That'd be fantastic.  I've seen the Lowery piece passed around by a few
bands I like and have a lot of respect for, and don't really have the
bandwidth atm to craft a pithy response.
-a

On Tue, Jun 19, 2012 at 10:11 AM, Jennifer Baek <[email protected]> wrote:

> I like the idea of a response fashioned like the one theoatmeal did. Maybe
> we can do both a visual piece as well as a written piece?
>
> I'm on board to help out with both in collaboration with
> Questioncopyright. I'm in DC for the summer with too much free time. :>
>
> Jennifer
> On Tue, Jun 19, 2012 at 12:57 PM, Karl Fogel <[email protected]
> > wrote:
>
>> FWIW, we've just been discussing over at QuestionCopyright.org whether
>> to do a length rebuttal of David Lowery's open letter [1].
>>
>> While it would take a while to construct a good response [2], on the
>> other hand a good one would likely get some eyeballs -- including some
>> of the people who saw the original.  So it's a great opportunity.
>>
>> If anyone here is drafting such a beast, please let us know, here or via
>> http://questioncopyright.org/contact.  A truly well-done rebuttal is
>> something we'd love to run; we've just got other stuff in the pipeline
>> right now that makes it hard to draft a response to this too (lesson #1:
>> number of opportunities will always exceed available resources :-) ).
>>
>> I saw http://piratepad.net/KY6e7xIdkm which is a good brainstorm of
>> ideas, but not, of course, a finished piece.
>>
>> -Karl
>>
>> [1]
>> http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-
>> npr-all-songs-considered/<http://thetrichordist.wordpress.com/2012/06/18/letter-to-emily-white-at-npr-all-songs-considered/>
>>
>> [2] http://theoatmeal.com/blog/tesla_response is one rather nice example
>>    of how to do such rebuttals :-).
>>
>> Nate Otto <[email protected]> writes:
>> >I love how the " the duration of the copyright term is pretty much
>> >irrelevant for an ethical discussion." is so casually slipped in
>> >there.
>> >
>> >The main thrust of what I've read so far is that it is not government's
>> >responsibility to ensure that artists are fairly compensated. Except
>> >that it is explicitly Congress's job to "promote the progress of
>> >science and the useful arts" through arranging the underlying
>> >principles of the marketplace.
>> >
>> >Governments so far have set up a metaphor of intellectual property to
>> >guide this marketplace, and this article is fully grounded in that
>> >tradition. I think there are problems with that metaphor that are
>> >brought to our attention by what digital technology makes possible.
>> >
>> >In giving advice to people who want to work in the music industry, I
>> >would point to reports like "The Sky is Rising" that Ali linked to and
>> >encourage people to embrace the possibilities of business models not
>> >built on the artificial scarcity of digital objects. It is not moral
>> >to create scarcity out of abundance for the cause of rent seeking.
>> >
>> >This all might not be relevant to SFC's response to the piece, but I
>> >completely agree that this is a moral discussion.
>> >
>> >But not all moral premises are valid.  When budgeting morally, what
>> >percent of income does a generation in an average of $25k of debt have
>> >to spend on CDs? As much as their parents could spend?
>> >
>> >Anyway, there is a moral discussion to be had, but it does not start
>> >from accepting every metaphor that guided the music business before it
>> >became possible to distribute all music to everyone who wanted it
>> >without additional costs.
>> >
>> >I may have more to add in a day or two, the next time I come up for
>> >air.
>> >
>> >-Nate
>> >
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