On 10/3/07, Conor Schaefer <[EMAIL PROTECTED]> wrote:
>
>
> I'll take this chance to open the issue of "factionalization" to the list.
> I personally do not think this threatens the goals of the FC movement in
> general. As I've already said, I think diversity in a beneficial thing, in
> that we can increase the total number of people working toward achieving
> social change by appealing to their slightly more individualized interests.
>

I completely agree - A pluralist free culture movement is far more likely to
gain momentum than one with a very narrow remit or very specific values.

I would absolutely not leave SFFC, as I think it still a very valuable
> organization. I do, however, also believe that more groups are needed, given
> SFFC's recent narrowing of its mission.
>

Again, agreed. However I would like to suggest that SFFC attempts to widen
it's membership to educational institutions outside the US. I can't do this
in the UK as I am not currently studying (not yet, at least) - but  I think
more could be done to promote student free culture activism globally. I am
very happy to work with SFFC to acheive this in the UK (if you feel it would
be worthwhile), despite not being eligible to be a member of any student
organisation.

I think an artists free culture movement / organisation would be very
valuable - as so many of the debates about FC are framed in legal /
technical terms, it'd be great to have a space where the same issues could
be discussed from a cultural / critical perspective, and I think this would
do a great deal to increase support for FC in the arts world (where a lot of
the same issues are discussed, albeit in different terms). In general, i
think the FC movement has a problem in communicating with artists (due to
the language difference described above), and a dedicated artists' free
culture organisation could do a lot to address this. This was also the main
rationale for the free art manifesto i'm working on. Very keen to help get
this going - would it be appropriate to discuss this on this SFFC list, or
elsewhere?

Many thanks,

Tim



Thoughts?
>
> Conor
>
> Crosbie Fitch wrote:
>
> I think MJ Ray has summed things up very well indeed.
>
> I don't doubt that students may well provide the greatest resource for
> FC.org in terms of mobilisation and organisation (the '.org' bit), I'm
> just slightly concerned that the nature of the constituents is creeping into
> the mission (the 'FC' bit). Maybe that's just the way it goes. If you don't
> turn up, you don't get included - in the organisation or its mission.
>
> Nevertheless, a strongly student aligned movement is likely to only obtain
> student aligned concessions - at best. I can easily imagine university
> campuses obtaining an educational exemption from copyright infringement as
> long as all unauthorised copies/derivatives are digitally signed (or have
> other DRM) and are not distributed outside the university networks.
>
> As for me having an idea to set up a new non-student oriented movement, I
> don't think I had that idea. I was merely thinking that FC.org, despite
> its student constituency, might reconsider whether it really needed to
> reinforce this aspect in its mission title. There is a danger that rather
> than explain the constituency it instead distorts the motivation and the
> mission, i.e. it is not students promoting free culture for all, but
> students demanding free culture for themselves - as in "Students for Free
> Beer".
>
> However, Conor, if you'd like to set up a new movement, that's up to you,
> and I have no claim to the names. I think it would be best to avoid
> splintering. It did seem strange to have http://freeculture.org and
> http://www.freeculture.org.uk/  (see
> http://freeculture.org/blog/2005/09/22/free-culture-uk/). I'm interested
> in any movement towards free culture (for everyone). I'd also be interested
> in a movement toward copyright abolition.
>
> In practical terms I have far more interests than time. I am dedicating my
> time toward the promotion and development of non-copyright based revenue
> mechanisms in order to try and demonstrate that a voluntary exchange of art
> for money in a free market is a better thing than the compulsory
> suspension of liberty (copyright) or confiscation of money (taxation). These
> are the domain names I've used in this area: www.digitalartauction.com,
> www.digitalproductions.co.uk, www.quidmusic.com, www.contingencymarket.com
>
> So, my post wasn't out of indignation that FC.org isn't including l'il ol'
> me, but to express concern that FC.org may be in danger of being
> unnecessarily exclusive - which may not be in FC.org's best interests. Who
> knows?
>
>  ------------------------------
> *From:* Conor Schaefer [mailto:[EMAIL PROTECTED]<[EMAIL PROTECTED]>]
>
> *Sent:* Wednesday, 3 October 2007 9:03am
> *To:* Discussion of Free Culture in general and this organization in
> particular
> *Subject:* Re: [FC-discuss] FreeCulture.org is now Students for Free
> Culture
>
>  Interesting to know some background on this. Nonetheless, I think there
> is a void to be filled; as I said early, diversity can help us, no? I
> understand there's the issue of achieving and maintaining molarity of
> interested persons, a point Christina made earlier, but I don't think we're
> running that risk here. In fact, I think we can reach out to many more
> people by setting up shop with a label different from FC.org/SFFC, which
> would operate *in addition *to it.
>
> Since it was Crosbie's idea, I'm going to wait awhile, offering him the
> initiative. I googled for "artists for free culture" and got zero hits.
> That's bad! I'd like to buy the domain name www.artistsforfreeculture.organd 
> get things moving.
>
> But for the time being, I say we defer to Crosbie's initiative. What say
> you, good sir?
>
> Conor
>
> MJ Ray wrote:
>
> "Fred Benenson" <[EMAIL PROTECTED]> <[EMAIL PROTECTED]> wrote:
>
>  Crosbie: why not consider an organization such as iCommons which has much
> broader goals and membership?
>
>  I can't speak for Crosbie, but I think Crosbie is on this list mainly
> for the same reason I am, because freeculture-UK was closed down in
> its favour.  As I understand it, iCommons has anti-commercialism
> written into its foundations (thereby closing it off from artists who
> need to make money from their free culture creations), uses hum-votes
> to makes decisions and doesn't record its meetings.
>
> If there must be another "open and free culture" group, then we'll get
> there eventually, but there's a natural desire to avoid duplication of
> overheads.  It's disappointing to see so many missed opportunities and
> this vital task left to telling the Crosbies of this world to go DIY,
> instead of incorporating their support into your efforts.
>
> Hope that explains,
>
>  ------------------------------
>
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