exactly what i was going to say. the piano roll is the only thing that makes fruity a tolerable sequencer.
-josh ____________________________________________________ independent u.s. drum'n'bass -- http://vitriolix.com amit wadhwa wrote:
if you're using fruity loops for any instrument where you want notes of varying length, use the piano roll, not the step sequencer. then experiment with sustain, decay, attack and release to get that proper timing down.
Johnson, Matthew writes:
I am just wondering how to go about creating a bass-line over a drum pattern
I have already made.
For example, lets say I am using Fruity Loops and have put a drum loop down
at 180 bpm.
now I want to create a bass-line over it.
to do this at the moment, I just select the bass sound from the library and
put it in the pattern window by placing it at different notes and cutting
itself so that it doesn't overlap with previous notes I have programmed.
I just want to now how the 'professionals' go about creating a bass line for
a track.
and I mean an idiots-guide style instruction!!! ;-)
-----Original Message-----
From: Jimbo's Drunk again [mailto:[EMAIL PROTECTED]]
Sent: Tuesday, January 28, 2003 12:46 PM
To: Drum & Bass Arena Discussion List
Subject: [dnb-prod] Re: Those amazing b-lines
Please explain a little more.
you see, you can have many types of bass sounds with many different note variations. A piano sound isn't a very good sound to produce sub frequencies.
With regards to how long should you keep a bass sound going, you have to be more clear. Play with the ADSR to see what kind bass sound sounds best.
Jimbo :o)
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