Wade -

The circuitry is quite different between TUNE and CW modes.

In TUNE. the Mic Amp is converted to an audio oscillator, and the tone produced is fed to the Balanced Modulator where it is treated the same as any other modulation. Also transmit ALC is active, which is why the output "levels off" in TUNE mode as the GAIN is increased.

In CW, a DC bias is applied to the Balanced Modulator to unbalance it. The Carrier Oscillator is then shifted approximately 1 kHz to put it within the passband of the LSB filter so it can be passed on through to the rest of the transmitter.

This DC bias is controlled by the GAIN control through R104. A common problem is R104 going up in value with age, decreasing the available bias current.

Other possible problems are a defective C177, R105, misadjusted C6 or defective LSB filter. If you have a receiver that covers 5.645 MHz, listen to the Carrier Oscillator and see if it changes approximately 1 kHz when switching from SSB to CW.

Let us know what you find.!

73, Garey - K4OAH
Glen Allen, VA

Drake 2-B, 4-B, C-Line&  TR-4/C Service Supplement CDs
<www.k4oah.com>


wmacleod wrote:

Hi Drakelist

During a recent alignment of a T-4XC I encountered an interesting problem which I am still trying to troubleshoot. I am hoping that someone out there may have already experienced this problem and can point me in the right direction.

Description of Problem:

When placed in Tune Mode and loaded into a dummy load, the transmitter easily outputs 140W on all bands from 80-10 meters. Gain setting is approximately 5 (mid scale) and plate current is approximately 230 ma. However, when placed in CW mode, the gain setting must be increased to 10 (full scale) just to achieve 90W at 200 ma. There appears to be insufficient gain to drive the PA to the same power level as achieved under Tune conditions. Readjusting Plate, Load and RF Tune does not provide any additional output power.

Analysis to Date:

The Drake manual indicates that there is always some additional gain adjustment and sometimes repeaking required when going from Tune to CW modes but I sense the wide open gain setting indicates there is insufficient gain to fully drive the PA stage in CW mode. I tried replacing the 12BY7A driver and PAs but the problem remains the same.

Now I need to understand how the Gain really works in CW vs. the Tune mode and compare the expected signal levels which the driver should be seeing to determine what is causing the difference between the two modes. I am starting to read through Gary’s maintenance CDs but any suggestions on where to focus or what to measure would be greatly appreciated.

Regards

Wade

VA3HM


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