> 
> 
> In my humble opinion, people who can tell for sure they're able to
> distinguish 24/96 from 16/44.1 either have not compared versions of the
> same recording, or are fooled by their brain.

Hmm out of my 100 of so dvda i have one where the CD master is very
likely the same ?
I think I can here a small improvemement in favor of 24/96 ;) so it is
not easy to compare.

Also lets blow the myth that there is an abundance of recordings that
can be " saved" by 24 bit , note that we are talking playback now
recording should be done at very high sample and bitrates, post
processing done with floating piont math and the consumer product can
be a 24/96 pcm or 16/44.1 both made with proper dithering etc.
So a good remaster/ mix from multitrack can be a real benefit for all
music lovers, but has nothing to do whether it is presented as  CD or
hirez  to us consumers.
So rematered at 24 bit is also very good for the CD produced from it
:)

But the intrisinic sound quality of most recordings ever done is not
better then the humble redbook CD ?

But personally i act on the small benefit of a doubt I have experienced
very good 24 bit. Playback and have a lot of files and DVDA's in the
format .

To be awesome a CD master must really be perfect, 24/96 leaves a healty
slush margin for errors that in itself can be argument enough to have
them.

Some sound engineers may be more of skilled artist than having total
awareness of whats really happens inside the shiny tools he uses and
can thus be forgiven for minor technical errors that would not be fatal

with a format like 24/96 , but rendeer a CD rather unispiring.

Also DVDA had another thing discrete 24/96 multichannel that is
awesome, had to be heard.
It may rise from the dead as dolby true HD for bluray . Dolby true HD
is MLP ( Meridian Lossles Packaging aka DVDA ) in a new guisse for
bluray and licensed trough dolby


-- 
Mnyb

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