On mardi 28 mars 2017 14:49:09 CEST Per Östlund wrote:
> Hi,
> 
> I've digitized my father's collection of old slides with the camera +
> macro lens + light table method. Most of the images look fine, but some
> images with certain blue hues are giving me a headache. I'm guessing the
> issue is that the light table I built used LEDs with a poor color
> spectrum for the task, causing the blue channel to blow out.
> 
> As soon as I touch e.g. the levels module I get the usual issue that
> very saturated blues turn black. Using the gamut clipping option in the
> input color profile module fixes that particular issue, but doesn't do
> anything for the colors otherwise.
> 
> The best solution I've managed to come up with so far has been to set
> the input color profile to "linear Rec709 RGB" which heavily desaturates
> the image, and then increasing the saturation a lot with the color
> correction module. Hardly an optimal solution, but with some tweaking I
> can usually get the colors to look approximately the same except that
> the blues don't clip anymore.
> 
> This method can require quite a lot of tweaking to look good though, so
> my question is if someone knows of a better way to handle this issue
> (besides reshooting with a better light source). Here's an example
> RAW-file (don't mind the blur, that's from the original slide):
> https://www.dropbox.com/s/6mshjycwm4n10xa/img_014.ARW?dl=0

First the good news: as far as I can see you have no blown channels in the raw 
file, even the 
blues stay within range of the sensor. The bad news is that with the default 
settings, a large 
part of the image gives 'out-of-gamut' warnings. And to be honest, the image 
looks over-
saturated. 

So what I tried was: 
- set base curve to 'leica' (less aggressive than the Sony default, esp. in the 
highlights).
- set gamut clipping to 'adobeRGB' (or sRGB).

then I used two copies of 'contrast brightness saturation', 
- the first for a global saturation correction of -0.2,
- the second was at saturation -0.35, with a parametric mask limiting the 
effect to the blue 
colors: 'b' channel from -128/-128 (full left) to -29/-3.

If all slides are similar, you could set this up for one slide and the create a 
style to apply those 
settings as a base to others.

But would it be possible that the original slides have faded a bit over time, 
and especially the 
red dye?

Good luck,

Remco



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