> Why are you against paying $5/month for unlimited listening of high quality 
> tracks
> from someone like Yahoo Music?

I have repeatedly said in this thread that I think the music
subscription services are a good idea in principle. The only thing bad
thing to be said about them is that they lock you in to a particular
provider, which may or may not put independent producers at even more
of a disadvantage.

> You know, most people are totally OK with paying Netflix $20/month to
> watch lots of DVDs they don't own.  Many also pay their local cable
> company lots of money to watch HBO, Showtime, pay-per-view, and other
> premium content that's also protected and they don't own.

We have no Netflix (I'd kill for it) here, no opportunity to get HBO
shows (other than torrents). That said, none of this content is
protected. I can rip the DVDs and record HBO with whatever device I
chose to.

> As for lossy music, I'll challenge anyone in a blind comparison to
> listen to Yahoo's 192k/bit dual pass encoded WMA tracks against the
> original CDs.

The point is, that you can't reencode losslessly whenever a new format
of choice comes along. Think the current flavour of .wma is going to
be around forever? Think again ... It's pretty hard to find the
Windows Media V2 codec nowadays. For subscription services, this does
not matter, naturally, as long as the streaming players can be
updated.

> protecting the downloadable/streamable property of artists

Since I still refuse to think of content in abstract form as
"property", let's just say "rights" instead. Even then, it's more
likely the studios that are protected, not the artists - but I got
what you mean :)

To clarify my viewpoints:

Leasing / renting DRMed content == good (There may be other problems
with this but the DRM isn't among those)

Selling DRMed content == bad.

> For those of you who believe all music should be free, I can only say you 
> must not know
> any musicians trying to make a living at it.

Do you know any musicians that can make a living on selling copies of
their work? Do they have a big-5 contract?
If you want to make money as an independent artist, put some of your
tracks on p2p, the others sell on your web site via PayPal. Sign up
with emusic, post a story to Slashdot or something. People do not get
rich via record contracts these days.

C.
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