great, we've got a flamewar! let me join the fun:

i'm very much unconvinced by their examples re: lens blur or generic
sharpening. it has the typical fourier artifacts (even though the
ringing seems surprisingly well balanced in their examples. but i can
still see it). i think our current local contrast tools would do a
similar job.

the motion compensation looks nice though. i'd probably rather
implement the multi-frame merging technique that morphs multiple short
exposures to match up and then creates a hdr from that.

cheers,
 jo

On Thu, Apr 27, 2017 at 2:24 PM, Moritz Mœller (The Ritz)
<virtualr...@gmail.com> wrote:
> On April 27, 2017 2:03:47 PM Roman Lebedev <lebedev...@gmail.com> wrote:
>
>> Are there any actual use-cases for this algorithm, specifically in
>> darktable?
>>
>
> Did you bother opening the webpage (relaunch.piccureplus.com) the OP gave
> and looking at their example section?
>
> Do you think we don't have landscape, wildlife, insect, etc., etc.
> photographers using DT?
>
> Or just ordinary people who have that odd holiday shot with great
> composition, light and everyone smiling but being oh-so-slightly out of
> focus?
>
>> I'd imagine 95+% of blurred images/images with motion blur
>> where that is not intentional, would be deleted and not processed..
>
>
> And where did that number 95%+ come from? Some bodily on orifice? I refrain
> from making an educated guess here from which -- to avoid foul language. ;)
> Just because you can't imagine it, Roman, doesn't mean it doesn't exist. :)
>
> To give you an example, to the contrary, based on actual numbers:
>
> If you do low/available light (no flash) photography of people that move
> (wedding photography, social dance photography, parties, events etc.) you
> will usually have a ton of images that could be great if they only could
> have a bit of blur (motion and/or focus) removed. Because even with fast
> glass and high ISOs you will need exposure times that are too slow for the
> motion depicted.
>
> In my case, I photograph tango and swing dance events.
> I shoot with a f/0.95 lens on an A7II body. There are no lenses of this
> speed that have autofocus. And even if they were, the focussing would be too
> slow. By the time the camera had hunted the focus down, the moment were
> gone.
>
> So I need to track focus and motion (of dancers) manually, at the same time.
> Usually 10% of the images have either sharp focus or no motion blur (both
> absent are less than 1%!).
>
> Aka: at /least/ nine out of ten of these images would benefit from this sort
> of deconvolution magic.
>
> Beers,
>
> .mm
>
>
>
>
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