On Thu, 04 May 2006 09:08:24 +0200 Frank Küster wrote: > Nathanael Nerode <[EMAIL PROTECTED]> wrote: > > > It *does* mean you would be forever required to keep updated > > information on where recipients can access the original artwork. > > > > (For the Mona Lisa, the answer would be The Louvre.) > > > > The freeness of this is arguable. I think it's supposed to be > > primarily a form of attribution or credit, and it doesn't seem > > unreasonable to me. However, it may be overbroad. Convince me. > > Perhaps keeping track of the movements of the Mona Lisa as it's > > sold to different museums *is* unreasonable. > > Especially since it could be stolen.
Indeed.
Am I required to catch the thieves before I can distribute copies
again?!? :-|
> On the other hand, it is
> important for a free piece of physical artwork that it be publically
> accessible; the one who has power over the license (the Louvre, I
> guess) would also have to make sure that, when it is sold, it will not
> end up in a private house.
The licensor is not bound by the license.
The licensee is.
If the original ends up in a private house, I, as a licensee, am not
anymore able to specify where the recipient will be able to access the
original, since he/she could be unable to access it...
Another problem.
--
:-( This Universe is buggy! Where's the Creator's BTS? ;-)
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