Thank you to all that replied...
What I am taking out of it - for good photography I have to wait for the
right time (it was not possible in my case). The distance and haze are
significant contributors for the effect.
As Jason pointed it is possible to have a separate treatment of the sky
with color zones and gradient to desaturated the blue
Once again, I appreciate your thoughts and help.
Regards,
B
On 2019-07-17 22:26, Koos Pol wrote:
On 2019-07-18 01:25, I. Ivanov wrote:
Recently I took some pictures on a higher altitude - Untersbergbahn
GmbH. What I noticed is that they have quite a strong blue hue to
them. This however is only for the landscape pictures (mountains /
valleys) that I took.
I would be surprised if you'd get this working at all. The (IMHO) most
important aspect of h.a. photography is the shear distance between you
and the subject.That can add up to 50 kilometers or more (as you can
clearly see from your mountain pictures).
Between you and the subject there are so many moist and dust particles
that half of the light is gone, and the other half is distorted. And
you don't even get to chose which half you get.
I live in remote flat area with outlook on distant mountains. And I
see the same sort of problem. On a sunny, dry summer day "my"
mountains are grayish and dull , while after a big storm I have clear
vision, with vivid colors for at least 25 kilometers.
My best guess is that successful h.a. photographers simply wait for
the best opportunity: such as after a big rain, when the air has been
washed clean. Or during winter time, when the air is dry(er).
Koos
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