philippe_44 wrote: 
> I 
> Again, everybody is perfectly entitled to have fun building or buying
> complex and expensive gears. But it’s about aesthetic and hobbies, what
> is incorrect is to claim it is better from a signal theory’s point if
> view.

Perfectly put.

The valid analogy is not a 360x240 computer screen (ewww!) but the pixel
wars that went on in digital photography for a long time, and which
-among many things- contributed to the demise of digital compact cameras
by forcing silly upgrade cycles based on a 64mp or more sensor when the
fact was the lens didn't provide anywhere near that resolution. Silly
marketing. It kind of has started again with some smartphones, but that
because of available CPU power and big data algorithms to *mask* the
limitations of the original picture... while in audio, with 16/44 there
is nothing to mask, an it's actually overkill unless the best recording
equipment and know-how was applied to begin with.Now that digital
cameras -even full frame- have to compete with smartphones, the
megapixel was died and instead the focus is on stuff like dynamic range
etc -the stuff that matters. Camera makers know even us ambitioned
consumers don't really need more than 12-24mp - you can make a billboard
with that, really. Pushing beyond that is cumbersome - just makes it
take more time to copy and edit and process with - kinda like 24/192 or
beyond audio.The key is to keep real balance between technology
capabilities as a source to destination delivery mechanism. Someone
mentioned a Ferrari vs a Prius... the relevant question in that scenario
is whether you care if your Amazon order is delivered by either. Maybe
some prefer the "Ferrari delivery" that in the end is completely
irrelevant to the outcome...

Disclaimer: I *do* own some 24/192 albums, but I most certainly don't
fool myself I can hear the difference, and couldn't and wouldn't care to
even with a million dollar music system. At the height of my audiophile
powers, I owned a system that was prolly around $80k. It sounded
glorious in that room. But honestly, my current system is more "true"
and accurate and gives me 200% audio satisfaction at a fraction of that
cost. When I really want to obsess I use headphones anyhow (mandatory if
you want to truly reliably hear a difference between 320k and CD, but
pick your tracks well and use something like a Shure SE535 - strictly
neutral stuff).



...pablo
Server: Win10 and LMS 8.1.0
System: SB Touch --optical->- Benchmark DAC2HGC --AnalysisPlus Oval
Copper XLR->- NAD M22 Power Amp --AnalysisPlus Black Mesh Oval->- KEF
Reference 1
Other Rooms: 2x SB Boom; 1x SB Radio; 1x SB Classic-> NAD D7050 -> Totem
DreamCatcher + Velodyne Minivee Sub
Computer audio: workstation --USB->- audioengine D1 -> Grado RS1/Shure
1540
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