As a bricks-and-mortar architect who received his training just as
Alexander's ideas were being published, I can personally attest to what
others have suggested about my cohort.

Namely, at the time "A Pattern Language" and "Timeless Way of Building"
came out, Alexander was strongly criticized for:

1) attempting even to categorize built environments into sub-components
2) creating categories that were ultimately culturally bound, in spite
of attempts to the contrary
3) reducing the act of design to applying cookbook style recipes
4) promoting the notion of "open source" architecture (not new to him by
any means, but reduced to a practice for certain) that claimed to
provide the essence of architecture through mechanical application of
patterns.

Oddly, Alexander's approaches came at the sunset of the modern period of
architecture. A young crop of architects were just emerging who were
rebelling (some might say revolting) against the established modernist
dogma.  Alexander's "patterns" were the completion of the modernist
ethic: namely to create pre-assembled high-quality factory built
components from which buildings could be inexpensively assembled.
Alexander simply moved the notion up the chain to the act of design and
creation. His work also speaks to the early social influences on modern
architecture, egalitarianism, focus on users, access (from a design
standpoint) and so on. 

With the emergence of post-modernist forms, a return to a more formal
language of architecture, a rediscovery of architectural movements
preceding modernism and in complete opposition to many of its tenets,
Alexander's work is revealed as yet another expression of the soulless
nature of the modern movement.

Without waxing more poetic on the topic, from my perspective, the act of
Architecture is perhaps the most complex design engagement human beings
have undertaken.  There's little about it that's simple.  While there
are fairly straightforward ways to put up structures, provide shelter
and all of the practical trappings that we associate with buildings,
that generally isn't what Architects are pursuing.  

Alexander's work is nearly anti-Architecture. That is not to say it
isn't valuable. It's just not what many Architects desire to do.

Leo
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