Hi !

I uploaded 5 of my latest pictures :
https://www.dropbox.com/sh/bka35pnxfiqbecj/AACBfD1VZ-5Sw4xyD7vfHpxia?dl=0

You will need my custom color profiles to work properly with these
images, so they are stored in the "in" folder and zip.

Thanks for your support !

*Aurélien PIERRE*
------------------------------------------------------------------------

Auteur, Éditeur
Éditions AP
aurelienpierre.com <http://aurelienpierre.com>

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Consultant R&D

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Jabber : aurelien.pie...@jabber.fr
Skype : aurelien.pierre-pro
☎ Canada : +1 514 756 2207
✉ aurel...@aurelienpierre.com <mailto:aurel...@aurelienpierre.com> —
aurelien.pie...@polymtl.ca <mailto:aurelien.pie...@polymtl.ca>

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Le 29/10/2014 10:25, johannes hanika a écrit :
> i think it might be best if you supply a raw + xmp to make us
> understand exactly what you mean. that would also enable people to try
> their favorite methods on your picture and see if it works any better.
>
> cheers,
>  jo
>
>
> On Wed, Oct 29, 2014 at 12:53 AM, Aurélien PIERRE
> <aurel...@aurelienpierre.com <mailto:aurel...@aurelienpierre.com>> wrote:
>
>     Hi !
>
>     I'm doing a lot of landscapes with a large dynamic range camera
>     (namely : Nikon D5300 & 14 EV) and even if I love Darktable for
>     more than 3 years, my major issue with it is contrast and
>     shadows/highlights recovery. I mean : keeping the sky and the
>     ground correctly exposed, while exposing on the left on camera to
>     preserve highlights.
>
>     Now, I'm achieving this process using a combination of exposure,
>     shadows/highlights, tonal curves, lowpass filter + negative
>     contrast and zones modules which is long, complicated and gives
>     unpredictable results :
>
>       * shadows/highlights module acts in a limited range (in most
>         cases, it isn't enough to avoid clipped areas and conserve
>         good general exposure in the same time) and the radius setting
>         is pretty tough to adjust,
>       * tonal curves only allow small adjustments or the result
>         becomes weird and over-processed,
>       * zones module doesn't allow to set up just one zone without
>         affecting all others (or setting it with parametric mask for
>         each zone is very long and have other drawbacks),
>       * low-pass filter gives good results with buildings and
>         geometric shapes, but looks strange and destroy local contrast
>         otherwise,
>
>     In the same time, Lightroom seems to achieve this simply and
>     fastly with separated sliders for blacks/shadows/highlights/whites.
>
>     So... Is it possible to imagine something in the Lightroom way in
>     DT ? Or is there still another solution that I didn't see ? (I
>     tested so many different ways...)
>
>     Thank you !
>     -- 
>     *Aurélien PIERRE*
>     ------------------------------------------------------------------------
>
>     Auteur, Éditeur
>     Éditions AP
>     aurelienpierre.com <http://aurelienpierre.com>
>
>     ------------------------------------------------------------------------
>
>     Consultant R&D
>
>     ------------------------------------------------------------------------
>
>     Jabber : aurelien.pie...@jabber.fr <mailto:aurelien.pie...@jabber.fr>
>     Skype : aurelien.pierre-pro
>     ☎ Canada : +1 514 756 2207 <tel:%2B1%20514%20756%202207>
>     ✉ aurel...@aurelienpierre.com <mailto:aurel...@aurelienpierre.com>
>     — aurelien.pie...@polymtl.ca <mailto:aurelien.pie...@polymtl.ca>
>
>     ------------------------------------------------------------------------
>
>     Ce message a reçu une signature cryptographique attachée en PJ
>     permettant de vérifier son intégrité et ayant valeur légale,
>     d'après l'article 1316-1 du Code Civil modifié par la loi n°
>     2000-230 du 13 mars 2000, et d'après la directive européenne
>     1999/93/CE du 13 décembre 1999.
>     Informez vous sur le cryptage et la sécurisation de vos
>     communications électroniques
>     
> <http://www.securite-informatique.gouv.fr/autoformations/signature_elec/co/Signature_web.html>.
>
>
>     
> ------------------------------------------------------------------------------
>
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