidential Agent." The guidance that wasn't given should have come
from director Herman Shumlin;  Agent was his second and last film, and he departed
Hollywood having "showed little evidence that he'd learned anything about the
medium" (Pauline Kael).

The story follows Boyer's character, a special agent in the Spanish Civil War, as he
attempts to complete his "confidential" mission in England. He meets up with one
shady character after another (some very imposing character actors here: Peter
Lorre, Victor Francen, Katina Paxinou, George Coulouris), and is harassed from the
moment he steps off the boat. He's beaten up several times, shot at more than once,
and robbed -- most of which happens before he even reaches his hotel room! And
it's practically all downhill for him after that, until the rocky "happy ending."

A rare pleasant moment

If anything, this film proves that it was impossible for Charles Boyer to give a bad
performance;
his disillusioned agent is the only constant that holds this murky melodrama
somewhat together.
End<{{{

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