>From: "Matthias Nolte" <[EMAIL PROTECTED]>
>Reply-To: "Drum & Bass Arena Discussion List" 
><[EMAIL PROTECTED]>
>To: "Drum & Bass Arena Discussion List" <[EMAIL PROTECTED]>
>Subject: [dnb-prod] Re: "Sits well in the mix"
>Date: Thu, 24 Jan 2002 18:52:43 +0100
>
>Speaking of spektrum coverage:
>How do You guys organize Yourselve when it comes down to mixing/EQing
>and stuff? I mean, it�s a three-dimensional problem:
>
>1) You�ve got different "instruments" with
>2) different spectrums playing
>3) at different times.
>
>Sometimes I write down the frequencies  off all "instruments"
>to see what elements of the track have the same frequency range.
>Then I try do narrow down the spektra (sp?) of "clashing sounds" to
>avoid
>overlaps. Most of the time there are still overlaps left, so then it�s
>more
>a matter of "timing".
>
>How do You do it?
>And what do You actually EQ?
>Most of the time I start with a MIDI-Arrangement an during the course
>of the production I convert all elements into Audio. After that I
>EQing-the soundclips. Another way would be to change the
>original Sampler-/Synth-sounds to fit into the track, but I never do
>that.
>For me it just works ok, but sometimes I have the feeling that there
>must
>be a better way to handle this......
>
>Anyone?
>
>Mat/Vertecs
>
>
>

>
> > For example, lets say you choose a really low, boomy kick for your
> > track.  Youve made an artistic decision, but youve also made a mixing
> > one since now that part of the spectrum is covered- you got to make
> > sure you choose a bass that wont compete for the same spot.
>
>
>---
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