2017-03-04 8:00 GMT+01:00 <[email protected]>:

> Hello,
>
> Thank you for your answers.
>
> On 2017-03-03 15:58, Chris Siebenmann wrote:
>
>> I recently purchased a Canon EOS 80D, I am a Debian (8.7) user. All this
>>> is quite new to me so it might be a newbie question rather than a
>>> problem with Darktable. Sorry beforehand if that is the case.
>>>
>>> TL;DR: http://imgur.com/a/eEipd
>>>
>>> When importing photos (CR2) into Darktable (2.0.7),
>>> colors/contrast/brightness... aren't the same as in the "Gnome Document
>>> Viewer" preview (and on the screen of my 80D).
>>>
>>
>>  What I suspect is happening here is that the version of the image that
>> the Gnome Document Viewer preview and the 80D are showing you comes from
>> a 'preview' JPEG that is embedded into the RAW file (most RAW files have
>> several preview JPEGs in them at various sizes). This preview JPEG has
>> had all of the camera-specific magic processing applied to it, including
>> any in-camera styles you either set yourself or that Canon applies by
>> default.
>>
>>  The darktable picture seems to be from the darkroom, where darktable
>> is processing the RAW itself from scratch. This from-scratch processing
>> almost never exactly duplicates the camera's own processing (partly
>> because camera makers never tell anyone what the in-camera stuff is
>> actually doing), and is sometimes not at all similar to it depending on
>> what settings the camera and darktable have. Generally the further from
>> 'basic neutral' you have the camera on, the more divergence there is
>> going to be.
>>
>> (Note that most cameras don't come set to 'basic neutral' out of the
>> box; usually their default picture setting is more cranked up than that,
>> because it looks nicer on the back of the screen and when people just use
>> the JPEG defaults.)
>>
>>  This is an issue in any RAW processor (apart from the ones from the
>> camera companies themselves), because none of them know exactly what
>> the in-camera processing is doing. Some RAW processors devote more
>> engineering and development effort to closely matching the straight
>> out-of-camera processing than others do, and so will come closer to the
>> look of those JPEGs by default. My impression is that darktable chooses
>> to focus development efforts elsewhere, so it winds up not necessarily
>> very close for many cameras and many camera styles.
>>
>> (There are ways to get it closer in some areas if you want to do
>> some hand work. There are darktable tools that take some RAWs and
>> some corresponding JPEGs and work out much of the intensity/contrast
>> mapping between them to create a custom 'base curve' for the camera and
>> style. However cameras also often add things like colour shifts and
>> various sorts of sharpening and so on, and those are generally not going
>> to be duplicated through the base curve's mapping of intensities.)
>>
>
> That is insightful, thank you. Using the "base curve" tool, and selecting
> the "eos like profile really helps.
>
> Playing around withe the various modules in the darkroom, I managed to get
> close to the "preview jpg" render (I find it close to what I shot - through
> the viewfinder, in manual mode - particularly, regarding colors).
>
> 1: CR2 as seen by the Document viewer ;
> 2: Darktable default ;
> 3: Darktable edited (base curve, contrast, shadows, demosaic, sharpen).
>
> https://imgur.com/a/0M3ez
>
> I am still having a hard time reproducing the same (~ red) color for the
> trackpoint (look at #1 and #3 side by side, #1 is the real color). Any clue
> on what module to use to fix that ?
>
> On 2017-03-03 16:29, Roman Lebedev wrote:
>
>> Also see
>> https://www.darktable.org/2016/05/colour-manipulation-with-
>> the-colour-checker-lut-module/
>>
>
> Thank you.
>
> I got to say that I laughed out loud reading this article. I hold a
> masters degree in engineering and reading through it felt like reading
> Klingon.
>
> There are so many undefined acronyms (ICC and LUT aren't defined for
> instance (I actually had to wait until the 6th iteration of LUT to get a
> confirmation that the author was actually talking about lookup tables)) or,
> when it comes to formulas, undefined parameters (like "CIE 76 ΔE")).
>
> This being said, and after googling every undefined term, the article is
> also insightful but is still too cryptic for me to be able to reproduce the
> process to generate a proper custom style (base curves, color matching,
> etc.). I am wiling to do so (buy the it8 target etc) and share the result
> with the community but I am going to need help.
>
> On 2017-03-03 15:59, Guillermo Rozas wrote:
>
>> what you're looking at is the difference between the in-camera Canon
>> processing and Darktable's processing. DT has its own way of
>> processing the RAW data in the CR2 file that is not 100% the same way
>> Canon uses, which produces changes in the final output. Is not that
>> one or the other are right or wrong, they're just different.
>>
>> When importing photos (CR2) into Darktable (2.0.7),
>>> colors/contrast/brightness... aren't the same as in the "Gnome Document
>>> Viewer" preview (and on the screen of my 80D).
>>>
>>
>> The Gnome's viewer is probably using the JPG preview embedded in the
>> CR2 file, and in that case it should look almost the same to the 80D's
>> screen. DT takes the real CR2 data and processes it, so it will almost
>> always look different (it's also color managed, so there may also be a
>> difference there if you profiled your monitor)
>>
>> I initially had problems with Darktable 1.4.2 where every photo (same
>>> format, same DSLR) imported would look pink. I upgraded to 2.0.7 and the
>>> problem was gone, that is why I suspect that this might be another
>>> darktable-related problem.
>>>
>>
>> Your problem with DT 1.4.2 was probably related to the camera being
>> unsupported yet (wild guess). What you have now is probably not a
>> problem, just a different look. I had the same "shock" the first time
>> I used it, because one is used to the Canon processed look and DT's
>> look "different". But after a while I learned to stop looking to
>> Canon's JPG as "the" target and perfect processing, and to use my own
>> judgement (and DT powerful processing) to decide how the image should
>> look like.
>>
>> So, don't worry! Start playing with DT (and read the manual), and
>> you'll soon find out that you can control the final image much more.
>>
>
> Thank you.
>
> That's what I did after reading through the all the insightful answers
> that I received. Now I am really looking forward to create a dedicated
> style for the canon eos 80d and to release it.
>
> CA
>
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