Hi,
has it a similar way of defining the parameter map DT is using? By
playing with the masking contrast and gain in DT one can kind of
control what's seen as Blacks, Shadows, .... What is what may highly
depend not only on the absolute luminance but also on the intention of
the photographer.
Maybe, in addition to the ask for displaying the parameter mask using
a colour map, one could implement a way to mark certain ranges in the
tonal correction curve ("Advanced") and highlight them in the
parameter mask display (or, for presets, mark single nodes of that
curve and highlight the parts affected by that range (+-1EV, maybe or
feathered according to the stiffness of that curve) in the mask and/or
in the image itself.
Uwe
Quoting [email protected]:
On Thu, 18 Feb 2021 16:58:39 -0800
David Vincent-Jones <[email protected]> wrote:
One thought that I have had is that the mask be displayed in a
continuous range of color ... OK, maybe that sounds mad but this
would allow us to better view the data in the same way that we view
elevations on a map. Years ago my business was involved with
satellite mapping and we used color separation for some aspects
because it was far easier for clients to understand than B&W tones.
There's another raw processor called ART (Another RawTherapee) which
is a fork of Rawtherapee.
It has a module called: Tone Equalizer which not far from the
Darktable's Tone Equalizer but it's divided in Blacks, Shadows,
Midtones, Highlights and Whites.
It can show the tonal map to show what's what and to see what's affected
by what.
--
sknahT
vyS
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